Featured Events in Miami in November, 2024 (April Updated)

Born in Miami to Cuban parents, artist José Parlá (b. 1973, Miami; lives in New York) was raised between mainland United States and Puerto Rico. Influenced by his proximity to Caribbean and Latin American countries, he developed an interest in diverse cultural traits, including Cuban music, hip hop, reggae, calligraphy, dance, and urban architecture and its decay, all of which would become recurring themes in his work. Consistent with his blended culture, Parlá is interested in hybrid forms of abstraction. Through a unique mark-making process, grounded in movement and bodily gestures, Parlá produces a painterly stream of consciousness characterized by addition, erasure, and layering. His physical and textural artistic process challenges conventional visual culture. Pérez Art Museum Miami (PAMM) is honored to be hosting Parlá’s first solo museum exhibition in his hometown. Featuring a new series of never-before-seen works and a site-specific mural, José Parlá: Homecoming will ultimately mirror the artist’s studio. An elaborate, two-part exhibition will allow visitors to observe Parlá’s dance-like technique in real time as he paints a site-specific mural for the first iteration of the exhibition. The second iteration will see the museum gallery transformed and converted into Parlá’s studio—a room full of paint-covered tables, a lively Cuban-inspired record collection, and decades of Parla’s archival memorabilia. In 2021, Parlá contracted a life-threatening case of COVID-19—he was hospitalized and endured a four-month coma during which he suffered a stroke and significant brain bleeding. A radical departure from the traditional use of space in a museum, this presentation not only represents a homecoming to Miami, but also marks a return to himself and his practice after this experience. Celebrating the spirit of resilience and returning to one’s roots, José Parlá: Homecoming is a testament to the profound connections among personal history, art, and creative expression. In addition to the completed mural and studio re-creation, the exhibition will also feature a number of recent works Parlá created upon his return to painting. The result is a process-focused exhibition highlighting an expressionistic painter who conscientiously engages with issues relating to Cuban and broader diasporic identity.

The Days That Build Us presents a selection of video works from PAMM’s collection, each offering a unique perspective on moments that shape our identities and define our paths. Through the lens of artists like Tania Candiani, Dara Friedman, Deborah Jack, Rivane Neuenschwander in collaboration with Cao Guimarães, and Miguel Ángel Rojas, the exhibition explores the complexities of the human experience that build us. Rojas’ exploration of Colombian society challenges viewers to confront uncomfortable truths, while Candiani’s multidisciplinary practice prompts critical contemplation of ideologies, resilience, and labor. Friedman’s intimate portrayal of couples kissing invites reflection on the nature of intimacy and public display, while Jack’s work offers a deep exploration of personal and cultural identity through vivid imagery. Neuenschwander’s playful yet profound narratives imbue the mundane with poetic significance. Together, these works invite viewers to reconsider their understanding of familiar concepts and reflect on daily moments that shape their own lives.

Cecilia Vicuña is a poet and artist who grew up in the Chilean commune of La Florida, in the Maipo Valley. Born to a family of artists and intellectuals, Vicuña grew up hearing about the persecution and incarceration of individuals who struggled for social justice in the wake of increasingly conservative government agendas. While attending the Slade School of Fine Art in London on a British Council Award in 1972–73, a coup d’état led by General Augusto Pinochet, commander-in-chief of the Chilean army, ushered in a seventeen-year military dictatorship. This led Vicuña to remain in London on a self-imposed exile, where she exhibited her work at the Institute of Contemporary Arts and published her first book, Saborami (1973). At the time, she was largely focused on political activism directed against fascism and human rights violations in Chile and other countries.

