Latest Events in Saint Petersburg(April Updated)

Karl Brullov needs no special introduction. He was the only Russian classical artist of the 19th century who gained fame in Europe in his lifetime and worldwide recognition after his death. He certainly had natural gift for painting. Moreover, he was a highly qualified professional of brilliant and fascinating personality. Brullov was best known for his ingenuity, immense erudition, independence of mind and behaviour, noble indifference to material values, official awards and honours, incredible freedom in actions, as well as for his enduring devotion to artistic endeavour. Only Brullov was honoured with a kind of title “Karl the Great” that showed the appreciation and admiration of his colleagues, art connoisseurs, and students during his lifetime. He was a true artistic genius, an innovator and Pushkin of Russian painting.

Karl Brullov needs no special introduction. He was the only Russian classical artist of the 19th century who gained fame in Europe in his lifetime and worldwide recognition after his death. He certainly had natural gift for painting. Moreover, he was a highly qualified professional of brilliant and fascinating personality. Brullov was best known for his ingenuity, immense erudition, independence of mind and behaviour, noble indifference to material values, official awards and honours, incredible freedom in actions, as well as for his enduring devotion to artistic endeavour. Only Brullov was honoured with a kind of title “Karl the Great” that showed the appreciation and admiration of his colleagues, art connoisseurs, and students during his lifetime. He was a true artistic genius, an innovator and Pushkin of Russian painting.

Karl Brullov needs no special introduction. He was the only Russian classical artist of the 19th century who gained fame in Europe in his lifetime and worldwide recognition after his death. He certainly had natural gift for painting. Moreover, he was a highly qualified professional of brilliant and fascinating personality. Brullov was best known for his ingenuity, immense erudition, independence of mind and behaviour, noble indifference to material values, official awards and honours, incredible freedom in actions, as well as for his enduring devotion to artistic endeavour. Only Brullov was honoured with a kind of title “Karl the Great” that showed the appreciation and admiration of his colleagues, art connoisseurs, and students during his lifetime. He was a true artistic genius, an innovator and Pushkin of Russian painting.

Welcome to the 2025 VSUAA Leadership Conference! Join the VSU Alumni Association on Thursday, May 15, 2025, at the Gateway Event Center on the campus of Virginia State University, to kick off the 2025 VSU Alumni Weekend with our Alumni Leadership Conference. This year's theme is "Building the Bridge to Greater." Conference Sessions Include: Alumni Author Networking Starting a non-profit for your alumni chapter Marketing strategies for chapter engagement and fundraising Effective Operations/Parlimentary Procedures Alumni Engagement Panel Session Keynote speaker, Lunch, and Entertainment featuring the VSU Concert Choir and the Trojan Explosion Pep Band We are pleased to offer an early bird price of $50 per person t hrough April 15, 2025 . After that date, the registration fee will increase to $60 per person . The fee includes all sessions, a delicious lunch, and a special alumni gift! We look forward to seeing you there! _______________ Chapter Conference Sponsorship Opportunities are also available. Alumni Blue Level Sponsor: $25 Trojan Legacy Level Sponsor: $50 Orange Level Sponsor: $75 For more information, please contact the VSUAA Leadership Conference Co-Chairs. Nicole Cameron - nucameron@gmail.com Yaminah Knight - ykvsuaa.dc@gmail.com Information Source: Virginia State University Alumni Association | eventbrite

