Featured Events in New York in March, 2025 (June Updated)

We’re excited to announce Emela Brace Nomolos’ second solo show with us! CODEX opens on March 19th, 6-9 PM, with the exhibition running until March 31st. Stay tuned for more details! Complimentary drinks!! Information Source: Awita New York Studio | eventbrite

About This Event: Harlem Hill Half The inaugural Harlem Hill Half is the first of its kind. For all the times you’ve ever tried to avoid Central Park’s premier Harlem Hill, you will now get the unique opportunity to embrace the hill to complete ten ascents for a total mileage of 13.1-ish miles. The cost of entry includes a beer (alcoholic or non alcoholic back at As Is), custom race bibs, and access to the image folder after the race. There will be a mid-hill fuel stop with electrolytes and gels. Runners MUST have Strava downloaded and record their individual segment/activity as there will not be official timing. This loop race will challenge your speed, endurance, and team efforts. Both individual and team registration options are available. Prize winners for the top female, male, non binary, and team will be announced back at As Is. The post race party will be back at the As Is Bar on 50th Street and 10th Avenue. Race Day Details: Date: Sunday, March 30, 2025Check-in: 9:30 AMRace Start: 10:00AMDistance: 13.1 -ish miles (nine loops + one final ascent)Start Location: Central Park North - 110th st + Adam Clayton Blvd. Entrance to Central Park North/Bottom of Harlem Hill.Race Finish: Light at the top of Harlem HillFormat: Teams register under the Team Entry,” listing all names of participants. Those participating in the team event will need 3 team members. Each person will complete three laps and all members will run the last ascent together for a total of 9 laps and one final ascent.To & From: Cathedral Park 110th St (C &B Trains) Central Park North 110th t (2 & 3 Trains) Post Race Party: As Is NYC - 734 10th Ave NYC 10019 - 50th & 10th Don’t miss your chance to join the inaugural Harlem Hill Half presented by As Is. Register as an individual or as a team, today! Here is the race course on Strava: https://strava.app.link/RRRE0mDRhRb Information Source: eventbrite

Anne Imhof has emerged over the past decade as one of the most acclaimed contemporary artists of her generation. While working prolifically across painting, drawing, video, music, and sculpture, she is best known as a world builder and scene setter creating large-scale endurance performances or tableaux vivants that unite these various media in singular compositions. After galvanizing the German pavilion with her exhibition and performance Faust, for which she was awarded the prestigious Golden Lion award at the 2017 Venice Biennale, the visual and performance artist has gone on to create exhibitions at the Tate Modern in London and Palais de Tokyo in Paris that received acclaim from critics and viewers alike while landing her at the top of Art Review‘s “Power 100” list. The radical art world superstar takes hold of the entirety of the Armory for her largest performative work to date.

In a landmark theatrical event, two-time Academy Award® winner George Clooney makes his Broadway debut in Good Night, and Good Luck , an electrifying stage adaptation of the critically acclaimed film. Tune in to the golden age of broadcast journalism and Edward R. Murrow’s (Clooney) legendary, history-altering, on-air showdown with Senator Joseph McCarthy. As McCarthyism casts a shadow over America, Murrow and his team at CBS choose to confront the growing tide of paranoia and propaganda, even if it means turning the federal government and a worried nation against them. Under the direction of Tony Award®-winner David Cromer, from the original screenwriters Clooney and Grant Heslov, Good Night, and Good Luck chronicles a time in American history when truth and journalistic integrity stood up to fearmongering and disinformation - and won.

Experience the captivating performance of Jack Kays at the upcoming event "Washed Up Dried Out" in New York City. Set to take place at Irving Plaza Powered By Verizon 5G on March 18, 2025, this event promises a night filled with soulful music and memorable moments. Located at 17 Irving Place, NY, 10003, the venue provides the perfect backdrop for Jack Kays to showcase his talent. Don't miss out on this opportunity to witness a truly unforgettable performance.

Experience the mesmerizing harmonies of IL VOLO at the highly anticipated 2025 World Tour, set to take place at the iconic Radio City Music Hall in New York City on March 21st, 2025. The renowned trio will showcase their incredible vocal talents at this prestigious venue located at 1260 6th Avenue, NY, 10020. Don't miss this unforgettable evening of music and artistry as IL VOLO captivates audiences with their exquisite performances.

Experience an unforgettable evening at Radio City Music Hall in New York on March 26, 2025, as Megan Moroney presents her "Am I Okay? Tour" with special guest Patrick Droney. This highly anticipated event promises a captivating performance by these talented musicians in the heart of the city. Don't miss the opportunity to witness their extraordinary talents live on stage at this iconic venue located at 1260 6th Avenue, NY, 10020. Mark your calendars for a night filled with soulful music and exceptional live entertainment.