Cecilia Vicuña is a poet and artist who grew up in the Chilean commune of La Florida, in the Maipo Valley. Born to a family of artists and intellectuals, Vicuña grew up hearing about the persecution and incarceration of individuals who struggled for social justice in the wake of increasingly conservative government agendas. While attending the Slade School of Fine Art in London on a British Council Award in 1972–73, a coup d’état led by General Augusto Pinochet, commander-in-chief of the Chilean army, ushered in a seventeen-year military dictatorship. This led Vicuña to remain in London on a self-imposed exile, where she exhibited her work at the Institute of Contemporary Arts and published her first book, Saborami (1973). At the time, she was largely focused on political activism directed against fascism and human rights violations in Chile and other countries.

One Becomes Many explores the enduring legacies that transcend generations in the works of ten Black Brazilian artists. Through traditional motifs, geometric abstractions, and a deep reverence for Brazilian culture, these artists offer glimpses into a world where resilience is not merely a trait but a sacred inheritance. Central to the exhibition is candomblé—the Afro-Brazilian religion that draws on traditions of West African ethnic groups such as the Yoruba, Fon, and Bantu, as well as some aspects Roman Catholicism. Inspired by ritual practices, these artists pay homage to deities and ancestral spirits, exuding divine potency and wisdom in their works. The reimagined symbolic imagery from candomblé serves as a visual testament to the strength of a people who have endured, persisted, and thrived.

Born in Miami to Cuban parents, artist José Parlá (b. 1973, Miami; lives in New York) was raised between mainland United States and Puerto Rico. Influenced by his proximity to Caribbean and Latin American countries, he developed an interest in diverse cultural traits, including Cuban music, hip hop, reggae, calligraphy, dance, and urban architecture and its decay, all of which would become recurring themes in his work. Consistent with his blended culture, Parlá is interested in hybrid forms of abstraction. Through a unique mark-making process, grounded in movement and bodily gestures, Parlá produces a painterly stream of consciousness characterized by addition, erasure, and layering. His physical and textural artistic process challenges conventional visual culture. Pérez Art Museum Miami (PAMM) is honored to be hosting Parlá’s first solo museum exhibition in his hometown. Featuring a new series of never-before-seen works and a site-specific mural, José Parlá: Homecoming will ultimately mirror the artist’s studio. An elaborate, two-part exhibition will allow visitors to observe Parlá’s dance-like technique in real time as he paints a site-specific mural for the first iteration of the exhibition. The second iteration will see the museum gallery transformed and converted into Parlá’s studio—a room full of paint-covered tables, a lively Cuban-inspired record collection, and decades of Parla’s archival memorabilia. In 2021, Parlá contracted a life-threatening case of COVID-19—he was hospitalized and endured a four-month coma during which he suffered a stroke and significant brain bleeding. A radical departure from the traditional use of space in a museum, this presentation not only represents a homecoming to Miami, but also marks a return to himself and his practice after this experience. Celebrating the spirit of resilience and returning to one’s roots, José Parlá: Homecoming is a testament to the profound connections among personal history, art, and creative expression. In addition to the completed mural and studio re-creation, the exhibition will also feature a number of recent works Parlá created upon his return to painting. The result is a process-focused exhibition highlighting an expressionistic painter who conscientiously engages with issues relating to Cuban and broader diasporic identity.

The Days That Build Us presents a selection of video works from PAMM’s collection, each offering a unique perspective on moments that shape our identities and define our paths. Through the lens of artists like Tania Candiani, Dara Friedman, Deborah Jack, Rivane Neuenschwander in collaboration with Cao Guimarães, and Miguel Ángel Rojas, the exhibition explores the complexities of the human experience that build us. Rojas’ exploration of Colombian society challenges viewers to confront uncomfortable truths, while Candiani’s multidisciplinary practice prompts critical contemplation of ideologies, resilience, and labor. Friedman’s intimate portrayal of couples kissing invites reflection on the nature of intimacy and public display, while Jack’s work offers a deep exploration of personal and cultural identity through vivid imagery. Neuenschwander’s playful yet profound narratives imbue the mundane with poetic significance. Together, these works invite viewers to reconsider their understanding of familiar concepts and reflect on daily moments that shape their own lives.

