Type
Location
Event Status
Popularity
Start Time
Yayoi Kusama: Dreaming of Earth’s Sphericity, I Would Offer My Love | San Francisco
2024年6月22日–2025年5月31日 (UTC-8)
San Francisco
Indigenous Futures | Los Angeles
Sep 7, 2023–Jun 21, 2026 (UTC-8)
Los Angeles
explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures, and advocating for Indigenous technologies in a more inclusive present and sustainable future. Over fifty artworks are on display, some interspersed throughout the museum, creating unexpected encounters and dialogues between contemporary Indigenous creations and historic Autry works. Artists such as Andy Everson, Ryan Singer, and Neil Ambrose Smith wittily upend pop-culture icons by Indigenizing sci-fi characters and storylines; Wendy Red Star places Indigenous people in surreal spacescapes wearing fantastical regalia; Virgil Ortiz brings his own space odyssey,
to life in a new, site-specific installation. By intermingling science fiction, self-determination, and Indigenous technologies across a diverse array of Native cultures,
envisions sovereign futures while countering historical myths and the ongoing impact of colonization, including environmental degradation and toxic stereotypes.
Sculpted Portraits from Ancient Egypt | Los Angeles
2024年1月24日–2027年1月25日 (UTC-8)
Los Angeles
Egypt’s 26th Dynasty (664–526 BCE) was a period of revival and renewal. It marks the last great phase of native pharaonic rule in ancient Egypt and is notable for its exceptional artworks, particularly stone sculpture. The achievements of Egyptian artists of this period are vividly expressed in the sculpted portraits of officials associated with the court and priesthood, which were created to be displayed in tombs and temples.
The works in this exhibition are on special loan from the British Museum, London.
MOCA Focus: Ana Segovia | The Museum of Contemporary Art, Los Angeles
2024年11月23日–2025年5月4日 (UTC-8)
Los Angeles
In his luscious paintings, Ana Segovia (b. 1991, Mexico City, where he lives) twists assumptions of masculinity through a queer lens. Working with an aggressive palette of neon colors, daring compositions, and cinematographic framing and cropping, Segovia undermines the gendered basis of Mexican national identity built around male stereotypes standardized by film.
The artist often develops specific display strategies for his paintings, borrowing from the language of installation, theater, dance, and video art to effectively situate them in the exhibition space. MOCA Focus: Ana Segovia will feature a new painting commissioned for the exhibition plus two recent bodies of work, including I’ve Been Meaning to Tell You (2023), a suite of eight paintings depicting film stills from a non-existent queer film the artist wished to have seen in his formative years.
Count Me In | San Francisco Museum of Modern Art
2024年8月17日–2025年4月27日 (UTC-8)
San Francisco
The artworks in this gallery showcase the deep desire among athletes (and artists) to participate in games that prove — to rivals and spectators, coaches and family members, and the participants themselves — that they are worthy of the task at hand. In the game, players discover that the hours spent practicing with heads bent, in a crouch, or cradling a ball, yield a grace and beauty that only surfaces when tested. And sometimes the sociopolitical context in which one performs makes it even harder. In this exhibition, the physical, mental, emotional, and political resilience required to play is made visible. When Indigenous, Black, or women athletes refuse to give up, especially when they were historically excluded, their presence in the contest changes it. They make the game wider, deeper, and more meaningful. They make a beautiful game even more beautiful.
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Reframing Dioramas: The Art of Preserving Wilderness | Natural History Museum of Los Angeles County
2024年9月15日–2025年9月15日 (UTC-8)
Los Angeles
The Natural History Museum’s historic diorama halls are the largest exhibitions at the museum, showcasing over 75 incredibly detailed habitats ranging from arctic tundra to tropical rainforest. To celebrate the 100th anniversary of the dioramas, NHM is restoring and reopening a diorama hall that has been closed for decades. There, visitors will experience immersive new installations — by artists RFX1 (Jason Chang), Joel Fernando and Yesenia Prieto (working as a three-artist team), as well as Saul Becker and Lauren Schoth — that call attention to dioramas as a unique combination of art and science and explore biodiversity, ecology, conservation, colonialism, and changing museum display techniques. NHM maintains an active diorama program where staff continue to update and build dioramas, keeping this art form alive. Visitors can examine these illusions of wilderness through a series of displays, engaging programs, and a new book that sheds light on the previously untold history of NHM’s dioramas.
