If you're not planning a second visit soon, visiting Quanzhou for an exhibition requires some decisiveness. In this city, half bustling with life, half celestial, the cultural landscape is clearly dominated by temples and religious sects, while museums need to take a back seat. This retreat creates a "contradiction." Quanzhou's main exhibition halls are located in the east and west. The east is bordered by East Lake, featuring the Quanzhou Overseas Transportation History Museum and the Quanzhou Intangible Cultural Heritage Museum; the west, West Lake, is home to the Quanzhou Museum and the China Fujian-Taiwan Relations Museum. After much deliberation, I ultimately chose the eastern route. After all, for a city, the most important priority is to see what best represents its identity. Quanzhou, a major port during the Song and Yuan dynasties and one of the five treaty ports during the humiliating period, deserves to be explored first with its international connections.
Although the Overseas Chinese Museum and the Intangible Cultural Heritage Museum are not far from each other, for comprehensive consideration, we decided to split the visit into two half-days. Since the Intangible Cultural Heritage Museum and the Southern Shaolin Temple ruins are right next to each other, we could spend half an afternoon together. By the end of both visits, it was still light, and we could arrange to visit Kaiyuan Temple on West Street and have dinner and shopping there in the evening. The Overseas Chinese Museum takes at least two hours, so we could combine the morning visit with the Luoyang Bridge visit. We could go to the Luoyang Bridge, which is open all the time, at 7 a.m. and arrive at the Overseas Chinese Museum before 9 a.m., when the first wave of visitors is still small, making the experience quite pleasant. This advance planning is important because both museums require advance reservations via WeChat (at least for the 2025 Spring Festival), and booking on-site is always a bit uncertain. (In practice, the Overseas Chinese Museum strictly verifies reservations, while the Intangible Cultural Heritage Museum is more relaxed, perhaps due to crowd volume.)
The Quanzhou Overseas Chinese Museum must be entered through the north gate, but can be exited through the south gate. It's quite large, and while not many floors, the extensive passageways between the buildings make it easy to miss something. Yes, the easily missed areas I mentioned are the Quanzhou Religious Stone Carvings Exhibition Hall and the Islamic Stone Carvings Exhibition Hall. They're not located on the main exhibition hall building, but rather on the exit path. The entrance is right outside the hall, leading many visitors to mistake them for just a passageway and skip a thorough exploration. This is evident in the traffic flow across the various exhibition halls: the ship exhibition hall is packed, the religious stone carvings are scattered, and the Islamic stone carvings are nearly deserted.
1. The main hall explains the history of Quanzhou Port, beginning with its role as a trading port during the Song and Yuan dynasties. It then expands on the related maritime transport, imports and exports, related institutions and systems, the impact on architecture, the international communities brought together by trade, and their beliefs. Interspersed throughout are artifacts and artifacts. I recommend spending at least half an hour exploring this section; it's the main outline; the other exhibition halls are its offshoots. Here, we explain why Quanzhou is known as "half city of fireworks, half city of immortals," truly deserving of its title as a city of religious fusion! (I came up with the name myself)
2. The Quanzhou Religious Stone Carving Exhibition Hall primarily displays Christian and Hindu stone carvings. The Hindu stone carvings, in particular, are the only surviving examples in the country. Rather than being a religious stone carving, it's more of a fusion of Chinese and Western cultures. Foreign religions entering China adapted to local conditions, using Chinese