The Days That Build Us presents a selection of video works from PAMM’s collection, each offering a unique perspective on moments that shape our identities and define our paths. Through the lens of artists like Tania Candiani, Dara Friedman, Deborah Jack, Rivane Neuenschwander in collaboration with Cao Guimarães, and Miguel Ángel Rojas, the exhibition explores the complexities of the human experience that build us. Rojas’ exploration of Colombian society challenges viewers to confront uncomfortable truths, while Candiani’s multidisciplinary practice prompts critical contemplation of ideologies, resilience, and labor. Friedman’s intimate portrayal of couples kissing invites reflection on the nature of intimacy and public display, while Jack’s work offers a deep exploration of personal and cultural identity through vivid imagery. Neuenschwander’s playful yet profound narratives imbue the mundane with poetic significance. Together, these works invite viewers to reconsider their understanding of familiar concepts and reflect on daily moments that shape their own lives.

Cecilia Vicuña is a poet and artist who grew up in the Chilean commune of La Florida, in the Maipo Valley. Born to a family of artists and intellectuals, Vicuña grew up hearing about the persecution and incarceration of individuals who struggled for social justice in the wake of increasingly conservative government agendas. While attending the Slade School of Fine Art in London on a British Council Award in 1972–73, a coup d’état led by General Augusto Pinochet, commander-in-chief of the Chilean army, ushered in a seventeen-year military dictatorship. This led Vicuña to remain in London on a self-imposed exile, where she exhibited her work at the Institute of Contemporary Arts and published her first book, Saborami (1973). At the time, she was largely focused on political activism directed against fascism and human rights violations in Chile and other countries.

Cecilia Vicuña is a poet and artist who grew up in the Chilean commune of La Florida, in the Maipo Valley. Born to a family of artists and intellectuals, Vicuña grew up hearing about the persecution and incarceration of individuals who struggled for social justice in the wake of increasingly conservative government agendas. While attending the Slade School of Fine Art in London on a British Council Award in 1972–73, a coup d’état led by General Augusto Pinochet, commander-in-chief of the Chilean army, ushered in a seventeen-year military dictatorship. This led Vicuña to remain in London on a self-imposed exile, where she exhibited her work at the Institute of Contemporary Arts and published her first book, Saborami (1973). At the time, she was largely focused on political activism directed against fascism and human rights violations in Chile and other countries.

One Becomes Many explores the enduring legacies that transcend generations in the works of ten Black Brazilian artists. Through traditional motifs, geometric abstractions, and a deep reverence for Brazilian culture, these artists offer glimpses into a world where resilience is not merely a trait but a sacred inheritance. Central to the exhibition is candomblé—the Afro-Brazilian religion that draws on traditions of West African ethnic groups such as the Yoruba, Fon, and Bantu, as well as some aspects Roman Catholicism. Inspired by ritual practices, these artists pay homage to deities and ancestral spirits, exuding divine potency and wisdom in their works. The reimagined symbolic imagery from candomblé serves as a visual testament to the strength of a people who have endured, persisted, and thrived.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami. Mining the space between abstraction and representation in painting, Anderson creates art that is at once steeped in history but also acutely contemporary. Born in Birmingham, England to Jamaican parents of the Windrush Generation, a graduate of the Royal College of Art in London, Anderson’s paintings are grounded in the universal spaces and visual archive of the landscape tradition so much a part of the history of modern western art. Yet, as is demonstrated here, he is also an explorer of what those histories mean in the African diaspora and, more specifically, within the cultural and social traditions of the Caribbean. In 2022, Anderson participated in the Kingston Biennial. While working on that project, he traveled to and from Jamaica through Miami; coming face-to-face with the two murals Abrahams painted on Jamaican history for the airport in 1985. During this time, Abrahams’s murals began resonating with Anderson in a different way. Reflecting on the importance of Jamaican history, and the rich history of the Caribbean as a whole, Anderson began working on ideas for this show while taking these trips. Thinking of what these historical murals mean for immigration, but also as a point of entry and departure for tourism, Anderson developed this new sixteen-panel painting.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami. Mining the space between abstraction and representation in painting, Anderson creates art that is at once steeped in history but also acutely contemporary. Born in Birmingham, England to Jamaican parents of the Windrush Generation, a graduate of the Royal College of Art in London, Anderson’s paintings are grounded in the universal spaces and visual archive of the landscape tradition so much a part of the history of modern western art. Yet, as is demonstrated here, he is also an explorer of what those histories mean in the African diaspora and, more specifically, within the cultural and social traditions of the Caribbean. In 2022, Anderson participated in the Kingston Biennial. While working on that project, he traveled to and from Jamaica through Miami; coming face-to-face with the two murals Abrahams painted on Jamaican history for the airport in 1985. During this time, Abrahams’s murals began resonating with Anderson in a different way. Reflecting on the importance of Jamaican history, and the rich history of the Caribbean as a whole, Anderson began working on ideas for this show while taking these trips. Thinking of what these historical murals mean for immigration, but also as a point of entry and departure for tourism, Anderson developed this new sixteen-panel painting.

