Popular Events in September, 2024(July Updated)

The Louvre’s Department of Near Eastern Antiquities is hosting ten major works from New York’s Metropolitan Museum of Art, whose Department of Ancient Near Eastern Art is currently closed for renovation. The Louvre and The Met have created a unique dialogue between these two collections, which is displayed in the Louvre’s permanent galleries. These ‘special guest’ artworks from The Met, dating from between the late 4th millennium BC and the 5th century AD, show some remarkable connections with the Louvre’s collection. In some cases, a pair of objects has been reunited for the first time, while in others, pieces complement each other by virtue of specific historical features of their respective collections. Representing Central Asia, Syria, Iran and Mesopotamia, this dialogue between collections is (re)introducing visitors to these extraordinary, age-old works of art and the stories they tell.

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

Experience this good musical. The denizens of the Kit Kat Club have created a sanctuary inside Broadway’s August Wilson Theatre, where artists and performers, misfits and outsiders rule the night. Step inside their world. This is Berlin. Relax. Loosen up. Be yourself.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

In the heart of New York City, the Richard Rodgers Theatre proudly presents the musical “Hamilton”. This highly anticipated event will captivate audiences from now on. Experience the captivating story of Hamilton, an extraordinary musical that delves into the life of a remarkable Founding Father. With an insatiable hunger for success and a relentless ambition, Hamilton defies all odds to leave an indelible mark on the new nation. From his humble beginnings as an orphan to becoming George Washington's trusted right-hand man, Hamilton's journey takes him from rebel to war hero. Amidst his rise to power, he becomes entangled in the first-ever sex scandal of the country, all while serving as the head of the Treasury and instilling faith in the American economy. Immerse yourself in the rich history and captivating storytelling of this critically acclaimed musical. Don’t miss the opportunity to witness this extraordinary musical “Hamilton” live on stage at the Richard Rodgers Theatre in New York City. Get your tickets now on Trip.com for an unforgettable journey into the world of Hamilton.

The Lion King Show is an exceptional event that takes place in the vibrant city of New York. Held at the renowned Minskoff Theatre, this show promises an unforgettable experience for all attendees. From now on, immerse yourself in the mesmerizing world of The Lion King. Based on the 1994 Disney film and the original book by Roger and Erin, the musical won an Oscar for the song Can You Feel the Love Tonight. This remarkable production showcases the timeless tale of Simba, the young lion prince, as he embarks on a journey of self-discovery and courage. This visual feast successfully blends animals, puppets and real people seamlessly and is loved by audiences of all ages. Don’t miss out on this extraordinary event, Trip.com offers a wide range of ticketing options. Immerse yourself in the enchanting atmosphere of the Minskoff Theatre and witness the magic unfold before your eyes. Whether you are a fan of the original animated film or a newcomer to the story, this show guarantees to leave you in awe.

Back to the Future the Musical is an extraordinary event taking place at the Winter Garden Theatre in New York. From now on, immerse yourself in this captivating experience. “Back to the Future: The Musical” is an extraordinary stage adaptation of the beloved 1985 sci-fi masterpiece “Back to the Future”. Transporting audiences through time, this captivating production follows the thrilling journey of Marty McFly. With the aid of a remarkable DeLorean time machine, invented by his ingenious friend, Marty ventures from the year 1985 to the enchanting era of 1955. Along this extraordinary odyssey, he encounters his own parents during their teenage years, facing the pivotal task of ensuring their destined love and unity, ultimately safeguarding his very existence in the future. Experience the awe-inspiring magic of the theater “Back to the Future: The Musical” Secure your tickets on Trip.com now for an unforgettable journey through time and witness the enthralling attractions that await.

This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. The sculpture celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource.

