Featured Events in London in June, 2024 (April Updated)

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

Your movements and interactions bring artworks to life insideSolid Light, a focused exhibition dedicated to the immersive works ofAnthony McCall. Beams of light projected through a thin mist create large three-dimensional forms in space, which slowly shift and change. As you move through these translucent sculptures of light, you’ll create new shapes and discover your own mesmerising perspectives. Occupying a space between sculpture, cinema, drawing, and performance, McCall is known for his innovative installations of light. In 1973, his seminal work Line Describing a Cone redefined the possibilities of sculpture. Anthony McCall is presented in The George Economou Gallery. Curated by Gregor Muir, Director of Collection, International Art, Tate Modern and Andrew de Brún, Assistant Curator, International Art, Tate Modern.

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

Carpenters Workshop Gallery presents Maison Démountable, one of Jean Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in Ladbroke Hall’s Garden.

Carpenters Workshop Gallery presents Maison Démountable, one of Jean Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in Ladbroke Hall’s Garden.

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

Carpenters Workshop Gallery presents Maison Démountable, one of Jean Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in Ladbroke Hall’s Garden.

UEFA Champions League 歐洲冠軍聯賽決賽 2023/2024將在週六精彩上演，皇馬和多特蒙德的球迷們你們準備好了嗎！這場激動人心的足球對決將於2024年6月1日在倫敦的溫布利球場舉行。作為歐洲俱樂部足球最高榮譽的歐洲冠軍聯賽，它被公認為全球最高水平的俱樂部杯賽之一，是球迷們為之振奮的重大比賽。而溫布利球場作為歐洲第二大球場，勢必會給球迷朋友們帶來獨一無二的觀賽體驗。 在驚心動魄的半決賽中，何塞盧靠著一記絕殺，成功幫助皇馬以4-3逆轉拜仁，晉級2023/24歐冠決賽。與此同時，多特蒙德在半決賽對陣大巴黎的比賽中表現出色，最終以總分2-0晉級歐冠決賽。兩隻強勁的球隊在決賽中相遇，場面必定充滿刺激與懸念。而2023-24年歐洲冠軍聯賽的冠軍將自動獲得歐冠聯賽2024-25賽季的參賽資格，並有機會在2024年歐洲超級盃中與2023-24年歐洲杯的冠軍對陣。此外，他們還將獲得參加全新的2024年國際足協洲際盃決賽和2025年在美國舉行的擴大版國際足聯世界冠軍盃的資格。究竟鹿死誰手，球迷朋友們你們的預測是什麼呢？ 除了緊張刺激的球賽，美國傳奇搖滾巨星藍尼·克羅維茲（Lenny Kravitz）也將前往現場，為歐冠聯賽決賽帶來開場表演。這位巨星的到來將為這一引人入勝的賽事增添更多激動人心的元素，也會為球迷朋友們帶來更多的腎上腺素飆升的體驗。 無論您是為了支持您喜愛的球隊，還是為了欣賞頂尖足球的精彩表演，UEFA Champions League 歐洲冠軍聯賽決賽 2023/2024將為您帶來一場難忘的足球盛宴！Trip.com為您提供便捷的購票鏈接和多樣的門票選擇，不要猶豫，立即購買門票，與全球足球愛好者一同見證這場歷史性的比賽！

Experience a compelling new play, "TOO SMALL TO TELL: A Play That's Not Not About H@rv3y W3inst31n," written by Lisa Rose, shedding light on her time as Harvey Weinstein's assistant. Join Lisa on a journey back to 1998 when she began working for Weinstein, culminating in a powerful storytelling event set to take place on June 30, 2024, at the prestigious Park Theatre in London. Delve into the intricate web of systems that often silence women, as Lisa courageously shares her story after twenty-six years. Through this thought-provoking one-woman show, audiences will witness an exploration of the struggles women face when breaking the shackles of silence. With a blend of empathy and wit, Lisa delves into the dynamics of abusive power, prompting reflection on whether any story is too insignificant to be voiced. Secure your ticket for this impactful performance at Park Theatre, located at 13 Clifton Terrace, London, N4 3JP, for £9.38. Don't miss this opportunity to experience a raw and poignant narrative that challenges societal norms and empowers women to speak their truths.