Public Art Fund presents Huma Bhabha: Before The End, an exhibition featuring a series of four new large-scale bronze sculptures set against the verdant backdrop of Brooklyn Bridge Park. Drawing inspiration from a diverse array of influences, Bhabha’s works blend aesthetic, cultural, and psychological elements, probing the intersections of art, science fiction, horror, and mythology.

Pets and the City explores the visual history of New Yorkers and their animal companions over the last two and a half centuries, tracing the ever-evolving relationship between Gotham’s people and its animals as the city grew increasingly urbanized and industrialized. Through a broad spectrum of works of art, objects, documents, memorabilia, and clips from film and television, the exhibition surveys the evolution of pets—from their presence among the Lenape and Haudenosaunee and the hunting culture of settlers through their insinuation into the urban family and onto the pampered pets of today, which enjoy their own public rights.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum presents a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950). Widely recognized as an authority on illuminated manuscripts and deeply respected as a cultural heritage executive, Greene was one of the most prominent librarians in American history. She was the daughter of Genevieve Ida Fleet Greener (1849–1941) and Richard T. Greener (1844–1922), the first Black graduate of Harvard College, and was at birth known by a different name: Belle Marion Greener. After her parents separated in the 1890s, her mother changed the family surname to Greene, Belle and her brother adopted variations of the middle name da Costa, and the family began to pass as white in a racist and segregated America.

What belongs in a museum, and who decides? How can we be more democratic in defining value? As a leading arbiter of taste, style, and form, The Museum of Modern Art played an instrumental role in shaping the history of modern design. Norman Teague invites us to reimagine the past by moving beyond "good modern design" as defined by institutions like MoMA. Drawing inspiration from artists and designers traditionally excluded from museums, and assisted by generative AI, he offers a reinterpretation of design history. These reimaginings—posters and full-scale prototypes shown alongside objects from MoMA’s collection—foreground makers of color and embody the cooperative, inventive spirit that guides Norman Teague Design Studios. Teague balances reverence for design innovation with an acknowledgment of the power dynamics that shaped it. With the rise of AI forcing a wholesale reevaluation of human creativity, he reminds us of the creative potential of inviting a diversity of voices into the chorus. As in a musical jam session, collaboration, respect, and improvisation bring us back to the question that sparks every act of imagination—the what if—inviting us to contemplate both the past and the future as realms of boundless possibility.

Featuring over 90 artworks to be presented in the museum’s iconic rotunda, this major exhibition will examine the vibrant abstract art of Orphism. It will explore the transnational movement’s developments in Paris, addressing the impact dance, music, and poetry had on the art, among other themes. Orphism emerged in the early 1910s, when the innovations brought about by modern life were radically altering conceptions of time and space. Artists connected to Orphism engaged with ideas of simultaneity in kaleidoscopic compositions, investigating the transformative possibilities of color, form, and motion. Selected works by artists including Robert Delaunay, Sonia Delaunay, Marcel Duchamp, Mainie Jellett, František Kupka, Francis Picabia, and Amadeo de Souza-Cardoso, and by the Synchromists Stanton Macdonald-Wright and Morgan Russell, will be on view.

Art of Commerce: Trade Catalogs in Watson Library features a selection of the library’s extensive holdings of sale catalogs. Watson Library has almost two thousand trade catalogs published in many countries from the eighteenth century to the present. Objects featured include furniture, jewelry, tiles, ironwork, glasswork, lighting, stoves, tableware, textiles, decorative paper, artist’s materials, fashion, typography, automobiles, and musical instruments. Numerous catalogs illustrate works of art or related objects now in The Met collection.

Hutchinson Modern & Contemporary presents Debora Hirsch: Herbaria, a solo exhibition of the artist’s recent cibachrome and inkjet prints, paintings, and video works.

This exhibition presents a selection of paintings and drawings by Piet Mondrian from the Guggenheim’s singular collection, one of the most representative in the world. Throughout his career, Mondrian made distinctive contributions to the development of abstract art. He sought to move painting away from the representation of nature to render a universal essence or spirit.

The Bryant Park Winter Village guide provides essential information about the upcoming event in New York City. Located at Bryant Park, this highly anticipated winter village, sponsored by Bank of America, will offer an array of exciting holiday shops, delectable food options, and engaging activities. From November 26, 2024, to March 2, 2025, visitors can immerse themselves in the festive atmosphere of this renowned event. One of the main attractions is the 17,000-square-foot ice-skating rink, which is free to use if visitors bring their own skates. However, the Winter Village itself is equally captivating, with over 170 new and returning kiosks to explore. Considered one of the best Christmas markets in the world, this event takes place in one of New York City's finest parks. The Bryant Park Winter Village guide ensures you have all the necessary details, including the official opening and closing dates of the market. Prepare to embrace the most wonderful time of the year in this remarkable setting.