Deuterman Productions Presents: JOYWAVE Support: LITTLE IMAGE Artist Presale: Tuesday, Jan 28th @ 10 AM EST til Thursday, Jan 30th at 10 pm EST Spotify Presale: Thursday, Jan 30th at 10 AM EST till Thursday, Jan 30th at 10 pm EST. On sale: Friday, Jan 31st @ 10 am EST JOYWAVE Joywave are at an exciting point in their career. Not only have the act survived the pressures of their major-label debut and the dreaded sophomore slump, they’ve established themselves as the kind of band that you’re as likely to hear at a hip record store as you are at the grocery store. That said, there’s a difference between ubiquity and evolution and with their fifth full-length Permanent Pleasure. Joywave—vocalist/multi-instrumentalist Daniel Armbruster, guitarist Joseph Morinelli and drummer Paul Brenner—lean into guitar and string sections without sacrificing the signature sound that’s endeared the band to countless fans, whether they know it or not, over the past eleven years.Rochester, New York, isn’t necessarily known for its bustling entertainment industry, but it is rich inculture and creativity. The trio’s hometown is integral not only to the theme of Permanent Pleasure (audio samples from 1984 historical compilation release, The Rochester Sesquicentennial, bookend the album),but also to Joywave’s overall identity. Despite international acclaim and major-label success, the band maintain a DIY work ethic that keeps them grounded in the present moment while always reaching toward the future. We go to our studio and make a record with total creative freedom and we turn it in and the label tells us we did a great job,” Armbruster explains. This arrangement is a rarity in the music industry these days—but like all things Joywave, somehow it works out in a way that makes perfect sense for them. Once again produced by Armbruster at the band’s own Rochester-based studio, The Joycave, Permanent Pleasure is an unfiltered vision of the band’s creativity that sees them stepping outside their sonic comfort zone. “I think this is probably our least keyboard [heavy] record,” Armbruster explains, adding that in some ways Permanent Pleasure was a reaction to the more cohesive and linear construction of 2022’s Cleanse. “On Permanent Pleasure we blew everything apart again: We’re switching out drum components and everything we can between songs and freeing ourselves again from the box of ‘it has to be super cohesive’ because I always want to rage against what we did last time. But five records in, we're a lot better at writing and recording, so it’s bringing back a little bit of the all-over vibe of the first record, but on the other side of the experience. We’ve gone through a wormhole. That feeling of artistic liberation is the unifying sonic characteristic of the album, from the futuristic downtempo groove of “Sleepytime Fantasy” to the hypnotic dancefloor vibe of “Brain Damage Permanent Pleasure also sees the band expanding their own musical conventions, the most obvious being the fact that they enlisted an actual orchestra to play on these songs instead of relying solely on software as they have in the past. “We’ve always done virtual instruments before but we wanted to have it real this time around, so we had the Rochester Philharmonic Orchestra play on five of these songs Morinelli, who wrote out the sheet music for them, explains. That amalgamation of electronic and organic instrumentation is evident on songs like “He’s Back,” which is political, personal, petrifying and playful, seemingly all at once. However as much as Joywave are pushing toward the future with this album, there’s also an element of nostalgia present in these songs as the trio look back at what they’ve built since they began playing together as on shimmering pop songs like “Swimming In The Glow.” “That song harkens back to an era of Joywave before we were in the beam and before anyone really cared what we did; it really draws lyrically on that time in my life of feeling like me, Paul and Joey had everything all together,” Armbruster explains. “Sonically, I think that song is a side of the band that I think people who have heard our 2012 EP Koda Vista know is there. It’s a side of the band that I think people who saw us in our very early days at local clubs like Bug Jar know is there, but I think it’s something that deserved to be in the spotlight.” “I want to touch you but I’m scared,” Armbruster sings on the infectious single “Scared,” an ode to codependency that’s as much about connection as it is existential dread—and ultimately that dichotomy between humor and hopelessness lies at the core of Permanent Pleasure. “I think the job of an artist is to explore any side of being a person and self-awareness is a huge part of being a person,” Armbruster summarizes. “I think artists who ignore humor aren’t being true to themselves and it’s a huge part of who we are despite having thoughts on the record that are on the darker side of things. I feel like you have to wink a little bit to make it okay. You have to make a joke about the asteroid as the asteroid is about to hit." LITTLE IMAGE Use the share tools on this event page to let your friends know where you will be. Please Print PDF ticket for entry into event or your phone email can work as well. No Refund Event. Rain or Shine Event. Information Source: Deuterman Productions | eventbrite