Buy Now
Catalogue Secondary Art Market listings | Burbank
2020年4月6日–2029年6月8日 (UTC-8)
Burbank
New from the Art Dealer's Room and Columnist series of Contemporary Art & Mix media design featured catalogue Secondary Art Market listings works & Galleries Artworks currently showing online catalogue
www.Verisart.com/Andrepace
Catalogue Secondary Art Market listings | Burbank
Apr 6, 2020–Jun 8, 2029 (UTC-8)
Burbank
New from the Art Dealer's Room and Columnist series of Contemporary Art & Mix media design featured catalogue Secondary Art Market listings works & Galleries Artworks currently showing online catalogue
www.Verisart.com/Andrepace
Ragnar Kjartansson: The Visitors | San Francisco Museum of Modern Art
2022年11月5日–2025年9月28日 (UTC-8)
San Francisco
Ragnar Kjartansson’s beloved video installation The Visitors (2012) is back at SFMOMA. In this mesmerizing hour-long work projected across nine screens, viewers are transported once again to the serene setting of Rokeby in upstate New York as the Icelandic artist and his musician friends perform together in various rooms of this historic mansion.
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Ragnar Kjartansson: The Visitors | San Francisco Museum of Modern Art
Nov 5, 2022–Sep 28, 2025 (UTC-8)
San Francisco
Ragnar Kjartansson’s beloved video installation The Visitors (2012) is back at SFMOMA. In this mesmerizing hour-long work projected across nine screens, viewers are transported once again to the serene setting of Rokeby in upstate New York as the Icelandic artist and his musician friends perform together in various rooms of this historic mansion.
Buy Now
Ragnar Kjartansson: The Visitors | San Francisco Museum of Modern Art
Nov 5, 2022–Sep 28, 2025 (UTC-8)
San Francisco
Ragnar Kjartansson’s beloved video installation The Visitors (2012) is back at SFMOMA. In this mesmerizing hour-long work projected across nine screens, viewers are transported once again to the serene setting of Rokeby in upstate New York as the Icelandic artist and his musician friends perform together in various rooms of this historic mansion.
Buy Now
Ragnar Kjartansson: The Visitors | San Francisco Museum of Modern Art
Nov 5, 2022–Sep 28, 2025 (UTC-8)
San Francisco
Ragnar Kjartansson’s beloved video installation The Visitors (2012) is back at SFMOMA. In this mesmerizing hour-long work projected across nine screens, viewers are transported once again to the serene setting of Rokeby in upstate New York as the Icelandic artist and his musician friends perform together in various rooms of this historic mansion.
Buy Now
Indigenous Futures | Los Angeles
2023年9月7日–2026年6月21日 (UTC-8)
Los Angeles
explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures, and advocating for Indigenous technologies in a more inclusive present and sustainable future. Over fifty artworks are on display, some interspersed throughout the museum, creating unexpected encounters and dialogues between contemporary Indigenous creations and historic Autry works. Artists such as Andy Everson, Ryan Singer, and Neil Ambrose Smith wittily upend pop-culture icons by Indigenizing sci-fi characters and storylines; Wendy Red Star places Indigenous people in surreal spacescapes wearing fantastical regalia; Virgil Ortiz brings his own space odyssey,
to life in a new, site-specific installation. By intermingling science fiction, self-determination, and Indigenous technologies across a diverse array of Native cultures,
envisions sovereign futures while countering historical myths and the ongoing impact of colonization, including environmental degradation and toxic stereotypes.
A Traveler’s Guide to Mettlach: Villeroy and Boch | Pomona
2023年9月9日–2025年6月30日 (UTC-8)
Pomona
A Traveler’s Guide to Mettlach: Villeroy and Boch showcases everyday life in the 1800s Mettlach, Germany. Scenes of everyday life in Mettlach have been documented and celebrated by Villeroy and Boch, a ceramic production company founded in 1836 when Jean François Boch and Nicolas Villeroy merged their ceramic businesses into what is now known as Villeroy and Boch.