The Salem Witch Trials are a defining example of intolerance and injustice in American history. This extraordinary series of events between June 1692 and March 1693 led to the deaths of 25 innocent women, men and children who were wrongfully convicted of crimes. More than 300 years later, the personal tragedies and grievous wrongs that occurred still provoke us to reflect and reckon with the experiences of those involved. Learn the true story of this tragedy as told through the voices and with the possessions of those directly involved. This ongoing installation tells this story through court documents and authentic historic objects presented as tangible fragments directly tied to people in Salem and nearby communities in the late 17th century. A handwritten petition, a carved loom, a walking stick — each illuminates an aspect of individuals who lived through Salem’s witch trials and serves as a reminder of the real people impacted by these harrowing events. The Salem Witch Trials 1692 is organized by the Peabody Essex Museum. This exhibition is made possible by Carolyn and Peter S. Lynch and The Lynch Foundation. We thank James B. and Mary Lou Hawkes, Chip and Susan Robie, and Timothy T. Hilton as supporters of the Exhibition Innovation Fund. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.

The Cold War was a 40-year nuclear stand-off between the USA and the Soviet Union after the Second World War. Scotland’s unique landscape provided a useful base for Allied military preparations and research. The impact of the war still lingers in Scottish politics, culture and memory. Scots played an active role in the global conflict as soldiers within intelligence services and as part of voluntary civil defences. The exhibition will draw on Scotland’s rich history of Cold War-era protest and activism. Cold War Scotland is an output of Materialising the Cold War, a collaborative research project between National Museums Scotland and the University of Stirling. The project explores how the Cold War heritage is represented and how museums can adapt to tell this story in future. Materialising the Cold War is funded by a major grant from the Arts and Humanities Research Council.

"On Top of the Pyramid: The Civilization of Ancient Egypt" is the fourth exhibition in the Shanghai Museum's "Dialogue with the World" cultural relics and art exhibition series. It will be grandly opened at the People's Square Pavilion on July 18, 2024 and open to the public on July 19. As the world's largest and Asia's highest-level overseas exhibition of ancient Egyptian cultural relics in history, the exhibition brings together 492 groups of 788 precious cultural relics from different periods of ancient Egyptian civilization, of which more than 95% are in cooperation with the capital of the Egyptian government. The exhibition will last for 13 months, fully revealing the appearance of ancient Egyptian civilization and its archaeological discoveries to the audience, and promoting mutual learning between Chinese and Egyptian civilizations.

Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times. Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.

Coinciding with The Noguchi Museum’s 40th anniversary in 2025, works from the Museum’s original second floor installation will return to those galleries for the first time since 2009. Against Time is curated by Matthew Kirsch, Noguchi Museum Curator and Director of Research. Against Time uses as its basis the catalogue The Isamu Noguchi Garden Museum (New York: Harry N. Abrams, Inc., 1987), written by Isamu Noguchi (1904–1988) as a guide to works in the Museum in place of traditional wall labels, which was in turn used to define the Museum’s permanent collection after his death in December 1988. This original installation consisted of sculptures that had accumulated before and after Noguchi’s move to his 10th Street studio in Long Island City in 1961. Noguchi considered a number of these to be personal breakthroughs, works that represented significant turns and returns within his cyclical practice over the course of six decades. Against Time could never replicate Noguchi’s exact vision for these galleries, as they have since been repartitioned after renovations in the early 2000s. Rather, this installation is a distillation of various phases from 1985–88, adapted and reimagined according to archival photographs documenting how Noguchi assiduously arranged and rearranged his works in different constellations in the first years of the Museum.

Cecilia Vicuña is a poet and artist who grew up in the Chilean commune of La Florida, in the Maipo Valley. Born to a family of artists and intellectuals, Vicuña grew up hearing about the persecution and incarceration of individuals who struggled for social justice in the wake of increasingly conservative government agendas. While attending the Slade School of Fine Art in London on a British Council Award in 1972–73, a coup d’état led by General Augusto Pinochet, commander-in-chief of the Chilean army, ushered in a seventeen-year military dictatorship. This led Vicuña to remain in London on a self-imposed exile, where she exhibited her work at the Institute of Contemporary Arts and published her first book, Saborami (1973). At the time, she was largely focused on political activism directed against fascism and human rights violations in Chile and other countries.

explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures, and advocating for Indigenous technologies in a more inclusive present and sustainable future. Over fifty artworks are on display, some interspersed throughout the museum, creating unexpected encounters and dialogues between contemporary Indigenous creations and historic Autry works. Artists such as Andy Everson, Ryan Singer, and Neil Ambrose Smith wittily upend pop-culture icons by Indigenizing sci-fi characters and storylines; Wendy Red Star places Indigenous people in surreal spacescapes wearing fantastical regalia; Virgil Ortiz brings his own space odyssey, to life in a new, site-specific installation. By intermingling science fiction, self-determination, and Indigenous technologies across a diverse array of Native cultures, envisions sovereign futures while countering historical myths and the ongoing impact of colonization, including environmental degradation and toxic stereotypes.