Information Source: Dinwiddie County Republican Committee | eventbrite

Deuterman Productions Presents: Face to Face Support: Down By Law & The Attack Face to Face Face to Face is a punk rock band from Victorville, CA, formed in 1991 by frontman Trever Keith, bassist Matt Riddle and drummer Rob Kurth. The band rose to fame with their 1995 album Big Choice, featuring the radio hit "Disconnected" which received heavy rotation on KRQQ radio in Los Angeles and appeared in the movies Tank Girl and National Lampoon's Senior Trip. Face to Face officially split up in September 2004, allowing the band members time to focus on other projects. In April 2008, after a four-year hiatus, Face to Face performed together for the first time at The Glasshouse in Pomona, California. Since then, the band has continued to perform and has released five more studio albums to date. Down By Law When punk rock broke and bands cashed in on fashion trends, Down By Law stayed true to its ideals. While everyone else played The Forbidden Beat and wrote songs about farts, Dave Smalley was penning songs about feeling lonely and out of place, afraid and uncertain. He wrote about finding strength in being apart from the larger culture, and turning the loneliness and alienation of individuals into unity and mutual respect. It's clear that Down By Law is the only real claimant to The Clash's legacy, and that legacy is the admission that we may be isolated and lonely, we may be alienated and fucked up, but revolution can only begin in the mirror. We have to change ourselves before we can change the social structures that oppress us. Like Mick Jones and Joe Strummer before him, Dave Smalley acknowledges that politics stem from personal experience; we have our beliefs because of what we know and how we grew up. All politics are personal, and everything personal is political. And this is why Down By Law is one of the few bands that matter - the personal and political are inseparable in the music. The music is honest, and if you open your heart to it, these songs will reveal truths that no one else has enough guts to say. Down By Law has changed my life since I became a fan, and only for the better. I can't count how many times I've seen them, how long I've waited to get in, how many miles I've driven to get to the show. I've never questioned any of it because once I get there, I remember why I showed up in the first place. When the lights go down and Dave pulls on his guitar and the first ringing chords of "Independence Day" come crashing through the amps, I feel free. I feel like I'm leading the charge of The Last Brigade through all the shit I've had to swallow, and like we really can change the world for the better. And this time, nothing can stop it. The Attack The Attack brings punk back to the basics: short, fast-riffing songs about the social, music, and media-driven politics of today. The simplicity of punk has been lost on a divided underground driven more by fashion and ruled by icons that have become the same rock stars the punk movement rebelled against in the Seventies. Across the country everything punk, from all ages shows to Facebook pages, has become a popularity contest that defies the original intent of the alternative music scene. The Attack is ruled by a DIY ethos and driven by a goal: to re-unite the punks and skins and hardcore kids under the same underground flag. The Attack’s lyrics are true “shot from all sides” anthems. The Attack never panders to one political party or music scene, forming an opinion, agenda and sound of its own. Use the share tools on this event page to let your friends know where you will be. Please Print a PDF ticket for entry into the event, or your phone or email can also work. No Refund Event. Rain or Shine Event. Information Source: Deuterman Productions | eventbrite

On 27 July 2023, the exhibition “Beauty as Rhythm: Female Figures in the Collection of Traditional African Art of the State Hermitage Museum” begins its run in the General Staff building.The display features five wooden statues of women that belong to three different African cultures – Dan, Bamana (or Bambara) and Mossi – and date from around the turn of the 20th century. Such sculptural depictions had both aesthetic and magical significance in the communities where they were created. In the Bamana culture, they were involved in male initiation rites and conveyed the most prominent features of an ideal woman – an oversized bust, coiffured hair and jewellery. Among the Mossi, they were produced for girls entering puberty. They could dress these figurines (in essence dolls), adorn them and anoint them with oil. Taking care of them became a compulsory practice for girls entering into womanhood. Researchers term African statuettes of this kind “fertility figures” and their function is always bound up with the power of the feminine, the birth-giving, creative principle. One of the figures included in the exhibition, for example, depicts a woman with a child on her back. In this way, the sculptor focusses attention on the main female social role – motherhood. The creators of the exhibition invite us to look at these objects as works of art capable of telling us about a different conception of beauty, one to which Europeans are unaccustomed. Strict realism is something alien to the African artists: they strive to convey meanings by different means. Beauty, in this instance, lies not in the harmony of specific features, but in correspondence to some ideal, to the archetype of the essentially feminine. That is created, first and foremost, with the aid of rhythm. As Léopold Sédar Senghor, the French and Senegalese politician, poet and philosopher wrote: “For an African, a beautiful statue is one that evokes particular emotions in him. Here, for example, I have before me a statuette of the Dogon people. It does not in the least resemble an image of a beautiful woman, but this statuette of a seated woman is captivating, because it is imbued with rhythm.”

