Latest Events in Barcelonès(November Updated)

Mumford & Sons Barcelona promises to be an unforgettable evening of music and emotion, set against the stunning backdrop of PalauSantJordi in Barcelona. On November 23, 2025, at 21:00, the renowned British folk-rock band will grace the stage, delivering a performance that blends heartfelt lyrics with powerful instrumentals. Fans can expect to hear beloved hits as well as new tracks, all performed with the band's signature energy and passion. The venue, PalauSantJordi, known for its impressive acoustics and modern amenities, will provide the perfect setting for this highly anticipated event. With ticket prices set at 56 EUR or 946 USD, securing a spot at Mumford & Sons Barcelona is an opportunity not to be missed. This event is set to be a highlight of the cultural calendar, drawing music lovers from near and far to experience the magic of Mumford & Sons live in one of Europe's most vibrant cities.

"I learned to swim on dry Land" is an exhibition by the artist and essayist Coco Fusco, which explores the confrontation between art and power in post-revolutionary Cuba. Through poetry, performance, and activism, the exhibition recovers the voices of dissident creators such as Virgilio Piñera and Luis Manuel Otero Alcántara. With unpublished documentation and references to the U.S. and its policies, Fusco offers a reflection on language, censorship, and cultural resistance.

The Alimentaria Barcelona exhibition is a platform for many operators in the sector who are aware of the importance of an event taking place with the active support of all food trade and distribution channels The Alimentaria Barcelona exhibition is a platform for many operators in the sector who are aware of the importance of an event taking place with the active support of all food trade and distribution channels. Information Source: Alimentaria Exhibitions | expotobi

Curated by MACBA director Elvira Dyangani Ose, along with Antawan Byrd, Adom Getachew and Matthew S. Witkovsky, Project a Black Planet: The Art and Culture of Panafrica is the first major international exhibition to examine the cultural manifestations of Pan-Africanism from the 1920s to the present. It is a project developed jointly with the Art Institute of Chicago, the Barbican Centre in London and the KANAL–Centre Pompidou in Brussels. This collaboration has made the magnitude of the exhibition possible, with nearly 350 pieces by 100 artists touring the four institutions until spring 2027.

HOSTELCO will bring together a vast range of food and equipment producers and suppliers HOSTELCO will bring together a vast range of food and equipment producers and suppliers. Buyers from top hotel and restaurant chains, communities, and suppliers seeking new products. Information Source: Alimentaria Exhibitions | expotobi

From July 10, 2025 to January 11, 2026 you can listen toSpiral of Timefrom the museum’s exhibition space. Asite-specificwork that, since July 2024, has been recording the ambient sounds of Plaça dels Àngels, constructing a sonic and temporal narrative of this space. Sound is intangible and ephemeral, yet it can be one of the most defining characteristics of the places it inhabits. Spiral of Time is a site-specific work created by artist, composer, and researcher Edwin van der Heide (Hilversum, 1970) that explores sound and its relationship with space and time.

The exhibition of the Catalan artist Tinta against Hitler in Barcelona is the presentation of the discovery of the only Catalan and Spanish artist who worked massively for British and Allied propaganda during the Second World War. From 1941 to 1945, Mario Armengol Torrella (San Juan de la Abadesses, 1909 – Nottingham, 1995) drew about two thousand cartoons or cartoons in the service of the British Ministry of Information against the Third Reich and the Axis to publish them in newspapers and magazines in London and New Zealand, New Zealand. The exhibition will present a selection of the originals preserved by the author and the family, which, together with the publications in which many of these cartoons will appear, will become one of the world’s largest collections of political satire of the most horrific conflict in history. It is a spectacular fresco, so far unknown, as Armengol’s illustrations are found alongside those of the UK’s largest and most influential cartoonistscartoonists, such as David Low, Giles and Illingworth. In them you can see almost all the fronts of the war and the most prominent figures of this brutal battle. In addition, this is a style that draws from the intense tradition of Catalan cartoonists and satirical publications from the late 19th and early 20th centuries. In Armengol, this tradition crystallizes in a work of great artistic, versatile and modern quality, which goes beyond the style of the time, points to the current comics and continues to challenge us in the limits of humor in dramatic and brutal contexts.

In the summer of 1914, Santiago Rusiñol began writing "Glossary" and published a series of articles in "L’Esquella de la Torratxa" entitled "The Spark of War." In these collaborations, he unhesitatingly supported France, believing it to be the best vehicle for European art and civilization in the face of the threat of German expansionism. This exhibition, featuring 70 drawings from the National Museum's Painting and Print Department, reassesses the rich legacy of one of Catalonia's finest public collections of works on paper. It also helps to understand how the cartoons or jokes that appeared to illustrate periodicals during World War I became a cathartic exercise for artists and readers, who used them to overcome the fear and uncertainty surrounding the outbreak of international conflict.

Joan Casellas (Teià, 1960), artist and performer, exhibited at Espai 10 in late 1979, before moving to the United States. Once settled in New York, like other Catalan artists of different generations, he photographed his circle of friends and their lives in the city. This exhibition will resonate and interact with the major exhibition on Joan Miró's contacts and projects in the United States, which will be held at the Fundació Joan Miró in the fall of 2025.

Marwa Arsanios (Washington, DC, 1978) is an artist, filmmaker, and researcher based between Berlin and Beirut. Her practice addresses structural and infrastructural issues, such as the transformation of architectural spaces during conflict or artist-run spaces. Through film as a form and space for connecting struggles, she explores themes such as property, law, economics, and ecology from specific locations. For the series, Arsanios presents the fifth installment of her series Who is Afraid of Ideology?, a co-production with the Fondazione Sandretto Re Rebaudengo (Turin) and the Artium Museoa (Vitoria-Gasteiz). She explores the history of property in an Ottoman territory to rethink our relationships with the usufruct of land and its legacy.