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami. Mining the space between abstraction and representation in painting, Anderson creates art that is at once steeped in history but also acutely contemporary. Born in Birmingham, England to Jamaican parents of the Windrush Generation, a graduate of the Royal College of Art in London, Anderson’s paintings are grounded in the universal spaces and visual archive of the landscape tradition so much a part of the history of modern western art. Yet, as is demonstrated here, he is also an explorer of what those histories mean in the African diaspora and, more specifically, within the cultural and social traditions of the Caribbean. In 2022, Anderson participated in the Kingston Biennial. While working on that project, he traveled to and from Jamaica through Miami; coming face-to-face with the two murals Abrahams painted on Jamaican history for the airport in 1985. During this time, Abrahams’s murals began resonating with Anderson in a different way. Reflecting on the importance of Jamaican history, and the rich history of the Caribbean as a whole, Anderson began working on ideas for this show while taking these trips. Thinking of what these historical murals mean for immigration, but also as a point of entry and departure for tourism, Anderson developed this new sixteen-panel painting.

FSU vs UM Weekend is almost here! Join your fellow Noles at any of our three South Florida locaitons and receive: Complimentary Light BitesA complimentary Lagunitas BeerAll you need to do is sign up and check in at the hostess stand on Gameday on Thursday 10/24! For more infomration please email events@american.social today! Information Source: American Social | eventbrite

Nanpa Básico is an upcoming event scheduled to take place at the North Miami Beach Amphitheatre in Miami on November 2, 2024. The event promises to be an unforgettable experience for attendees, featuring performances by top artists and exciting activities. The venue, located at 16601 NE 16th Ave, Miami, FL, 33162, offers a prime location for guests to enjoy the show. Make sure to mark your calendars for this special occasion and join in the celebration at Nanpa Básico in Miami.

Get ready to be swept off your feet by the enchanting melodies of Marcela Gandara, Evan Craft & Gilberto Daza at the James L Knight Center in Miami on November 2, 2024. This trio of talented musicians is set to deliver a captivating performance that will leave you wanting more. The James L Knight Center, located at 400 SE 2nd Ave, Miami, FL, 33131, provides the perfect backdrop for an unforgettable evening filled with soul-stirring music. So mark your calendars and secure your tickets for an experience that is sure to be nothing short of extraordinary. Don't miss out on this incredible opportunity to see Marcela Gandara, Evan Craft & Gilberto Daza live in concert - it's a night you won't want to miss!