隆重呈獻，韓國音樂天后IU將於2024年6月21日，攜其盛大的《H.E.R. World Tour》2024，莅臨英國倫敦的標誌性演出場地——溫布利體育館。這場名為「IU 2024巡迴演唱會 倫敦站」的音樂盛會，預計將為樂迷帶來一個難忘的夜晚。IU以其獨特的音色、深情的詮釋力和精湛的現場表現力，贏得了全球粉絲的熱愛。倫敦站的演出，不僅將展現她的音樂才華，更是一次與樂迷親密互動的機會。溫布利體育館，這個位於HA9 0WS英國London的地標性建築，將成為見證IU音樂魅力的舞台。各位音樂愛好者，切勿錯過這場一年一度的音樂盛事。立即預訂門票，與IU一同在《H.E.R. World Tour》2024中，共享這場視聽盛宴。

The highly anticipated England v Iceland sports event is set to take place at the iconic Wembley Stadium in London on June 7, 2024. Football fans from all over the world are gearing up to witness this thrilling match between two formidable teams. With the history and rivalry between England and Iceland, this game is expected to be nothing short of intense. The Wembley Stadium, located at Wembley, London HA9 0WS, UK, is renowned for hosting some of the most prestigious sporting events, adding to the excitement surrounding this clash. As the countdown to kick-off begins, the atmosphere is electric, and supporters are eagerly awaiting the opportunity to cheer on their respective teams. Make sure to mark your calendars for this epic showdown between England and Iceland, as it promises to be a spectacle not to be missed.

The Brompton World Championships, taking place in London at Coal Drops Yard on Stable Street, N1C 4DQ, on June 22, 2024, is a highly-anticipated event featuring Brompton racing, live entertainment, and various workshops. After a five-year hiatus, this iconic event is set to return, coinciding with the Via Criterium circuit race during the London Cycle Festival. Participants will engage in a series of 10 heats, each comprising 50 riders completing 5 laps on a 900m urban track. The top 50 performers will advance to a final heat to determine the champions. The race format includes the traditional Le Mans-style start, where riders unfold their Bromptons before racing. Safety regulations strictly prohibit the use of electric bikes, with all participants required to wear approved protective gear and adhere to equipment guidelines. In addition to exciting races, the event offers various prizes for categories such as Fastest Female, Fastest Male, and Best Dressed. Tickets are available for purchase, ranging from £59.41 to £215, with more details on prizes and rules to be announced.

Witness a monumental clash between Beta Squad and AMP at the Selhurst Park Stadium in London. The highly anticipated Beta Squad VS AMP Football Match is set to take place on June 2, 2024. Immerse yourself in the electrifying atmosphere as these two teams go head-to-head in a thrilling football showdown. Cheer for your favorite team as they battle it out on the field for victory. Don't miss this exciting event that is sure to keep you on the edge of your seat. The tickets for this event are priced at £163.20 and will grant you a seat along row O, providing a fantastic view of the match. Mark your calendars now and secure your spot to witness this epic football match between Beta Squad and AMP. Be part of the action and experience the thrill of live football as these two teams compete for glory. Get ready for an unforgettable evening of sports entertainment at Selhurst Park Stadium.

準備好迎接全球樂壇天后的盛大回歸了嗎？泰勒絲演唱會 Taylor Swift 2024 倫敦站｜時代巡迴演唱會 The Eras Tour，將於2024年6月21日至23日在倫敦的溫布利球場盛大舉行。這場演唱會將是泰勒絲的一次音樂里程碑，她將以全新的面貌，帶領觀眾穿越她的音樂時代，從出道至今的每一個階段。 泰勒絲演唱會 Taylor Swift 2024 倫敦站｜時代巡迴演唱會 The Eras Tour，將在倫敦的溫布利球場，這個擁有豐富歷史和文化的地標，為觀眾帶來一場前所未有的音樂饗宴。在這四天的演唱會中，泰勒絲將演繹她的經典之作，並將帶來一些全新的驚喜。 泰勒絲演唱會 Taylor Swift 2024 倫敦站｜時代巡迴演唱會 The Eras Tour，將是一場音樂的盛宴，一場歌迷們期待已久的盛事。這場演唱會將是泰勒絲的一次音樂里程碑，她將以全新的面貌，帶領觀眾穿越她的音樂時代，從出道至今的每一個階段。這是一次不容錯過的音樂盛事，讓我們一起期待泰勒絲在倫敦的精彩演出。

Serpentine and The Royal Parks unveil a new large-scale sculpture by German artist Gerhard Richter (b. 1932, Dresden, Germany; lives and works in Cologne, Germany). Situated on the plinth at Serpentine South, in Kensington Gardens, STRIP-TOWER (2023) is the latest presentation in a long-standing series of remarkable public presentations in The Royal Parks since Serpentine’s foundation in 1970.