The workers of the Mettlach factory came from diverse backgrounds, including art studios, archives, and museums. The varied backgrounds of the factory workers contributed to the artistic achievements of the Villeroy and Boch company. The Mettlach collection reflects German cultural experiences, societal interpretations, and mythology.
This exhibition shows scenes of love and relationships as well as larger themes of fantasy, offering an all-encompassing snapshot of the myriad facets of human life within Mettlach. A Traveler’s Guide to Mettlach, on view in the Robert and Colette Wilson Gallery through June 2025, presents concepts of life, laughter, relationships, and the day-to-day existence of the German people.
A Traveler’s Guide to Mettlach: Villeroy and Boch | Pomona
Sep 9, 2023–Jun 30, 2025 (UTC-8)
Pomona
A Traveler’s Guide to Mettlach: Villeroy and Boch showcases everyday life in the 1800s Mettlach, Germany. Scenes of everyday life in Mettlach have been documented and celebrated by Villeroy and Boch, a ceramic production company founded in 1836 when Jean François Boch and Nicolas Villeroy merged their ceramic businesses into what is now known as Villeroy and Boch.
The workers of the Mettlach factory came from diverse backgrounds, including art studios, archives, and museums. The varied backgrounds of the factory workers contributed to the artistic achievements of the Villeroy and Boch company. The Mettlach collection reflects German cultural experiences, societal interpretations, and mythology.
This exhibition shows scenes of love and relationships as well as larger themes of fantasy, offering an all-encompassing snapshot of the myriad facets of human life within Mettlach. A Traveler’s Guide to Mettlach, on view in the Robert and Colette Wilson Gallery through June 2025, presents concepts of life, laughter, relationships, and the day-to-day existence of the German people.
A Traveler’s Guide to Mettlach: Villeroy and Boch | Pomona
Sep 9, 2023–Jun 30, 2025 (UTC-8)
Pomona
A Traveler’s Guide to Mettlach: Villeroy and Boch showcases everyday life in the 1800s Mettlach, Germany. Scenes of everyday life in Mettlach have been documented and celebrated by Villeroy and Boch, a ceramic production company founded in 1836 when Jean François Boch and Nicolas Villeroy merged their ceramic businesses into what is now known as Villeroy and Boch.
The workers of the Mettlach factory came from diverse backgrounds, including art studios, archives, and museums. The varied backgrounds of the factory workers contributed to the artistic achievements of the Villeroy and Boch company. The Mettlach collection reflects German cultural experiences, societal interpretations, and mythology.
This exhibition shows scenes of love and relationships as well as larger themes of fantasy, offering an all-encompassing snapshot of the myriad facets of human life within Mettlach. A Traveler’s Guide to Mettlach, on view in the Robert and Colette Wilson Gallery through June 2025, presents concepts of life, laughter, relationships, and the day-to-day existence of the German people.
Sculpted Portraits from Ancient Egypt | Los Angeles
2024年1月24日–2027年1月25日 (UTC-8)
Los Angeles
Egypt’s 26th Dynasty (664–526 BCE) was a period of revival and renewal. It marks the last great phase of native pharaonic rule in ancient Egypt and is notable for its exceptional artworks, particularly stone sculpture. The achievements of Egyptian artists of this period are vividly expressed in the sculpted portraits of officials associated with the court and priesthood, which were created to be displayed in tombs and temples.
The works in this exhibition are on special loan from the British Museum, London.
Sculpted Portraits from Ancient Egypt | Los Angeles
Jan 24, 2024–Jan 25, 2027 (UTC-8)
Los Angeles
Egypt’s 26th Dynasty (664–526 BCE) was a period of revival and renewal. It marks the last great phase of native pharaonic rule in ancient Egypt and is notable for its exceptional artworks, particularly stone sculpture. The achievements of Egyptian artists of this period are vividly expressed in the sculpted portraits of officials associated with the court and priesthood, which were created to be displayed in tombs and temples.
The works in this exhibition are on special loan from the British Museum, London.
Mineo Mizuno: Homage to Nature | Huntington Library
May 25, 2024–May 25, 2029 (UTC-8)
San Marino
This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. The sculpture celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource.
