Memorial Hall

Zhu Mutang is one of the attractions of Xidi Ancient Village complex. It was built in the Qing Dynasty in Qianlong, covering an area of 351 square meters. It is built for the 24th ancestor of the Ming Jing Hu Jia San, and the grandfather and father are remembered. In the hall there are portraits of Li Shimin's meritorious servants and statues of Li Shimin.

Zhumutang is an ancient building in the scenic area of Xidi Ancient Village, Jixian County, Huangshan City, Anhui Province. Chamutang is a temple where Xidi Hu worshipped his ancestors. The last entrance to the courtyard is to worship the portrait and plaque of Hu's ancestor Li Shimin.

Zhumutang is Xidi Hu's worshipping ancestors' temple. The building is generally laid out in the north and south direction. The space of Zhumutang has a clear sense of sequence. From the front square of the hall to the square patio through the hall to the lobby, and then from both sides into the back of the strip patio to the place where the ancestors are worshipped. The space is clearly defined.

Zhumutang is Xidi Hu's worship ancestors' temple, this building is generally in the north and south direction layout, the space of Zhumutang has a clear sense of sequence, from the front square of the hall to the square patio to the lobby, and then from the sides into the back of the strip patio finally arrived at the place of worship for ancestors The space is clearly defined here.

Zhu Mutang, built in the Qing Dynasty Jiayi years (1794 AD) for the Ming Jing Hu's four ancestors Hu Guansan, chasing the grandfather Bing Pei, father should be Haigong life, Chongwen Shangyi, happy and good. There are portraits of Li Shimin's meritorious and worshipping Li Shimin statues.

Zhumutang is the second largest Hujia Temple in Xidi, dedicated to Hu's ancestor Tang Taizong Li Shimin. The largest Hu's Temple is now Jingaitang, built in 1600, opposite the Xidi Village Residents' Committee, which is larger and worth seeing. In Xidi and Jingaitang staff chat, she told us that the Hu family was traced back. The original Hu descendants lived in the current Jiangxi Wuyuan area. The ancestor was Li Shimin. She opened her mobile phone and let us see the historian's discussion. In the Chain Mutang, there is a statue of Li Shimin. The word screen hanging on the walls on both sides is Li Shimin's famous handwriting. With copper as a mirror, you can wear a dress; with ancient as a mirror, you can know the Xingshi; with people as a mirror, you can see the gains and losses. Go to luxury and save money, lightly and thinly, choose cheap, so that the people have more food and clothing, as the way of the king, you must first save the people. Zhu Mutang was built in 1794 and is Hu Guansan to commemorate the noble and noble father and inspire future generations. In 1992, Xidi Village invested in rebuilding the gate building. Zhu Mutang's three-entry opening room, layer by layer, has a solemn trend. The bluestone slabs of the hall are paved, the boulders are erected, and there is a picture of Li Shimin's heroic battle story on the corridor. The history of the Hu family is recorded on the screen. The patio is open and bright, and the floors are high along the floors. In ancient times, the buildings were strict, the patio was ventilated into light, and the rain could be received. The content of chasing Mutang is rich. If you are interested in the Hu family, you will not watch it for an hour. The culture of the Tongtang is part of Chinese civilization. The Tongtang has a sense of belonging. The Hui merchants who are uprooted from home are looking for family and friendship in the Tongtang, inheriting the spirit of loyalty and filial piety and maintaining the family. The wedding celebrations, the race to discuss major matters, and the punishment of violating ethnic rules and morality were carried out in the hall. Hu's hall in Xidi Village is very complete and well protected.

I saw the projection of the wooden fence very rhythmic. The gates like translucent curtains put the square space outside the hall and the entrance of the hall under the eaves together. Entering from the entrance, bypassing the screen, is the core space of the Mutang ―― square patio and lobby. It can be seen that the space of the Mutang has a clear sense of sequence. From the front square of the hall to the square patio through the hall to the lobby, and then from both sides into the back of the bar patio finally arrives to worship ancestors. The space is clearly defined here.