Marcela Gandara is set to grace the stage at James L Knight Center on November 2, 2024, promising an unforgettable evening of soul-stirring melodies. The venue, located at 400 SE 2nd Ave, Miami, FL, 33131, will be filled with the enchanting sounds of Marcela Gandara's music. Fans can look forward to experiencing her captivating performances, including some of her most beloved songs. The tickets for Marcela Gandara are scheduled to go on sale starting from May 24, 2024, at 14:00, until November 3, 2024, at 02:00. This is an opportunity not to be missed by anyone who appreciates the beauty of live music. Mark your calendars and secure your tickets to witness Marcela Gandara live in concert.

Mark your calendars for the highly anticipated Christian Nodal - Pa'l Cora Tour, set to take place at the prestigious Kaseya Center on November 2, 2024. The venue, located at 601 Biscayne Blvd, Miami, FL, 33132, will come alive with the soulful melodies and captivating performances of Christian Nodal. Some of the chart-topping hits to be featured during the concert include "Cancion del mariachi," "Adiós amor," "No te contaron mal," and "Botella tras botella." Fans can expect an unforgettable evening filled with music, emotion, and pure talent. Tickets for the Christian Nodal - Pa'l Cora Tour go on sale starting May 16, 2024, at 14:00 and will be available until November 3, 2024, at 02:00. Don't miss the chance to experience this one-of-a-kind musical journey.

Join us on Saturday, November 2nd, at Dinko Pickleball Complex in Miami for our much-anticipated pickleball tournament, featuring the fastest-growing and most popular sport in the U.S. Tournament Info: COED (The teams can be made up of players of same or different gender)2 Categories: Beginner & Intermediate.2 matches minimum.Included with your Tickets: Trophies for Champion and Special Prizes for second place by Lucky in Love.Raffle of 1 round-trip ticket Miami-Madrid courtesy of Iberia and raffle of baskets of exquisite Italian snacks from Gusto d'Italia.A taste of Spanish delights by Rodilla and Deliberico.Refreshing beer from Estrella Damm.Many more surprises to come.WHEN: Saturday, November 2nd | 11:00 p.m. EST - Check-in: 1O:30 a.m. WHERE: at Dinko Pickleball Complex in Miami. *Registration on a first-come, first-served basis until all places are filled. Do not you have a partner? Do not worry: we will match with a player of your level. Will you miss out? Get your ticket now! For more information contact us: rsvp@spainchamber.org Information Source: Spain-US Chamber of Commerce in Florida | eventbrite

HORA DO SHOW E INFORMAÇŌES SOBRE INGRESSOS: 8/11 SEXTA ÀS 20:30h$55 ENTRADA + OPEN BAR GRÁTIS Pela primeira vez em Miami, o comediante brasileiro Diogo Portugal vai se apresentar (em português) no The Comedy Inn no dia 8 de novembro com uma única sessão às 20h30. Diogo Portugal é o humorista precursor do Stand Up Comedy no Brasil, humorista versátil, que vai do stand até as tradicionais esquetes, encarnando os tipos mais hilários e diferentes. Atualmente Diogo viaja com seu solo de stand up “Burrice Artificial” e com o show de stand up “Stand-Up Raiz” onde ele divide o palco Danilo Gentili e Oscar Filho. Não perca a oportunidade de assistir um dos maiores e mais hilários comediantes do Brasil em sua primeira apresentação em Miami! ESTE EVENTO SERÁ EM PORTUGUÊS T HIS EVENT IS IN PORTUGUESE Inn-formações do Evento: As portas abrem 30 minutos antes do horário do show.Estacionamento grátis no Hotel. Repetindo: GRÁTIS.Sem reembolso ou trocas. Os assentos serão mantidos até 15 minutos antes da hora do show.Não é permitido alimentos ou fumar dentro do comedy.Premium Open Bar até o fim do show.Contate-nos (info@comedyinn.com) para pacotes de estadia no hotel (disponibilidade limitada).Comedy Inn-formações para quem virá aqui pela primeira vez: Não somos um comedy club “normal”. Nós oferecemos um Premium Open Bar & não exigimos do nosso público que comprem drinks.Este show é SOMENTE PARA CONVIDADOS. Convidamos você a Join INN da nossa lista de convidados.Os assentos serão tomados por ordem de chegada.Grupos grandes que queiram se sentar juntos, nos avisem por email (info@comedyinn.com) em pelo menos 48 horas antes do inicio do show e faremos o possível para alocar todos juntos.Nao é necessário imprimir os ingressos. Seu nome estará na lista de Check-Inn na porta. Somos 100% Free-Papel!Qualquer duvida, por favor Email Us (Info@comedyinn.com) 24/7. Para mais INN-formações, visite ComedyInn.com.Didn't Get Tickets Inn Time? Don't Like Paying Full Price $$? Get on the Inn List. Miami's Premiere Venue for Stand-Up Comedy - USA TODAY This 1970s era hotel has become a destination for the country's hottest comics and the crazy characters who love them. - MIAMI NEW TIMES Watch our Shout-Out on CONAN! Information Source: The Comedy Inn | eventbrite