Birds are our morning accompaniment, soaring through the skies and flitting through the streets, but how much do we really know about these feathered friends? Let the whole family rejoice, our new exhibit invites you into their world like never before! Circle as birds whisper, chirp as the dawn chorus begins, and see if you’ve got the guts to sniff a stinky seabird egg. From feeling their heartbeat to seeing the world through their eyes, get to know our long-beaked friends better. Meet the world’s oldest modern bird, the so-called Wonderchicken, learn what pigeons have in common with the ferocious Tyrannosaurus Rex, and discover how these winged wonders survived the mass extinction that wiped out all the other dinosaurs. Today, there are more than 11,000 species of birds. From pigeons to penguins, ostriches to ospreys, birds live on every continent on Earth, so what is the secret to their success? From sucking blood to bathing in acid, our feathered friends find surprising, clever and even downright weird ways to survive. But the way we live is starting to affect the way they live. As the effects of our changing world become apparent, can we find a way to protect them and create a future where they can soar again?

隨著時間的流逝，2024 年迅速臨近，引領潮流的奧克蘭拼布展即將於6月8日隆重揭幕。這場在傑克倫敦廣場舉辦的展覽，不僅是手工藝愛好者的盛會，更是藝術創作的展示窗口。位於加州的奧克蘭 - 傑克倫敦廣場將迎來來自世界各地的拼布藝術家，匯聚一堂展示他們那獨一無二、富有創意的作品。此次展會薈萃了眾多別出心裁的拼布藝術，無疑將成為2024年奧克蘭文化日程中的一大亮點。各位藝術愛好者請預留時間，莫讓這場視覺盛宴從你的手指間溜走。詳細票價信息將於展會日期逼近時公佈，敬請期待。

Twickenham Rugby Parking: 8th June 24 Gallagher Premiership Final offers safe and secure parking at the 2nd Whitton Scout Group HQ, conveniently located under 1 mile west from the Twickenham Rugby Stadium. The parking grounds open at 12:00 midday and close at 19:00pm, allowing plenty of time for attendees to walk to the stadium before the 15:00pm kick-off. To find us, simply follow the 2nd Whitton signs and avoid turning down Evelyn Close. Please note that stretched limousines are not permitted due to restricted access, but small minibusses with 7 to 12 seats and small campervans are welcome. A reservation fee of £3.00 is included in the ticket price, and refunds are available up to 24 hours before the match. Limited parking spaces may be available on the day for £20 at the gate, subject to availability. The parking facilities are attended at all times, and toilet facilities are provided for customer use. Before and after the match, hot drinks and refreshments are available. Please be aware that all vehicles park at their own risk, as we cannot be held responsible for any theft or vehicle damage. Payments are made securely via PayPal. This event is organized by the 2nd Whitton Scouts and all funds raised support their group for general equipment replacement, upkeep, and building maintenance and improvements. Please note that the event is now inside the ULEZ zone, so ensure your vehicle is compliant or has registered for charges. For more information, please contact parking@2ndwhitton.org.uk.