There is no mistaking the work of Marlon Mullen. His distinctive paintings, with their lush surfaces and bold color, extend the long-standing tradition of making art about art. For nearly 40 years, Mullen has been based at the NIAD Art Center, a progressive arts studio for artists with developmental disabilities in his native Richmond, California. Donated issues of art publications, such as Art in America and Artforum, serve as his primary subject matter. Projects: Marlon Mullen presents a selection of the artist’s paintings from the past decade. Upon selecting a glossy cover or an interior page as a point of departure, Mullen paints using acrylic on canvas, flat on a table. He maintains visual ties to his source material, while also radically transforming it. The resulting compositions reimagine the relationships among their parts. Barcodes and other details may zoom into prominence. Letters, numbers, punctuation, and the spacing between them may disappear or repeat. Imagery and graphics all become pure form to be reordered and reshaped. As this exhibition demonstrates, Mullen views magazines and art books not only as a prompt to create, but also as an invitation to engage with today’s art world on his own painterly terms.

This installation introduces a charming and historically significant group of 1920s dress silks designed by some of the leading commercial artists of that era. While the American fashion industry was previously dependent on French textile and dress design, the “Americana Collection” set out to prove that the fifteen American designers commissioned (a group that included both male and female designers) were as talented as French designers. The Stehli Silks Corporation took a gamble on these bold designs, many showing images of 1920s American life. The installation includes information on the rise of American design for the American consumer in the early years of the twentieth century, the visual and popular culture of the 1920s that informed the textile designs, and it also introduces the various designers who were involved with this groundbreaking textile line. Some of the designers, like photographer Edward Steichen and cartoonist John Held, Jr., are still remembered today, while others, considered equally talented in their day, have faded from memory.

The Department of Drawings and Prints boasts more than one million drawings, prints, and illustrated books made in Europe and the Americas from around 1400 to the present day. Because of their number and sensitivity to light, the works can only be exhibited for a limited period and are usually housed in on-site storage facilities. To highlight the vast range of works on paper, the department organizes four rotations a year in the Robert Wood Johnson, Jr. Gallery. Each installation is the product of a collaboration among curators and consists of up to 100 objects grouped by artist, technique, style, period, or subject. In 2024, the Museum received a remarkable gift from JoAnn Edinburg Pinkowitz of some three hundred prints by Mexican and other (mainly American) artists who worked in Mexico. This gift builds on JoAnn’s earlier donation of twentieth-century Chinese prints of the modern woodcut movement. JoAnn was raised in a family passionate about collecting art. During the 1960s, as a teenager, she volunteered in the Department of Prints and Drawings at the Museum of Fine Arts, Boston. She began collecting prints in 2009 after being inspired by the museum's exhibition Vida y Drama: Modern Mexican Prints. JoAnn was attracted to art that had a strong social and political message. Many of the prints on view were published by the Taller de Gráfica Popular (Workshop of Popular Graphic Art), a printmaking collective founded in 1937 in Mexico City “with the aim of stimulating graphic arts production in the interests of the Mexican people.” In the 1950s, artists from the workshop traveled to China, where they introduced their work to local artists. Artists from both countries treated similar subjects, and this spurred JoAnn to give Chinese prints to The Met. The Pinkowitz material dovetails perfectly with The Met’s outstanding collection of Mexican prints and includes works by artists not previously represented. Prints by American artists in Mexico and mid-century Chinese artists also deepen our appreciation of traditions of democratic printmaking.

From the tales of famous travelers like Marco Polo and Alexander the Great to the ancient encyclopedias of Pliny and Isidore, medieval conceptions of the world were often based more on authoritative tradition than direct observation. This exhibition presents one of the most fascinating examples of a medieval guide to the globe, known as the Book of the Marvels of the World. Written in France by an unknown author, this fifteenth-century illustrated text vividly depicts the remarkable inhabitants, customs, and natural phenomena of various regions, both near and far. Reuniting two of the four surviving copies, The Book of Marvels: Imagining the Medieval World brings to life medieval conceptions—and misconceptions—of a global world. Additional objects in the exhibition demonstrate how foreign cultures were imagined in the Middle Ages, and what the assumptions of medieval Europeans tell us about their own implicit biases and beliefs. Highlights include rare illustrated manuscripts of Marco Polo and John Mandeville; a richly ornamented Ottoman Book of Wonders, made for a sultan’s daughter; and a spectacular medieval map of the Holy Land, based on pilgrimage accounts.