Starting with the Saracen jousting, a popular event celebrated in the city of Arezzo, the exhibition aims to document war games using prints and drawings from various periods in the Uffizi Gallery, especially the numerous examples of helmets, weapons and armour from the famous collection of the Stibbert Museum. These knightly tournaments became popular in the Middle Ages and continued into the Renaissance, including the Crossbow Palio, which required contestants to have skills in precision, and the ancient Game of the Bridge, a contest of strength to conquer the Ponte Vecchio on foot. Visitors will see the most iconic piece in the exhibition, a 16th-century Buratto or Saracen quintain on loan from the Museo Nazionale del Bargello. Probably a celebration to mark the marriage of Francesco I and Bianca Cappero in 1579, the changes over the centuries have transformed it from a Saracen nobleman to the European warrior we see today. The exhibition emblem is another prestigious work of art, Stefano Della Bella’s Knight in Armour, made for the procession and loaned by the Uffizi Gallery. The sumptuous, ornate costumes and robes evoke the sheer splendor of participating in these spectacular events designed to celebrate the great and the good. In another painting loaned from the CR Florence Foundation, Stefano Della Bella depicts a night procession in the Boboli Gardens in 1637. Arms and armour are loaned by Florence’s Museo Stibbert, which has one of the richest collections of material on the ancient game of bridge in Pisa. Stibbert also loaned a fine set of 17th-century crossbows richly inlaid with hunting scenes, made by a workshop in southern Germany. And the collection of the Ivan Bruschi Foundation lends an interesting letter of challenge from “the unconquered, most glorious and ever-victorious King of the Indies, Brato”, issued to announce the version of the Saracen tournament that was held on August 26, 1674 in honor of Cardinal Corsini, Bishop of Arezzo.

Table Manners brings together tableware, flatware, and drinkware from the SFMOMA Architecture + Design collection spanning nearly 100 years. The exhibition celebrates the ways design has shaped our relationship to food, our bodies, and communities, and how dining can be a profound communal and cultural experience. From self-filling wine glasses and teapots made of tea, to crisp modernist spoons and flatware made from discarded CDs, Table Manners explores the performance of dining. The exhibition includes works by Virgil Abloh, Joe Colombo, Zaha Hadid, Roberto Lugo, and many more, accompanied by illustrations and textiles by Lucy Stark.

The Natural History Museum’s historic diorama halls are the largest exhibitions at the museum, showcasing over 75 incredibly detailed habitats ranging from arctic tundra to tropical rainforest. To celebrate the 100th anniversary of the dioramas, NHM is restoring and reopening a diorama hall that has been closed for decades. There, visitors will experience immersive new installations — by artists RFX1 (Jason Chang), Joel Fernando and Yesenia Prieto (working as a three-artist team), as well as Saul Becker and Lauren Schoth — that call attention to dioramas as a unique combination of art and science and explore biodiversity, ecology, conservation, colonialism, and changing museum display techniques. NHM maintains an active diorama program where staff continue to update and build dioramas, keeping this art form alive. Visitors can examine these illusions of wilderness through a series of displays, engaging programs, and a new book that sheds light on the previously untold history of NHM’s dioramas.