The exhibition of drawings Line. Stroke. Spot in the Russian Museum refers to the classic pages of history and the works that make the pride of the museum’s collection. The show features the best works of graphic art by the leading Russian masters of the 20th century from the collection of the Russian Museum. Viewers can get acquainted with the work of the most prominent artists of the first half of the 20th century: Mikhail Vrubel and Valentin Serov, Alexandre Iacovleff and Vasily Shukhaev, Pyotr Miturich and Pyotr Lvov, Kuzma Petrov-Vodkin and Nikolai Tyrsa, Vladimir Lebedev and Vladimir Konashevich. The works by Boris Vlasov and Boris Kocheishvili, Oleg Kudryashov and Kirill Mamonov, Mikhail Vainman and Boris Ermolayev, Boris Kalaushin and Mai Miturich, Pyotr Dik and Evgeny Dobrovinsky successfully combine old pictorial traditions with new plastic searches of 20th-century artists. The exhibition features not only graphic works, but also works that present line and stroke in unexpected materials.

The International Exhibition of Innovations Hi-Tech 2025, set to take place from March 26 to March 28 at the prestigious Expoforum in Saint Petersburg, Russia, promises to be a groundbreaking event in the world of technology and innovation. This highly anticipated exhibition will gather industry leaders, cutting-edge startups, and visionary thinkers from around the globe to showcase the latest advancements in high-tech solutions. Attendees can expect to witness an array of pioneering products and services, ranging from artificial intelligence and robotics to sustainable energy and smart cities. The event will feature insightful keynote speeches, interactive workshops, and networking opportunities designed to foster collaboration and inspire future innovations. With Saint Petersburg's rich cultural heritage and Expoforum's state-of-the-art facilities, the International Exhibition of Innovations Hi-Tech 2025 is poised to be an unmissable event for anyone invested in the future of technology.

The creations of the artistic craftsmen of Lorraine led glassmaking to flourish as one of the main fields in the decorative and applied art of the Art Nouveau era. Twelve firms that specialized in the manufacture of artistic glass will be represented in the exhibition, the majority of them practically unknown in this country. Among the 111 exhibits, visitors will be able to view vases, lamps, flasks and paperweights. The State Hermitage is providing 34 pieces, some of which will be on show for the first time. A considerable portion of the display will be made up of previously unpublished items owned by the Saint Petersburg collector Yury Borisov.

SVARKA/WELDING 2025, set to take place from March 26 to March 28, 2025, at the prestigious Expoforum in Saint Petersburg, Russia, promises to be a landmark event in the welding industry. This highly anticipated exhibition will gather leading experts, innovators, and industry professionals from around the globe, providing an unparalleled platform for showcasing cutting-edge technologies, equipment, and services. With a focus on the latest advancements in welding and related processes, SVARKA/WELDING 2025 will feature a comprehensive program of seminars, workshops, and live demonstrations, offering invaluable insights into industry trends and best practices. Attendees can expect to engage with top-tier exhibitors, discover groundbreaking solutions, and network with key decision-makers, all within the vibrant and historic city of Saint Petersburg. This event is an unmissable opportunity for those looking to stay ahead in the dynamic field of welding and fabrication.

The St.Petersburg Technical Fair 2025, set to take place from March 26 to March 28 at the renowned Expoforum in Saint Petersburg, Russia, promises to be a pivotal event in the technological landscape. This premier fair will gather industry leaders, innovators, and professionals from around the globe to showcase cutting-edge advancements and foster collaborative opportunities. With a focus on emerging technologies, sustainable solutions, and industrial innovations, the St.Petersburg Technical Fair 2025 will feature an array of exhibitions, keynote speeches, and interactive workshops. Attendees will have the chance to explore the latest in automation, artificial intelligence, and engineering breakthroughs, making it an unmissable event for those invested in the future of technology. The Expoforum venue, known for its state-of-the-art facilities, will provide an ideal setting for networking and knowledge exchange, ensuring a productive and inspiring experience for all participants.

準備迎接世界級的盛事！2025 年展會將於聖彼得堡的世博會隆重舉行。這場展覽將以其創新、專業和多元文化的體驗，成為業界的焦點。位於俄羅斯聖彼得堡的世博會，將於2025年4月2日開啟其大門，歡迎全球各地的參觀者共襄盛舉。展會特設不同的展示區，匯集了最頂尖的技術和產品，為您帶來一場前所未有的視覺和知識盛宴。請把握機會，體驗這場集合創新與刺激於一體的展會。立即預訂您的門票，踏上這趟引領未來的旅程。2025 年展會，期待與您相見。