George Condo’s two-part exhibition, ‘Pastels,’ spanning galleries at both Sprüth Magers and Hauser & Wirth in New York City, offers a glimpse into the artist’s creative process and unbound inventiveness through the medium of pastel. Condo’s new works challenge the limits of improvisation within this medium—spontaneously deploying gesso, fields of color and dramatic pastel gestures, all without the benefit of preparatory sketches—to express various states of the human psyche. The artist embraces the act of abstraction within a figural framework in novel ways, materializing the fragmented, elusive nature of ineffable thoughts and feelings.

‘Catherine Goodman. Silent Music’ presents a series of new, large-scale paintings by the British artist, where her characteristically expressive brushwork yields animated surfaces that pulse with the dynamic energy of their making. For Goodman, the studio is a place of spiritual meditation. Each painting represents an act of intimate transmutation—a way for her to turn closely held memories and personal vulnerabilities into newfound stability. As the artist trustee at the National Gallery in London, Goodman has spent hours drawing from the collection and has developed a particular affinity for Old Master paintings, which she describes as her ‘only real teacher.’ Inspired by the intensity and drama of Renaissance masterworks by artists such as Titian and Veronese, and influenced by the poignantly psychological work of such groups as the London School, Goodman’s highly personal paintings transcend her individual experience, opening outward and inviting us in.

Norman Reedus: In Transit, captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned. These selections emphasize the passage of time and the ephemeral nature of beauty. Reedus’ photography is distinctive, marked by its dark aesthetic. He tends to capture unconventional subjects, urban landscapes, and candid moments that exude a sense of mystery and grit.

Friedrich is a master of landscape painting. He pioneered the back-drawing method and was good at depicting landscapes with profound symbolic meanings in a romantic style, expressing faith through the depiction of the natural world. This is Friedrich's first major exhibition in the United States, which will display 75 exquisite works from 30 collections. You can let your inner tenderness fly in the mist and mountains that the artist has painted for us.

Galerie Lelong & Co., New York, presents Etel Adnan: On Paper, 1960-2021, a survey of works on paper by the late artist and writer. This is the fourth solo exhibition at the gallery by Adnan, who had her first solo exhibitions at Galerie Lelong & Co. in New York and Paris in 2015. This exhibition is the first in the United States to show Adnan's works on paper in depth, including compositions in ink, pencil, pastel, and watercolor, and a selection of leporello artist books. These represent nearly six-decades of Adnan's creative output until her death in 2021. The works on view showcase her distinctive use of gesture and perception across mediums, drawing inspiration from a range of artistic genres such as landscape, still life, and abstraction. This exhibition is held in commemoration of the one-hundredth anniversary of the artist's birth, and in conjunction with Etel Adnan: In the Rhythms of the World, a seminar celebrating Adnan's writing organized by Omar Berrada and Simone Fattal and jointly hosted by the Poetry Project and Giorno Poetry Systems, New York.

Lisson Gallery presents the first U.S. solo exhibition in over five years by Tatsuo Miyajima, one of Japan’s most celebrated sculptors and installation artists. Known for his innovative use of LED technology to explore Buddhist philosophy, Miyajima’s work investigates themes of time, existence, and the cycles of life and death. The exhibition introduces three new series – Many Lives, Changing Life with Changing Circumstance, MUL.APIN, and Hundred Changes in Life – which build on explorations of ‘Seimei’, a Japanese concept encompassing life, being and consciousness.

Fleiss-Vallois presents Elles. With works spanning from 1934 to 2024, the exhibition brings together 8 radical female artists who have laid the groundwork for future generations of women artists.

The world-renowned amateur art fair only accepts works by non-professional creators and craftsmen. This year's curatorial theme is "Follow My Moves: Brazilian Self-Taught Art" organized by Brazilian curator Mateus Nunes.

Perrotin New York is pleased to present “Compass,” a solo exhibition by French artist Xavier Veillon. The exhibition features works that focus on the artist’s interest in geometry, including a series of new line drawings, kinetic sculptures, mosaics, and live murals hand-painted on the gallery walls. The murals were completed at the public opening at 5 p.m. on February 28, marking Veillon’s first live painting in the United States.

The Irish stage and screen actor and international lust object Paul Mescal, who beefed up to star inGladiator 2, now plays the most famous sexy brute in dramatic history: Stanley Kowalski, the role that made Marlon Brando a star in Tennessee Williams's steamy 1947 masterwork. Patsy Ferran co-stars as the cracked belle Blanche DuBois; Anjana Vasan is Stanley's wife, Stella, and Dwane Walcott is his poker pal Mitch. This revival, whichpremiered at London's Almeida Theatre in 2022 is directed by Rebecca Frecknell, who also guided the misguided Broadway revival ofCabaret), so be prepared for some wildly stylized choices. Tickets through BAM have already sold out, so if you want to get your hot hands on a ticket, you'll have to depend on the kindness of scalpers.