Mesoamerican artists held a cosmic responsibility: as they adorned the surfaces of buildings, clay vessels, textiles, bark-paper pages, and sculptures with color, they (quite literally) made the world. The power of color emerged from the materiality of its pigments, the skilled hands that crafted it, and the communities whose knowledge imbued it with meaning. Color mapped the very order of the cosmos, of time and space. By engineering and deploying color, artists wielded the power of cosmic creation in their hands. We Live in Painting: The Nature of Color in Mesoamerican Art explores the science, art, and cosmology of color in Mesoamerica. Histories of colonialism and industrialization in the “color-averse” West have minimized the deep significance of color in the Indigenous Americas. This exhibition follows two interconnected lines of inquiry—technical and material analyses, and Indigenous conceptions of art and image—to reach the full richness of color at the core of Mesoamerican worldviews.

The latest Fourth Plinth commission 'Mil Veces un Instante (A Thousand Times in an Instant)’ by Mexican artist Teresa Margolles was unveiled on Wednesday 18.09.2024. The monolithic sculpture was made with plaster cast molds of the faces of 726 transgender people from Mexico and the UK. The molds were made by applying plaster directly onto each individual’s face. The resulting object is both a visual record of their respective features and, imbued with hair and skin cells, a material infusion of their physicality.

Guillaume Bottazzi has signed more than forty artworks in public spaces. He created the biggest painting in Japan (900 square meters) on all the walls of the Miyanomori International Museum of Art in Sapporo. The artist is also the author of 6 paintings, each one 6m x 6m, at La Défense in Paris, the largest open-air contemporary art space in France. The painting, which can be seen by the public at its location in the European District and which took two and a half months to produce, is already well-known. The monumental artwork, 16 metres by 7 metres, now belongs to the heritage of Brussels-Capital. The painting is one of the first abstract works to be painted in the manner of the Old Masters. The abstract nature of the work and the traditional techniques used to produce it create a feeling of strangeness, a dichotomy. The artist worked alone to produce the work, using fine brushes and oil paints. Successive transparent overlays give depth, diffuse light and softness to the colours. Before starting to paint, the artist installed a supporting structure that enabled him to reproduce as closely as possible the techniques of creation he uses in the workshop. The poetic dimension of this painting will extend throughout Place Jourdan: the colours of the painting will appear on the street furniture in particular, especially the cafe parasols. This project was carried out with the partnership of the European Commission in Belgium and support of the French Embassy. More reading: http://www.guillaume.bottazzi.org

Explore the interactive displays, listen to recordings and view the different objects on display to gain an insight into the work, life, and cultural context of one of the twentieth century’s most significant writers. The exhibition is family friendly, free, and open Tuesday to Sunday. The exhibition comprises a main room, a temporary exhibition area which houses changing displays, and a learning space which is open to the public when not in use for workshops. There’s lots to explore on the interactive Timeline, such as the Children’s Trail which features some of the animals that appear in Dylan’s writing. Follow the People Trail around the Timeline, too, and discover some of the key people in Dylan’s life, and the rich cultural context in which he lived and worked. One section in the centre of the exhibition is dedicated to Dylan the writer, and another to Dylan the performer. There are fun interactives, and touchscreens which tell the story of Dylan’s Notebooks, explore his famous poem ‘Do not go gentle into that good night’ and look at the circumstances surrounding his death. Listen to Dylan himself, and those who knew him, via the built-in speakers in the chairs.

After having created a 6m x 6m painting as part of Marseille-Provence 2013, a 20m x 12m work in Nice, many private commissions in the region and most recently a painting in Marseille-Prado … it is in Martigues , the Provençal Venice, that the artist has realized a permanent work of 10m high by 8m wide. This monumental artwork now belongs to the city heritage. This permanent painting marks the entrance to the harbour. It is to discover from the mayor house, or by boat, using the free shuttle service operated by the city of Martigues. Guillaume Bottazzi has signed more than forty artworks in public space. One of them is the biggest painting in Japan, realized for the Miyanomori International museum of Art. One other, a polyptych, compound of 6 canvas of 6mx6m each, takes place in the artistic path of Paris La Défense, the largest open-air contemporary art space in France, with artists Alexander Calder, Richard Serra, Joan Miró, César, and so on... Guillaume Bottazzi was a guest of “French May” in Hong Kong in 2016. He created one of his most recent work in a public space in Belgium, in Brussels, with the partnership of European Commission in Belgium; a painting 16 metres high that now forms part of the heritage of Brussels-Capital.