準備迎接一場高雅而精緻的饗宴吧！2024年邁阿密葡萄酒節將於11月9日隆重登場，匯聚世界各地的佳釀於佛羅里達州著名地標Underline。這個盛會不僅是葡萄酒愛好者的天堂，也是尋求品味生活的你不容錯過的年度盛事。在這裡，來自各地的品酒專家將帶來他們珍藏的釀造佳作，讓你在享受邁阿密熱情陽光的同時，細味每一口酒中蘊含的故事與風味。記下這個日期，在2024年邁阿密葡萄酒節與我們相遇，共同體驗一場視覺與味覺的雙重盛宴。欲了解更多資訊，敬請關注我們後續的更新。

喜愛釀酒藝術和精緻佳釀的朋友，請記下這個日期：2024-11-09。屆時，邁阿密將舉辦盛大的「2024 年邁阿密葡萄酒與烈酒節」，讓您親身體驗品酒文化的魅力。此展會將於佛羅里達州的Underline盛大開幕，為期一天的活動將匯集來自世界各地的頂級葡萄酒與烈酒品牌，提供一個獲得知識和享受美酒的絕佳平台。諸多專業品酒師及業界人士將當場傳授他們的知識和經驗。不論您是釀酒愛好者，還是對烈酒有獨特見解，2024 年邁阿密葡萄酒與烈酒節都將是您不容錯過的盛事。立刻標記您的日曆，準備親臨這場葡萄酒與烈酒的饗宴吧！

Experience the magic of the 2024 International Voice and Song Festival at the prestigious Manuel Artime Theater on Southwest 1st Street in Miami, Florida, USA. Mark your calendars for Saturday, November 9, 2024, at 08:00 pm for an unforgettable Gala Award ceremony showcasing talents from around the globe. Immerse yourself in a night of captivating performances by international artists in a unique and exciting artistic atmosphere. Don't miss this opportunity to witness a spectacular show at the Manuel Artime Theater. Tickets are available for $25. Secure your seat now and prepare to indulge in a night filled with enchanting music and emotions at this highly anticipated event.

Our Gymnasty Clinic will open your eyes on how to break down skills to build them back up, with effective drills. Whether you are a coach or an athlete, you will walk away with a pocket FULL of knowledge and drills to take back to your training. The day will be broken down into Foundational Skills, Bar Muscle Up work, Handstand Walking Progressions, a fun workout and a short Q&A at then end. We cannot wait to bring this clinic to MIAMI!! Information Source: Soulsean | eventbrite