Mineo Mizuno: Homage to Nature | Huntington Library
May 25, 2024–May 25, 2029 (UTC-8)
San Marino
This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. The sculpture celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource.
Yayoi Kusama: Dreaming of Earth’s Sphericity, I Would Offer My Love | San Francisco
Jun 22, 2024–May 31, 2025 (UTC-8)
San Francisco
Unity through Skateboarding | San Francisco Museum of Modern Art
Aug 17, 2024–May 4, 2025 (UTC-8)
San Francisco
Skateboarding has always been about more than tricks and competitions. It is a culture rooted in rebellion, creativity, style, and the pursuit of freedom. This exhibition, curated by Jeffrey Cheung and Gabriel Ramirez, founders of the skate collective Unity, celebrates the dreams and realities of queer, trans, BIPOC, and women skaters as well as the diverse communities that have shaped the sport, despite histories of hypermasculinity and exclusionary attitudes. Meet the pioneers who broke barriers, from the first women and queer skaters to go pro, to the underground movements that encouraged inclusivity and change in skateboarding. Through skateboards that represent queer and women skaters and artists, skate publications and zines, artworks, photographs, videos, and more, the works featured here explore how communities have fostered unity through a shared ethos of passion and determination. Just as skaters who, despite injuries and setbacks, persistently attempt a trick until they land it, Unity through Skateboarding encourages us to keep pushing for a more inclusive world, both on and off the board.
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Unity through Skateboarding | San Francisco Museum of Modern Art
Aug 17, 2024–May 4, 2025 (UTC-8)
San Francisco
Skateboarding has always been about more than tricks and competitions. It is a culture rooted in rebellion, creativity, style, and the pursuit of freedom. This exhibition, curated by Jeffrey Cheung and Gabriel Ramirez, founders of the skate collective Unity, celebrates the dreams and realities of queer, trans, BIPOC, and women skaters as well as the diverse communities that have shaped the sport, despite histories of hypermasculinity and exclusionary attitudes. Meet the pioneers who broke barriers, from the first women and queer skaters to go pro, to the underground movements that encouraged inclusivity and change in skateboarding. Through skateboards that represent queer and women skaters and artists, skate publications and zines, artworks, photographs, videos, and more, the works featured here explore how communities have fostered unity through a shared ethos of passion and determination. Just as skaters who, despite injuries and setbacks, persistently attempt a trick until they land it, Unity through Skateboarding encourages us to keep pushing for a more inclusive world, both on and off the board.
Buy Now
Unity through Skateboarding | San Francisco Museum of Modern Art
Aug 17, 2024–May 4, 2025 (UTC-8)
San Francisco
Skateboarding has always been about more than tricks and competitions. It is a culture rooted in rebellion, creativity, style, and the pursuit of freedom. This exhibition, curated by Jeffrey Cheung and Gabriel Ramirez, founders of the skate collective Unity, celebrates the dreams and realities of queer, trans, BIPOC, and women skaters as well as the diverse communities that have shaped the sport, despite histories of hypermasculinity and exclusionary attitudes. Meet the pioneers who broke barriers, from the first women and queer skaters to go pro, to the underground movements that encouraged inclusivity and change in skateboarding. Through skateboards that represent queer and women skaters and artists, skate publications and zines, artworks, photographs, videos, and more, the works featured here explore how communities have fostered unity through a shared ethos of passion and determination. Just as skaters who, despite injuries and setbacks, persistently attempt a trick until they land it, Unity through Skateboarding encourages us to keep pushing for a more inclusive world, both on and off the board.
Buy Now
Charles Ross: Spectrum 14 | The Getty
2024年9月10日–2026年9月13日 (UTC-8)
Los Angeles
Spectrum 14 is a calibrated array of prisms that cast a dazzling display of luminous color across the Museum’s rotunda. Bands of spectral light traverse the space in relation to the sun, which follow a slightly different arc through the sky every day. Over time, Ross’s work changes in response to Earth’s rotational orbit, connecting us to the premodern experience of astronomical observation and calculation that defined cycles of days, seasons, and rituals.
This project was commissioned for PST ART as part of the exhibition Lumen: The Art and Science of Light. This is the second “Rotunda Commission,” a series of art installations inspired by the Getty Museum’s collection, architecture, and site.