On 27 July 2023, the exhibition “Beauty as Rhythm: Female Figures in the Collection of Traditional African Art of the State Hermitage Museum” begins its run in the General Staff building.The display features five wooden statues of women that belong to three different African cultures – Dan, Bamana (or Bambara) and Mossi – and date from around the turn of the 20th century. Such sculptural depictions had both aesthetic and magical significance in the communities where they were created. In the Bamana culture, they were involved in male initiation rites and conveyed the most prominent features of an ideal woman – an oversized bust, coiffured hair and jewellery. Among the Mossi, they were produced for girls entering puberty. They could dress these figurines (in essence dolls), adorn them and anoint them with oil. Taking care of them became a compulsory practice for girls entering into womanhood. Researchers term African statuettes of this kind “fertility figures” and their function is always bound up with the power of the feminine, the birth-giving, creative principle. One of the figures included in the exhibition, for example, depicts a woman with a child on her back. In this way, the sculptor focusses attention on the main female social role – motherhood. The creators of the exhibition invite us to look at these objects as works of art capable of telling us about a different conception of beauty, one to which Europeans are unaccustomed. Strict realism is something alien to the African artists: they strive to convey meanings by different means. Beauty, in this instance, lies not in the harmony of specific features, but in correspondence to some ideal, to the archetype of the essentially feminine. That is created, first and foremost, with the aid of rhythm. As Léopold Sédar Senghor, the French and Senegalese politician, poet and philosopher wrote: “For an African, a beautiful statue is one that evokes particular emotions in him. Here, for example, I have before me a statuette of the Dogon people. It does not in the least resemble an image of a beautiful woman, but this statuette of a seated woman is captivating, because it is imbued with rhythm.”

On 27 July 2023, the exhibition “Beauty as Rhythm: Female Figures in the Collection of Traditional African Art of the State Hermitage Museum” begins its run in the General Staff building.The display features five wooden statues of women that belong to three different African cultures – Dan, Bamana (or Bambara) and Mossi – and date from around the turn of the 20th century. Such sculptural depictions had both aesthetic and magical significance in the communities where they were created. In the Bamana culture, they were involved in male initiation rites and conveyed the most prominent features of an ideal woman – an oversized bust, coiffured hair and jewellery. Among the Mossi, they were produced for girls entering puberty. They could dress these figurines (in essence dolls), adorn them and anoint them with oil. Taking care of them became a compulsory practice for girls entering into womanhood. Researchers term African statuettes of this kind “fertility figures” and their function is always bound up with the power of the feminine, the birth-giving, creative principle. One of the figures included in the exhibition, for example, depicts a woman with a child on her back. In this way, the sculptor focusses attention on the main female social role – motherhood. The creators of the exhibition invite us to look at these objects as works of art capable of telling us about a different conception of beauty, one to which Europeans are unaccustomed. Strict realism is something alien to the African artists: they strive to convey meanings by different means. Beauty, in this instance, lies not in the harmony of specific features, but in correspondence to some ideal, to the archetype of the essentially feminine. That is created, first and foremost, with the aid of rhythm. As Léopold Sédar Senghor, the French and Senegalese politician, poet and philosopher wrote: “For an African, a beautiful statue is one that evokes particular emotions in him. Here, for example, I have before me a statuette of the Dogon people. It does not in the least resemble an image of a beautiful woman, but this statuette of a seated woman is captivating, because it is imbued with rhythm.”

The exhibition will acquaint visitors with the main milestones in the life and service of the great Russian poet. The career of Fyodor Ivanovich Tyutchev (1803–1873) as a state official of the Russian Empire can be traced through reproductions of historical materials. The stands carry portraits of Tyutchev himself and members of his family as well as outstanding statemen of the period, along with passages from his poetry and letters.

The display has been organized by the State Hermitage in conjunction with the Erebuni Historical and Archaeological Museum-Reserve and is the first exhibition under a collaboration agreement between the two museums. Over the course of a year, within the permanent display of the Oriental Department, visitors will be able to see a representational presence of the Erebuni museum and acquaint themselves with three exhibits from its stocks. A special place among these is taken by a basalt block bearing a cuneiform inscription of King Argishti I about the foundation of Erebuni.

