This year’s pavilion by British artist John Akomfrah RA will be a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way. 
Through his work, Listening All Night To The Rain, Akomfrah will continue to explore the themes that have featured throughout his work of the past four decades and his investigation of issues of contemporary life, such as memory, migration, racial injustice and climate change - with a renewed focus on the act of listening and the sonic.
Visitors can expect an interlocking, multi-media installation that builds as they journey through the pavilion space. 
Akomfrah, who was recently honoured with a knighthood in the 2023 UK Honours list, is known for his art films and multi-screen video installations, which explore major issues including racial injustice, colonial legacies, diasporic identities, migration and climate change.
The London-based artist initially came to prominence in the early 1980s as part of the Black Audio Film Collective (BAFC), a group of seven artists founded in 1982. The BAFC's first film was Handsworth Songs (1986) which explored the events around the 1985 riots in Birmingham and London. In recent years, his multichannel video works have evolved into ambitious, multi-screen installations shown in galleries and museums worldwide. In 2017, he won the Artes Mundi prize, the UK’s biggest award for international art. He has previously participated in La Biennale di Venezia with his piece Four Nocturnes, commissioned for the inaugural Ghana Pavilion in 2019.

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John Akomfrah, British Pavilion at the 60th Venice Biennale

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## St. Mark&#39;s Square: Venice&#39;s soul living room, an open-air celebration that never ends **Definitely worth it! **Step into St. Mark&#39;s Square (Piazza San Marco), and you stand at the apex of Venice&#39;s beating heart and glory. Napoleon called it &ldquo;the most beautiful living room in Europe,&rdquo; and it is not just a geographical center, but an open-air theater that condensed millennia of history, art and life, the ultimate classroom for understanding Venetian temperament. ### **Strike the shocking highlights of the soul**: * ** The ring stage of the architectural epic**: The square itself is a museum without a roof. Look at: ** St. Mark&#39;s Cathedral** The golden dome and gorgeous mosaic facade, combining the Byzantine Eastern mysteries and the magnificent Gothic beauty; **Governor&#39;s Palace**Lace-like pink Gothic arcade, showing the majesty of maritime supremacy;** Bell Tower** towering into the clouds, such as red sceptres directly to the sky; **New and old Executive Officers&#39; Corridor**(Procuratie Vecchie &amp; Nuove) Elegant arcades are connected into giant curtains, framed to restore the skyline. Different times and styles of buildings resonate in harmony here, forming an unparalleled visual symphony**. *** Flowing daily and celebration**: The magic of the square is that it never solidifies. **Morning light micro**, the slate reflects the soft light of Wuhu, the sound of the water washed by the cleaners is the prelude to the city&#39;s awakening;**Daylight**, the pigeons circled like flowing clouds, tourists in the open-air coffee seat (such as the century-old store Florian) drinking Italian concentration, the band&#39;s classical melody with the sea breeze; **At the height of the tide, the water reflected the columns and the sky, and pedestrians stepped on the makeshift trestle bridge to become a unique magical scenery in Venice. Here is the best box for observing the 100 states of all beings**. ***Light and Shadow Magic and Space Poetics**: The square changes its appearance with the change of light. When the sunset melts gold, the cathedral&#39;s golden roof burns like fire, and the Governor&#39;s Palace is stained with honey; the lights are on at the beginning of the Hualien, the lights under the arcade are lit like star chains, and the silhouette of the clock tower sinks into the dark blue night. Its trapezoidal graphic design (82 meters wide at one end, At the other end, only 57 meters) cleverly created the visual depth of the church from the Piazzetta by the sea, the complex is propelled like a stage set, and the momentum is magnificent. ###**Don&#39;t miss the finishing experience**: ***Clock Tower - Panoramic view**: At 98 meters high, you can see the beauty of the red-tile maze, blue waterways and square geometry (detailed in the previous article). * **Night tour exclusive tranquility**: When the tide of people disperses, the moonlight is spilled on the slate floor, and the corridor column casts a long shadow, so that you can experience the sacred and poetic nature of the square**. * **Feel the &quot;wonder of high tide&quot;**: If there is a climax in the autumn and winter rainy season, the water is like a mirror reflection of the building, and it is a unique Venetian memory to walk in rain boots (see tide forecast!).

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Venice: Water Capital&#39;s End of Love Letter When the gondola boatman hums the tune of My Sun across the moldy green waterway, you know that this water city has become an endangered specimen of globalization. The high tide alarms at St. Mark&#39;s Square are ensembled with cruise ship whistles, pigeons are excreting on the golden roof of the Governor&#39;s Palace, and the Adriatic is nibbling romance into ruins at a rate of two millimeters a year. The Labyrinth Lane hides the final miracle. In the morning mist at the Rialto fish market, glass trout refracted rainbows on broken ice, and fishmongers wearing gold chains cursed frozen cargo ships in dialect. In the mask workshop at the end of the dead lane, the old craftsman glued the long beaks of the plague doctor with rabbits, his wrinkles more twisted than the canal veins. The contours of the Church of Our Lady of Ankang melted in the backlight as it passed behind it at sunset on the College Bridge, forming a cruel allegory of civilization change. The real face under the carnival mask was the most shocking. At the Harry bar on high tide, old waiters in tuxedos raised Berini cocktails over their heads and poured them over their heads. When tourists paid for 28 euros of peach juice and sparkling wine, the bar TV was broadcasting news of citizens protesting against the arrival of cruise ships. In the small square of the bluestone in the Jewish quarter, children playing football smashed the ball into the iron windows of the 16th century &quot;ghetto&quot;, and the sound of metal tremors echoed the memory of 500 years of imprisonment. It is recommended to get lost in the castle area late at night. When drunk backpackers disappear, the damp moonlight overflows the peeling wall paintings, Seaweed and historical saltiness ooze between the stone seams. At this time, in a window with a dim light, the old woman read aloud Calvino in dialect - these stubborn and surviving daily slices are the souls of the water city that are not sold. Take the 2nd water bus to the outlying island before dawn. Seeing the outline of the sigh bridge in the morning mist, and the port container ship whistled - gondola is a hearse on the water, carrying the remains of Venice to the future of specimens. It is not worth the Romantic pilgrimage here, but if you want to salvage the light of the civilized shipwreck in the salty wind, Each peeling wall hides more real gold than postcards.

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Time:	2024年4月20日–11月24日 (UTC+1) ENDED
Location:	Giardini della Biennale

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