Harpo Foundation Grantee Meet-and-Greet and ScreeningDate:Friday, Nov 15, 2024 Meet-and-Greet:7:00 PM Screening and filmmaker Q&A:7:30 PM Closing reception: until 9:00 PM Location: Locust Projects Come join Harpo Foundation's staff and board at Locust Projects for a grantee meet-and-greet and the premiere of short documentary films about Ed Levine's (1935-2020) artist-built environment Vermont Village: A Conversation between Art, Water and the Land. Produced by Harpo Foundation and directed by Miami-based filmmakers, Bill Bilowit and Marilyn Loddi of Wet Heat Project, the films introduce Harpo Foundation founder Ed Levine's most significant singular work to the public. See you there! Information Source: HARPO FOUNDATION | eventbrite

As the sun dips below the horizon on the 16th of November 2024, Kombumerri Country will host an otherworldly convergence of sound and spirit. Uecalypt B2B Windchime DJ will open the night, followed by DJ Eudamonic B2B Will D. pushing the energy deeper. Miimau B2B Needles will elevate the rhythm, before Byron Yeates takes us to the final peak. Expect raw, driving soundscapes that will move both body and mind. Potions by Costa Taco. Atmosphere by Isaac LDVJ. Sound by Odd Boy. Bloom by Bouquet. — As we celebrate, gather and dance on unseeded land, we acknowledge the traditional custodians of Kombumerri Country. Paying respect to their elders past, present and emerging, the lores, stories and teachings, and the ongoing care for the landscape. First Nations people are encouraged to reach out for complimentary participation. Information Source: Bouquet Studios | eventbrite

Los caballeros las prefieren brutas es un espectáculo unipersonal de comedia en el que Isabella desmenuza -sin filtros- las relaciones amorosas y las diferencias entre hombres y mujeres. Con su estilo ingenioso e irreverente, comparte sus observaciones (y desventuras) sobre la vida en pareja. Relatando situaciones cotidianas reales y absurdas, logra arrancarle al público carcajadas mientras los invita a reflexionar sobre sus propias historias amorosas. En este show, nos reímos de la comunicación (o la falta de ella) en la pareja, los roles de género (¿son brutas… o astutas, haciéndose las tontas?), las expectativas ridículas en las relaciones, la soltería y la eterna búsqueda del amor (o algo que se le parezca). POLÍTICA DE DEVOLUCIÓN:Todas las ventas son finales. Los tickets para esta función no son reembolsables. Este evento permite la transferencia de boletos a otra persona. Las transferencias pueden facilitarse contactando directamente al organizador del evento en info@tiranube.com Al comprar un boleto, aceptas estos términos de compra. RETURN POLICY:All sales are final. Tickets for this event are non-refundable. This event allows ticket transfers to another person. Transfers can be facilitated by contacting the event organizer directly at info@tiranube.com. By purchasing a ticket, you agree to these terms of purchase. Information Source: Tiranube Entertainment | eventbrite

準備好迎接一場文學盛宴嗎？2024年邁阿密書展將於11月17日在美國佛羅里達州邁阿密戴德學院盛大開幕。文學愛好者們將在此匯聚一堂，探讨書籍的魅力與知識的豐富，見識當今文學界的最新動向。這場書展不僅是閱讀愛好者的天堂，也是作家、出版商和文學評論家交流切磋的平台。在這裡，讀者將有機會親自與心儀作家交流，並尋找那些難以忘懷的經典佳作。不要錯過2024年邁阿密書展，這將是一次啟迪心靈、拓展視野的絕佳機會。詳細票價與活動安排，敬請期待進一步的消息公布。

準備好迎接一場文學盛宴嗎？2024年邁阿密書展將於11月17日在美國佛羅里達州邁阿密戴德學院盛大開幕。文學愛好者們將在此匯聚一堂，探讨書籍的魅力與知識的豐富，見識當今文學界的最新動向。這場書展不僅是閱讀愛好者的天堂，也是作家、出版商和文學評論家交流切磋的平台。在這裡，讀者將有機會親自與心儀作家交流，並尋找那些難以忘懷的經典佳作。不要錯過2024年邁阿密書展，這將是一次啟迪心靈、拓展視野的絕佳機會。詳細票價與活動安排，敬請期待進一步的消息公布。