Come and look behind the scenes of Manchester’s publicly owned sculpture collection. Part exhibition, part research space, Out of the Crate delves into the un-tapped history of the collection. This is an opportunity to investigate sculpture through access to stored collections and archival material. Find out what’s in store and how we look after it, help unlock hidden stories about works we know very little about and explore how artworks might encourage conversation. We have about 400 sculptures from antiquity to the present day and, until recently, less than 5% were on display. As well as modern and contemporary works, there are 19th-century sculptures and works from earlier periods that have rarely been seen this century and are under-researched. On display are a large range of materials including marble, bronze, wood, glass, ceramic and paper, a variety of sizes and shapes and different techniques of making. From bronze medals decorated with reliefs to large-scale free-standing 3D works, you can now see around 30% of the sculpture collection here. In terms of representation, we should also consider who has and hasn’t been included in the collection.

Guillaume Bottazzi a réalisé un tableau fruité en face du parc Montsouris. Il est visible de l’extérieur, au 34-36 avenue Reille, à Paris dans le 14ème arrondissement. Ce tableau apporte l’art ou on ne l’attend pas forcément et accompagne le quotidien des habitants. Cette huile sur toile de lin mesure 0,90m de haut par 1,80m de large. Elle a été conçue pour habiller l’entrée d’un bâtiment et dialogue avec les éléments qui l’entourent. L’artiste a déjà créé plus de 65 œuvres dans des espaces publics, comme un polyptique de 100m² à Paris La Défense, à Hong-Kong ou au Japon où il est l'auteur de la plus grande peinture du Pays, commandée par le Musée International d'Art Miyanomori. Ses œuvres font partie de collections muséales, notamment en Asie et aux Etats-Unis.

Guillaume Bottazzi a réalisé un tableau fruité en face du parc Montsouris. Il est visible de l’extérieur, au 34-36 avenue Reille, à Paris dans le 14ème arrondissement. Ce tableau apporte l’art ou on ne l’attend pas forcément et accompagne le quotidien des habitants.Cette huile sur toile de lin mesure 0,90m de haut par 1,80m de large. Elle a été conçue pour habiller l’entrée d’un bâtiment et dialogue avec les éléments qui l’entourent. L’artiste a déjà créé plus de 65 œuvres dans des espaces publics, comme un polyptique de 100m² à Paris La Défense, à Hong-Kong ou au Japon où il est l'auteur de la plus grande peinture du Pays, commandée par le Musée International d'Art Miyanomori. Ses œuvres font partie de collections muséales, notamment en Asie et aux Etats-Unis. Site internet de Guillaume Bottazzi : https://www.guillaume.bottazzi.org

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

The famous artist Guillaume Bottazzi has signed about 100 artworks for public spaces. This environmentally-friendly and poetic three-metre-tall sculpture, is made with enamel. It is a natural material reduced to powder and composed of different minerals. It has been erected in June 2021 at the Domaine des Diamants Blancs, in the extension of the Mallet-Stevens garden which adjoins the Villa Cavrois, an emblematic listed building. Cette création nous emporte dans un univers irréel et nous fait rêver. Elle crée un espace onirique, enchanteur, qui évolue en fonction de notre imaginaire. Cette sculpture est une ode à la joie de vivre.

Every important building has its foundations, not only structural, but also symbolic. The pillar of the National Museum are its collections. They are the most important thing inside the building, which in itself is one of the most precious items. However, it is the people, not only the founders, employees, donors, but also the visitors, who make the museum come alive. Collections, buildings and people – this is the National Museum. Together they form added values. The Museum from the cellar to the attic exhibition offers its visitors to peek into the life of the institution. It is symbolically installed in period cabinets designed more than a hundred years ago by Josef Schulz, the architect of the Historical Building. Individual collections and themes across the institution compose a puzzle-like image of the museum in the cabinets. It reflects contemporary scientific practices and knowledge, cultural norms and political changes, as well as modifications in the ways of acquiring, preserving and presenting collections over a period of more than 200 years.