Table Manners | San Francisco Museum of Modern Art
Sep 14, 2024–May 31, 2026 (UTC-8)
San Francisco
Table Manners brings together tableware, flatware, and drinkware from the SFMOMA Architecture + Design collection spanning nearly 100 years. The exhibition celebrates the ways design has shaped our relationship to food, our bodies, and communities, and how dining can be a profound communal and cultural experience. From self-filling wine glasses and teapots made of tea, to crisp modernist spoons and flatware made from discarded CDs, Table Manners explores the performance of dining. The exhibition includes works by Virgil Abloh, Joe Colombo, Zaha Hadid, Roberto Lugo, and many more, accompanied by illustrations and textiles by Lucy Stark.
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Table Manners | San Francisco Museum of Modern Art
2024年9月14日–2026年5月31日 (UTC-8)
San Francisco
Table Manners brings together tableware, flatware, and drinkware from the SFMOMA Architecture + Design collection spanning nearly 100 years. The exhibition celebrates the ways design has shaped our relationship to food, our bodies, and communities, and how dining can be a profound communal and cultural experience. From self-filling wine glasses and teapots made of tea, to crisp modernist spoons and flatware made from discarded CDs, Table Manners explores the performance of dining. The exhibition includes works by Virgil Abloh, Joe Colombo, Zaha Hadid, Roberto Lugo, and many more, accompanied by illustrations and textiles by Lucy Stark.
Buy Now
Table Manners | San Francisco Museum of Modern Art
Sep 14, 2024–May 31, 2026 (UTC-8)
San Francisco
Table Manners brings together tableware, flatware, and drinkware from the SFMOMA Architecture + Design collection spanning nearly 100 years. The exhibition celebrates the ways design has shaped our relationship to food, our bodies, and communities, and how dining can be a profound communal and cultural experience. From self-filling wine glasses and teapots made of tea, to crisp modernist spoons and flatware made from discarded CDs, Table Manners explores the performance of dining. The exhibition includes works by Virgil Abloh, Joe Colombo, Zaha Hadid, Roberto Lugo, and many more, accompanied by illustrations and textiles by Lucy Stark.
Buy Now
Reframing Dioramas: The Art of Preserving Wilderness | Natural History Museum of Los Angeles County
Sep 15, 2024–Sep 15, 2025 (UTC-8)
Los Angeles
The Natural History Museum’s historic diorama halls are the largest exhibitions at the museum, showcasing over 75 incredibly detailed habitats ranging from arctic tundra to tropical rainforest. To celebrate the 100th anniversary of the dioramas, NHM is restoring and reopening a diorama hall that has been closed for decades. There, visitors will experience immersive new installations — by artists RFX1 (Jason Chang), Joel Fernando and Yesenia Prieto (working as a three-artist team), as well as Saul Becker and Lauren Schoth — that call attention to dioramas as a unique combination of art and science and explore biodiversity, ecology, conservation, colonialism, and changing museum display techniques. NHM maintains an active diorama program where staff continue to update and build dioramas, keeping this art form alive. Visitors can examine these illusions of wilderness through a series of displays, engaging programs, and a new book that sheds light on the previously untold history of NHM’s dioramas.
Buy Now
We Live in Painting: The Nature of Color in Mesoamerican Art | Los Angeles County Museum of Art
Sep 15, 2024–Sep 1, 2025 (UTC-8)
Los Angeles
Mesoamerican artists held a cosmic responsibility: as they adorned the surfaces of buildings, clay vessels, textiles, bark-paper pages, and sculptures with color, they (quite literally) made the world. The power of color emerged from the materiality of its pigments, the skilled hands that crafted it, and the communities whose knowledge imbued it with meaning. Color mapped the very order of the cosmos, of time and space. By engineering and deploying color, artists wielded the power of cosmic creation in their hands. We Live in Painting: The Nature of Color in Mesoamerican Art explores the science, art, and cosmology of color in Mesoamerica. Histories of colonialism and industrialization in the “color-averse” West have minimized the deep significance of color in the Indigenous Americas. This exhibition follows two interconnected lines of inquiry—technical and material analyses, and Indigenous conceptions of art and image—to reach the full richness of color at the core of Mesoamerican worldviews.