The first institutional survey exhibition of Shu Lea Cheang (b. 1954, Tainan, Taiwan) takes the taiwanese-american artist’s first feature film Fresh Kill (1994) as a starting point, presenting the artist and filmmaker’s world-building practices and updating works from the past three decades.
Cheang moved to New York City in the 1980s, where she joined the vibrant scene of independent cinema and started experimenting with video, live TV, and network technologies. Since the 1990s, her work has challenged and furthered our understanding of digital culture. Cheang anticipated the advance of alternative currencies, investigated gamified societies, and probed biotechnologies. Her works often develop over several years through different stages and media, including video, installation, performance, and various forms of cinema.
The exhibition updates works and artefacts into new landscape formations extending through four gallery spaces. Trash appears as a primary theme that leads Cheang’s investigation into the entanglement of biosphere and technosphere. Each gallery is its own world in which internet-based installation and software interaction invite the audience to explore and play.

Munich

Germany

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The House of Art is a grand building constructed during the Nazi period in Germany. It is now divided into several parts for art areas, some of which are used for regular exhibitions and some for temporary exhibitions.

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Price was reasonable, but really it had too many rooms to visit, lost patience at a point. Overall I find interesting when anything relates to Empress Sisi. Worth a visit if you&rsquo;re interested in Bavarian history.

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