Experience the electrifying arts event, Shades of HUNKS at Smokin 19 in Saint Petersburg, FL, on April 12, 2024. Hosted at the renowned venue Smokin 19 located at 3090 34th St N, this one-of-a-kind show promises to captivate audiences with a mesmerizing display of talent and creativity. From 7:00 PM onwards, attendees will be treated to a night filled with excitement and entertainment. Tickets for this exclusive event range from $21.95 to $69.95, offering options to suit every budget. Don't miss the opportunity to witness the Shades of HUNKS at Smokin 19, where artistry meets passion in a spectacular showcase. Mark your calendars and secure your seats for an unforgettable evening in the heart of Saint Petersburg.

It is dedicated to three important dates: the 160th anniversary of the birth of Central Asian traveler and explorer Pyotr Kuzmich Kozlov (1863-1935), the 100th anniversary of the Mongol-Tibetan expedition and the 100th anniversary of the start of scientific research on the archaeological site of Noin Ula. The exhibition "Archaeological Phenomena. Between Past and Future" presents the most interesting findings and the latest laboratory research results. Unique ancient artifacts, historical documents and photographs related to the research of Noin Ula tombs are exhibited in the exhibition halls.

探索俄羅斯獨特藝術風格，將於2024年5月13日在聖彼得堡世博會盛大舉行。以「Junwex新俄羅斯風格2024」為主題的展會，打開時尚與傳統的對話之門，展示來自俄羅斯的匠心獨運與創新設計。位於古城聖彼得堡的世博會廣場，將成為匯聚國內外藝術家、設計師、珠寶商的國際交流平台。各位領先時尚潮流的愛好者，絕對不能錯過這場別具一格的文化盛宴。Junwex新俄羅斯風格2024，期待您的蒞臨，共同見證俄羅斯風格的傳承與創新。

隨著紋身文化的蓬勃發展，2024年水墨紋身藝術博覽會將於美麗海濱城市聖彼得堡隆重開幕。此次盛會將在佛羅里達回響著運動激情的美國佛羅里達州體育館舉行，時間定於2024年6月7日。展覽旨在展示當下最具前瞻性的紋身技藝，並匯聚了國際知名的紋身師，為愛好者們呈獻一場視覺與技術的饗宴。本次博覽會不僅是紋身愛好者的聚集地，更是藝術家及行業專業人士交流的平台。細節如票價將於近期公佈，敬請關注。2024年水墨紋身藝術博覽會，定將成為紋身界的標誌性事件，萬勿錯過。

The exhibition “He Conquered Both Time and Space...” organized by the Russian Museum in the halls of the Stroganov Palace is timed to the 225th anniversary of Alexander Pushkin’s birth. This is the first ever large-scale exhibition held in the Russian Museum to address the genius of Russian and world culture, whose anniversary will be an international event. The exhibition presents an unprecedented number of exhibits – more than three hundred works of painting, sculpture, graphic, decorative, applied and folk arts exclusively from the collection of the Russian Museum. The museum rich depositories enable to characterize the oeuvre of the great writer most fully and diversely and to reconstruct the cultural and historical background, which witnessed the formation and heyday of Pushkin’s unique talent. The show is dedicated to the poet’s characters, contemporaries and descendants. The artistic material presented at the exhibition dates back to the 18th–20th centuries.

The exhibition “He Conquered Both Time and Space...” organized by the Russian Museum in the halls of the Stroganov Palace is timed to the 225th anniversary of Alexander Pushkin’s birth. This is the first ever large-scale exhibition held in the Russian Museum to address the genius of Russian and world culture, whose anniversary will be an international event. The exhibition presents an unprecedented number of exhibits – more than three hundred works of painting, sculpture, graphic, decorative, applied and folk arts exclusively from the collection of the Russian Museum. The museum rich depositories enable to characterize the oeuvre of the great writer most fully and diversely and to reconstruct the cultural and historical background, which witnessed the formation and heyday of Pushkin’s unique talent. The show is dedicated to the poet’s characters, contemporaries and descendants. The artistic material presented at the exhibition dates back to the 18th–20th centuries.

The exhibition “He Conquered Both Time and Space...” organized by the Russian Museum in the halls of the Stroganov Palace is timed to the 225th anniversary of Alexander Pushkin’s birth. This is the first ever large-scale exhibition held in the Russian Museum to address the genius of Russian and world culture, whose anniversary will be an international event. The exhibition presents an unprecedented number of exhibits – more than three hundred works of painting, sculpture, graphic, decorative, applied and folk arts exclusively from the collection of the Russian Museum. The museum rich depositories enable to characterize the oeuvre of the great writer most fully and diversely and to reconstruct the cultural and historical background, which witnessed the formation and heyday of Pushkin’s unique talent. The show is dedicated to the poet’s characters, contemporaries and descendants. The artistic material presented at the exhibition dates back to the 18th–20th centuries.

