A group exhibition that aims to reverse the dramaturgy of the museum by putting the artwork at the centre so we can address its will, its energy and its poetic intention.
What would happen if we separated the artwork from the museographic context that surrounds it? Would it be possible to think of museography as a kind of aphasia, a loss of language? Would it be possible to break up the dramaturgy of the museum that guides us in how to move through its spaces, how to register the artistic experiences they offer us, and how to apprehend the sensations that emanate from them? If we assumed that this shift were possible, what other meanings might arise, allowing us to interpret the work in a different way, and also to reinvent the museum as an institution? If that were within the realm of possibility, could we respond directly to the will of the work, to its energy and desire, to its ‘poetic intention’? Martinican poet and philosopher Édouard Glissant states that the poem must never deny the “way of the world”: can the museum put the work of art and the ways in which it reflects the world at the centre of everything?

Province of Barcelona

Spain

Barcelona

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Mandarin Oriental, Barcelona

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I went with a friend, we loved the experience. Would recommend going there when you visiting Barcelona.

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Helen

Tickets were issued via Ctrip in about ten minutes, and the price was the same as on the official website, which was quite convenient. Last year, on my first trip to Barcelona, ​​I prioritized visiting the places I most wanted to see within the limited time, so I skipped Park G&uuml;ell. This year, my cruise ship stopped in Barcelona for a day, so I decided to visit it. Tickets were still available at the entrance, and the ticket check didn&#39;t consider specific times or cruise schedules. For example, when we arrived at noon, the system showed only 3 PM tickets were available, but we were actually allowed in immediately.

Since it was the weekend, there were a lot of tourists, both local and out-of-town, making it very noisy. The ground was also mostly bare earth, and the wind whipped up dust, making for a poor experience. I think skipping it last time was the right decision. If you really want to come, just enter through the main entrance and visit the highlights; you can finish in about half an hour.

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This should be a must-see for every tourist visiting Barcelona. It&#39;s about 500 meters from Casa Mil&agrave;, and the package ticket I bought on Ctrip was a great deal. In short, it&#39;s a must-see. A masterpiece of art, a genius of aesthetics...

La Pedrera – Casa Milà

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Casa Mil&agrave;, located at the corner of Passeig de Gr&agrave;cia and Passeig de Provenca in Barcelona, ​​Spain, was designed and built by Spanish architect Antoni Gaud&iacute; between 1906 and 1912.

As Gaud&iacute;&#39;s last private residential project, Casa Mil&agrave; encapsulates the architectural language of his mature period and is a pinnacle of the Art Nouveau style&#39;s curvilinear aesthetic. Now a UNESCO World Heritage Site and open to the public as a museum, it has become a pilgrimage site for architecture enthusiasts and tourists worldwide.

Gaud&iacute; is a paragon of the organic integration of liberalism and modernism. He believed that &quot;straight lines belong to man, curves belong to God,&quot; and the design of Casa Mil&agrave; is entirely inspired by nature, imitating the forms of rocks, waves, and plants. The building&#39;s exterior, known as &quot;La Pedrera&quot; (meaning &quot;quarry&quot;), features an undulating, wave-like facade resembling a natural mountain, devoid of straight lines or right angles, presenting a sense of natural flow. Inside, the curves of the columns and staircases resemble tree trunks and caves, while the ceiling textures mimic leaf veins and ocean waves, conveying a tribute to the vitality of nature from the outside in.

The roof of Casa Mil&agrave; is the most iconic part of Gaud&iacute;&#39;s entire architectural work: 30 oddly shaped chimneys and vents exist like sculptures, some resembling warriors, others like monsters (I personally feel they look like some masks from Sanxingdui), perfectly combining functionality (smoke extraction, ventilation) with artistry. The undulating roof enhances the sculptural feel of the building, and standing on it offers a panoramic view of Barcelona.

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The entrance is small, in the city center. Be sure to get the audio guide first. Each painting has a story. I spent three hours looking at it carefully! You can walk to Casa Mil&agrave; and see the scenery of Barcelona along the way! It&#39;s a great time!

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The Museum of Contemporary Art in Barcelona is an art gallery in Barcelona, Spain. Barcelona Museum of Contemporary Art opened on November 28, 1995. The building was designed by Richard Meyer, an American architect. The Gallery mainly collects works of art in the late 20th century. The exhibits are replaced roughly every three to four months.

Time:	2025年1月1日–9月15日 (UTC+1) ENDED
Location:	Barcelona Museum of Contemporary Art

MACBA Collection: Prelude. Poetic Intention | Barcelona Museum of Contemporary Art

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MACBA Collection: Prelude. Poetic Intention | