Featured Events in Los Angeles in March, 2025 (July Updated)

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Nov. 11, 2023–Nov. 30, 2027 | Renowned American artist Betye Saar’s large-scale work “Drifting Toward Twilight”—commissioned by The Huntington—is a site-specific installation that features a 17-foot-long vintage wooden canoe and found objects, including birdcages, antlers, and natural materials harvested by Saar from The Huntington’s grounds.

Egypt’s 26th Dynasty (664–526 BCE) was a period of revival and renewal. It marks the last great phase of native pharaonic rule in ancient Egypt and is notable for its exceptional artworks, particularly stone sculpture. The achievements of Egyptian artists of this period are vividly expressed in the sculpted portraits of officials associated with the court and priesthood, which were created to be displayed in tombs and temples. The works in this exhibition are on special loan from the British Museum, London.

This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. The sculpture celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource.

explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures, and advocating for Indigenous technologies in a more inclusive present and sustainable future. Over fifty artworks are on display, some interspersed throughout the museum, creating unexpected encounters and dialogues between contemporary Indigenous creations and historic Autry works. Artists such as Andy Everson, Ryan Singer, and Neil Ambrose Smith wittily upend pop-culture icons by Indigenizing sci-fi characters and storylines; Wendy Red Star places Indigenous people in surreal spacescapes wearing fantastical regalia; Virgil Ortiz brings his own space odyssey, to life in a new, site-specific installation. By intermingling science fiction, self-determination, and Indigenous technologies across a diverse array of Native cultures, envisions sovereign futures while countering historical myths and the ongoing impact of colonization, including environmental degradation and toxic stereotypes.

Mesoamerican artists held a cosmic responsibility: as they adorned the surfaces of buildings, clay vessels, textiles, bark-paper pages, and sculptures with color, they (quite literally) made the world. The power of color emerged from the materiality of its pigments, the skilled hands that crafted it, and the communities whose knowledge imbued it with meaning. Color mapped the very order of the cosmos, of time and space. By engineering and deploying color, artists wielded the power of cosmic creation in their hands. We Live in Painting: The Nature of Color in Mesoamerican Art explores the science, art, and cosmology of color in Mesoamerica. Histories of colonialism and industrialization in the “color-averse” West have minimized the deep significance of color in the Indigenous Americas. This exhibition follows two interconnected lines of inquiry—technical and material analyses, and Indigenous conceptions of art and image—to reach the full richness of color at the core of Mesoamerican worldviews.

The Natural History Museum’s historic diorama halls are the largest exhibitions at the museum, showcasing over 75 incredibly detailed habitats ranging from arctic tundra to tropical rainforest. To celebrate the 100th anniversary of the dioramas, NHM is restoring and reopening a diorama hall that has been closed for decades. There, visitors will experience immersive new installations — by artists RFX1 (Jason Chang), Joel Fernando and Yesenia Prieto (working as a three-artist team), as well as Saul Becker and Lauren Schoth — that call attention to dioramas as a unique combination of art and science and explore biodiversity, ecology, conservation, colonialism, and changing museum display techniques. NHM maintains an active diorama program where staff continue to update and build dioramas, keeping this art form alive. Visitors can examine these illusions of wilderness through a series of displays, engaging programs, and a new book that sheds light on the previously untold history of NHM’s dioramas.

Diary of Flowers: Artists and their Worlds brings together over 80 artworks from MOCA’s renowned collection, demonstrating how artists create their own worlds through their art–building networks, circles, and mythologies. Embracing the boundaries between the personal and the social, public and private lives, as well as emotional and psychological states, works in the show privilege sites of creativity and the place of the imagination to conjure new worlds and possibilities. Friendship, love, and intimacy become important starting points for artistic expression. The exhibition features work in all media across different geographies, cultures, and periods, by artists including Belkis Ayón, Abraham Cruzvillegas, Mona Hatoum, Candice Lin, Annette Messeger, Wangechi Mutu, Lucas Samaras, Mohammed Sami, Tunga, and Haegue Yang, as well as a gallery dedicated to Nan Goldin.

Wonder takes flight at the Museum! Walk among beautiful butterflies in our seasonal Butterfly Pavilion. This springtime exhibition features hundreds of butterflies, colorful native plants, and plenty of natural light to help you see these creatures shimmer. With lots of flight space and a variety of resting spots, come get one of the best views in Los Angeles of these amazing insects.

This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. The sculpture celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource. California-based Japanese American artist Mineo Mizuno’s site-specific sculpture, titled Homage to Nature, is crafted from fallen timber gathered in the forests of the Sierra Nevada, where the artist lives and works. Views of the San Gabriel Mountains in the background will frame the work. The sculpture explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. Homage to Nature celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource. Using yakisugi (shou sugi), a traditional Japanese method of wood preservation known in the West as burnt timber cladding, the charred surfaces of the reclaimed timber in the sculpture speak not only to fire’s destructive power but also to its ability to reinvigorate the land. As a companion and response to the sculpture, a “fire landscape” will be planted near the sculpture to mimic new growth that occurs naturally after a fire. This new sculpture marks the culmination of a series of installations by the artist designed to reflect on The Huntington’s collections and link the gardens and art galleries. Homage to Nature will be unveiled on May 25, 2024, and will remain on view for five years.

Spectrum 14 is a calibrated array of prisms that cast a dazzling display of luminous color across the Museum’s rotunda. Bands of spectral light traverse the space in relation to the sun, which follow a slightly different arc through the sky every day. Over time, Ross’s work changes in response to Earth’s rotational orbit, connecting us to the premodern experience of astronomical observation and calculation that defined cycles of days, seasons, and rituals. This project was commissioned for PST ART as part of the exhibition Lumen: The Art and Science of Light. This is the second “Rotunda Commission,” a series of art installations inspired by the Getty Museum’s collection, architecture, and site.

In the early decades of the 20th century, automobile ownership saw tremendous growth in the United States—with one motor vehicle per every five Americans by 1929—and a new motoring landscape evolved to accommodate the increase in car travel. For over a century, civil engineers, automotive designers, architects, and graphic artists have worked, often without credit, to create highway systems and the vehicles that traverse them, along with standardized signage and roadside amenities that have become so commonplace that they are largely taken for granted. Modern and contemporary artists, however, have long noticed and been inspired by the world in which the automobile operates and have responded to it in their work. Eyes on the Road brings the often-overlooked “art” of the highway together with artistic representations of this visual culture, highlighting the role of the car in shaping the country’s built environment and drawing new attention to the world around us.

In 2025, the Norton Simon Museum marks the 50th anniversary of its founding in 1975. The exhibition Retrospect: 50 Years at the Norton Simon Museum, on view in the main-level Focus Gallery from February 14, 2025, to January 12, 2026, celebrates five decades of art, education, research and community. Coinciding with the Exterior Improvement Project, which will transform the Museum’s gardens and grounds, Retrospect offers not only a reflective view of the past but also one of the horizon for decades to come.

Over the past four decades, Shanghai-born, Marin County–based artist Zheng Chongbin (b. 1961) has cultivated a unique practice that engages with the driving concepts and aesthetics of the Light and Space movement and East Asia’s tradition of ink painting. Educated in both traditional Chinese figurative painting and installation and performance art, Zheng synthesizes these seemingly disparate practices into unprecedented signature painting and video techniques. Zheng Chongbin: Golden State is a focused presentation that features two video installation pieces coupled with painted and printed works. Through abstract forms and distorted views of California’s natural landscape, Zheng explores water, light, and movement in his signature works.

Rolling Loud California is set to take place at the Hollywood Park Grounds in Inglewood. The event is scheduled for March 14, 2025, at 1011 Stadium Drive, CA, 90305. Rolling Loud is a renowned music festival known for its impressive lineup of hip-hop artists and electrifying performances. Attendees can expect a day filled with non-stop music, energy, and unforgettable moments. Join music fans from around the country for an experience like no other at Rolling Loud California.

Experience the magic of the music industry legend at the J.Y. Park 30th Anniversary Concert [Still JYP] in Los Angeles. The event will take place on March 22, 2025, at The Wiltern, located at 3790 Wilshire Blvd., CA, 90010. Join the celebration of three decades of groundbreaking music and unparalleled talent in the heart of Los Angeles. Don't miss this unforgettable evening honoring the iconic J.Y. Park in one of the most prestigious venues in the city.

In September 2024, Icelandic-Danish artist Olafur Eliasson (b. 1967, Copenhagen; lives and works in Berlin) presents a new site-specific installation made for The Geffen Contemporary at MOCA. In line with Eliasson’s career-long exploration of light and color, geometry, and environmental awareness, the installation playfully engages with material and immaterial qualities of the museum’s architecture. A series of large-scale optical devices designed specifically for MOCA Geffen will respond to the building itself, as well as to the everchanging atmosphere of Los Angeles. Visitors will encounter a dazzling range of sensory experiences that harness the laws of geometric optics to address feelings and concepts of embodiment, perception, and participation.

For several decades, artist Cai Guo-Qiang has used gunpowder and pyrotechnics to create drawings, paintings, and explosion events. The exhibitionCai Guo-Qiang:A Material Odysseywill fill the first floor galleries at the USC Pacific Asia Museum. Based on years of research by the Getty Conservation Institute and the Getty Research Institute,A Material Odysseywill explore the nature and properties of gunpowder and chronicle its use by the artist. This explosive material, invented in China over 1,100 years ago, has come to define Cai’s work. Its unpredictable nature dictates his artistic process and determines the outcome. Through gunpowder, the artist invites uncontrollable forces to participate in the creation of his work. With an abundance of artworks and scientific displays, the exhibition will narrate the lifelong love story of Cai Guo-Qiang with gunpowder. Programs accompanyingA Material Odysseywill include videos illustrating the making of fireworks, the process of creating gunpowder paintings, interactive displays, and a variety of film screenings and conversations.

"Experience an unforgettable evening at exes and o's live with Shannon Beveridge featuring Gabby Windey in Los Angeles at The Regent Theater. Join the talented duo on March 22, 2025, at 448 S. Main St., CA, 90013, as they take the stage for a night of entertainment and lively conversation. Don't miss this opportunity to witness their unique chemistry and engaging performances in person. Secure your tickets now for a one-of-a-kind event that promises to captivate and inspire."

Experience the electrifying sound of Stereophonics live at the Brooklyn Paramount on March 25, 2025. The band will be showcasing their iconic hits at 385 Flatbush Ave. Extension, NY, 11201. Don't miss this unforgettable performance in the heart of Brooklyn during their highly anticipated Spring Tour 2025. Secure your tickets now for a night of pure musical magic.

The Country Comfort Fire Relief Benefit will take place at The Regent Theater in Los Angeles on March 30, 2025. The event aims to support those affected by recent wildfires by raising funds for relief efforts. Join us for a night of live music, special performances, and guest speakers. Your attendance will make a difference in the lives of those in need. The venue is located at 448 S. Main St., CA, 90013. Mark your calendars and show your support for a worthy cause.

A Traveler’s Guide to Mettlach: Villeroy and Boch showcases everyday life in the 1800s Mettlach, Germany. Scenes of everyday life in Mettlach have been documented and celebrated by Villeroy and Boch, a ceramic production company founded in 1836 when Jean François Boch and Nicolas Villeroy merged their ceramic businesses into what is now known as Villeroy and Boch. The workers of the Mettlach factory came from diverse backgrounds, including art studios, archives, and museums. The varied backgrounds of the factory workers contributed to the artistic achievements of the Villeroy and Boch company. The Mettlach collection reflects German cultural experiences, societal interpretations, and mythology. This exhibition shows scenes of love and relationships as well as larger themes of fantasy, offering an all-encompassing snapshot of the myriad facets of human life within Mettlach. A Traveler’s Guide to Mettlach, on view in the Robert and Colette Wilson Gallery through June 2025, presents concepts of life, laughter, relationships, and the day-to-day existence of the German people.

The spectacular French microscope from Getty’s collection is a unique testament to scientific advances and Rococo design in the Age of Enlightenment. It allowed science enthusiasts to immerse themselves in the recently discovered world of the microscopically small. New study and conservation present the cultural and historical context of this magnificent object and reveal its technical complexity in a display which includes its lavish tooled-leather case and specimen slides of natural curiosities.

Since 2014, Ronan Donovan, a National Geographic Explorer and photographer, has examined the relationship between wild wolves and humans in order to better understand the animals, our shared history, and what drives the persistent human-wolf conflict. This moving exhibition features Ronan Donovan’s striking images and videos of wild wolves in the Greater Yellowstone Ecosystem and Ellesmere Island in the high Canadian Arctic. “Wolves: Photography by Ronan Donovan”, created by National Geographic Society and the National Museum of Wildlife Art, highlights the contrast between wolves that live in perceived competition with humans, in the Yellowstone area, and wolves that live without human intervention, in the Canadian Arctic. As wolves in North America are increasingly under threat due to recent extreme wolf-control laws, and humans continue to impinge on the land and food sources that these animals need to survive, Donovan’s compelling photographs inspire a better understanding of these often misunderstood animals. This exhibition is presented in partnership with the National Geographic Society and the National Museum of Wildlife Art, and supported through the patronship of Jacques Marie Mage.

German artist Joseph Beuys is one of the most famous and controversial figures in the international art world in the second half of the 20th century. From teaching students to inspiring countless later artists, his influence on contemporary art is immeasurable. In this exhibition, from newspaper articles to bottled river water, Beuys's desire to change the world through art is condensed. His art is not captured through media such as painting or drawing. Instead, Beuys draws inspiration from the world around him, transforming seemingly simple, organic media into important works of art.

Luther Vandross: Artistry and Elegance celebrates the extraordinary life and legacy of Luther Vandross, an eight-time GRAMMY® winner, revered songwriter, arranger, producer, performer, and one of the most gifted vocalists in music history. The exhibit offers an intimate glimpse into Vandross’ creative process and showcases his ornate stage wardrobe, exclusive performance footage from his popular tours, and a never-before-heard recording of him in the studio. Luther Vandross first captured the spotlight in the 1970s as a sought-after backup singer, collaborating with luminaries such as David Bowie, Roberta Flack, Quincy Jones, Chaka Khan, Bette Midler, and Carly Simon. As a solo artist, he became renowned for his relatable lyrics about love and mesmerizing live performances, characterized by dynamic bands, elaborate stage designs, and striking custom costumes worn by his background singers. Vandross achieved remarkable success, charting a Top 10 R&B hit every year from 1981 to 1994 and releasing 11 consecutive platinum records, with over 40 million albums sold worldwide.

Over the last four decades, image-editing software has radically transformed our visual world. The ease with which images and text can be digitally generated and altered has enabled new forms of creative experimentation, while also sparking philosophical debates about the very nature of representation. Digital Witness: Revolutions in Design, Photography, and Film examines the impact of digital manipulation tools from the 1980s to the present, for the first time assessing simultaneous developments and debates in the fields of photography, graphic design, and visual effects. Featuring over 150 works, the exhibition traces the emergence of distinctive digital aesthetic strategies, relationships to realism, and storytelling modes. The nearly 200 artists, designers, and makers in Digital Witness illuminate today's visual culture where digital editing tools are easier to access than ever before.

L.A. Louver celebrates the 50th anniversary of the formation of the gallery with an exhibition surveying the gallery’s history from 1975 to now. One of the longest-established contemporary art galleries on the West Coast, L.A. Louver has presented over 660 exhibitions over the course of what has been the most significant period of creative growth in Southern Californian history. L.A. Louver commemorates this achievement in 2025 with a presentation filling all gallery spaces.

Monika Sprüth and Philomene Magers are pleased to present Proof of Concept, Jon Rafman’s latest exhibition at the Los Angeles gallery, which features a groundbreaking installation that reimagines television for the AI age. Building on the artist’s long-standing exploration of digital culture and virtual worlds, Rafman has created a living, mutable stream of music videos, animations and experimental content – a hypnotic mirror of our digital era. Blending the collective viewing experience of MTV’s golden age with new technologies, Proof of Concept investigates our evolving relationship with artificial intelligence, nostalgia and media consumption.