Arctic Monkeys Tribute - Camden - June 15th 2024 will feature an incredible lineup of tribute bands including Subarctic Monkeys, The Kopycat Killers, Scam Fender, and Oasis 96. The event will take place at Electric Ballroom in London. Please note that this show is open to individuals aged 14 and above, with those under 16 needing to be accompanied by an adult aged 18 or older. Proof of age will be required for entry. Subarctic Monkeys, known for their outstanding renditions of Arctic Monkeys songs, will perform for 40 minutes. Following them, Scam Fender will take the stage to deliver a 45-minute set of Sam Fender songs. Oasis 96, featuring Miguel Carling on vocals, will treat the audience to 30 minutes of Oasis classics. Finally, the highlight of the evening will be The Kopycat Killers, a tribute band renowned for their exceptional performances of The Killers' songs. They will grace the stage for a full hour, showcasing their talent and captivating the crowd. This triple tribute show brings together the same group of talented musicians, led by Stuart Rook on vocals, to create a unique and unforgettable experience. Their performances as individual acts have garnered high praise from fans and music industry professionals alike. Don't miss out on this special-length show that will transport you into the world of these iconic bands. Get your tickets now for Arctic Monkeys Tribute - Camden - June 15th 2024 at Electric Ballroom in London.

Get ready for the ultimate Euro Watch Party - Serbia vs England at BigShots Golf in Northwick Park, Harrow. Witness the thrilling match between these two powerhouse teams on June 16, 2024. The event promises an unforgettable experience for football enthusiasts in the heart of Harrow. With a ticket price of just £11.55, fans can enjoy the game in a lively atmosphere surrounded by fellow supporters. Located at 280 Watford Road, HA1 3TZ, BigShots Golf is the place to be for an evening of intense sporting action and camaraderie. Don't miss out on this opportunity to cheer for your favorite team and soak up the electrifying energy of the game. Whether you're rooting for Serbia or England, this watch party will surely have you on the edge of your seat. Book your tickets now and be part of the excitement!

In honor of the 200th anniversary of its debut in Vienna, the iconic 9th Symphony by Beethoven will be celebrated in Marylebone. This symphony holds a special connection to the area, as the Royal Philharmonic Society, while being based close to Manchester Square Gardens, funded the first performance of the symphony in Vienna. The event, named Beethoven’s 9th Symphony in the Gardens, will take place on June 22, 2024, at the prestigious Manchester Square venue in London. This remarkable occasion allows attendees to immerse themselves in the beauty and significance of Beethoven's renowned masterpiece. It is an opportunity to experience the symphony in a historic setting and to appreciate the historical ties between this extraordinary composition and the Marylebone district. Tickets for this momentous event are available at a range of prices, starting from £6.13 and going up to £44.04. Don't miss this chance to witness the brilliance of Beethoven's 9th Symphony in the Gardens and be part of a memorable celebration of its legacy.

隨著時尚界不斷追求創新，2024 年未來布料博覽會喚起了業界專業人士的極度關注。這一重要展會將於 2024 年 6 月 24 日在倫敦雜誌 英國倫敦隆重舉辦，屆時將展示來自世界各地最前沿的布料技術和設計概念。與會者將有機會親身體驗那些可能改變時尚產業未來走向的創新布料，並與行業領袖交流最新的行業趨勢。2024 年未來布料博覽會不僅是預覽新興材料的絕佳平台，更是對於追求持續發展和永續時尚的專業人士不容錯過的盛會。欲知更多票價與詳細資訊，敬請留意未來公佈。

The CLSG/CLS Prom is an exclusive event taking place at Aures London on June 25th, 2024, in the vibrant city of London, UK. The event will run from 20:00 to 01:00, offering a sophisticated atmosphere with a black-tie dress code. Each ticket, priced at £60.29, includes two complimentary drinks and a delicious whole pizza for a delightful evening. Don't miss this opportunity to celebrate in style and create lasting memories at the CLSG/CLS Prom.

Showcasing Wilsher-Mills’ largest and most personal commission to date, the exhibition is a joyful exploration of the body, drawing on the artist’s experience of becoming disabled as a child. Wilsher-Mills fills the space with a colourful and immersive installation, featuring monumental sculptures, illustrations and interactive dioramas that challenge cultural and societal perceptions about disability, medicine and the human body. The exhibition will celebrate childhood, memory and popular culture, infused with the artist’s trademark humour and magic-realist depictions of episodes from his life.

Serpentine and The Royal Parks unveil a new large-scale sculpture by German artist Gerhard Richter (b. 1932, Dresden, Germany; lives and works in Cologne, Germany). Situated on the plinth at Serpentine South, in Kensington Gardens, STRIP-TOWER (2023) is the latest presentation in a long-standing series of remarkable public presentations in The Royal Parks since Serpentine’s foundation in 1970.