“Ilya Kabakov is perhaps the only Russian artist of the second half of the 20th century to have become a generally acknowledged world great. Ilya and Emilia Kabakov were all but the only people in the Western world to speak out publicly against breaking ties with Russian cultural institutions. In the General Staff building the total installation devoted to Soviet civilization has consonances with the displays devoted to the history of the previous – imperial – Russian civilization. Its protagonist, however, is the little man, the successor to personages from Gogol and Dostoyevsky,” Mikhail Piotrovsky, General Director of the State Hermitage, commented. Ilya and Emilia Kabakov are famous Conceptualist artists who have gone down in history as the creators of a new genre – the total installation. It is an artistic space filled with a specific atmosphere, a separate environment in which everything – not just individual objects, but also their surroundings, the colour and configuration of the walls, lighting, sound and smells – takes on fresh meanings and serves to intensify the image devised by the creators. The total installation “Monument to a Lost Civilization” became one of the largest in the Kabakovs’ oeuvre. It was produced and first shown by its creators in Palermo in 1999. The total installation takes the form of the design for a utopian museum-city, something of which the artists had dreamed for many years. It was conceived as a memorial to the civilization in which they were born and spent the greater part of their lives – the Union of Soviet Socialist Republics. Like archaeologists, the Kabakovs collected, described and systematized “shards” of that no longer extant civilization in their full-scale installations. Drawing on their personal experience and recollections, they designed their museum in such a way that, wandering through its various installation-rooms, viewers who had never seen that civilization would be able to form their own conception of it.

“The Hermitage’s Carl Fabergé Rooms preserve the memory of the court jeweller and Hermitage restorer and are intended to stimulate both the study of his legacy and the development of the traditions that he established. It is this purpose that is served by the collection of works by modern-day gemstone-carvers, superb artists with fine taste, that we are presenting today,” Mikhail Borisovich Piotrovsky, General Director of the State Hermitage, commented. The display tells about the creative endeavours of modern-day artists, their experiments in working with semiprecious stones and their striving to combine the achievements of their predecessors with fresh tendencies. The exhibition features more than 35 works that bring together original ideas and a subtle feel for the material, professional execution and virtuoso technical approaches. The creators of the majority of the works are gemstone-carvers based in Saint Petersburg. Also on show in the hall are pieces made by present-day German craftspeople, representatives of the oldest school of European gemstone-carving art located in the town of Idar-Oberstein.

“The Hermitage’s Carl Fabergé Rooms preserve the memory of the court jeweller and Hermitage restorer and are intended to stimulate both the study of his legacy and the development of the traditions that he established. It is this purpose that is served by the collection of works by modern-day gemstone-carvers, superb artists with fine taste, that we are presenting today,” Mikhail Borisovich Piotrovsky, General Director of the State Hermitage, commented. The display tells about the creative endeavours of modern-day artists, their experiments in working with semiprecious stones and their striving to combine the achievements of their predecessors with fresh tendencies. The exhibition features more than 35 works that bring together original ideas and a subtle feel for the material, professional execution and virtuoso technical approaches. The creators of the majority of the works are gemstone-carvers based in Saint Petersburg. Also on show in the hall are pieces made by present-day German craftspeople, representatives of the oldest school of European gemstone-carving art located in the town of Idar-Oberstein.

在2024年的夏日裡，聖彼得堡將迎來一項專業而盛大的展會－《2024 年葡萄酒產業》。此次展會設置於俄羅斯著名會展地點－世博會，地址位於聖彼得堡。活動定於2024年7月23日盛大舉行，屆時將匯聚來自世界各地眾多葡萄酒行業的專家、生產商及愛好者。他們將共論行業趨勢，分享創新技術，並品鑑各式各樣的優質葡萄酒。此外，觀眾亦能夠獲取最新的市場信息和發展機遇。在這個不能錯過的展會上，每一位參與者都有機會深入了解葡萄酒產業的精髓及其未來方向。预知票價和詳細信息，敬請關注官方公布。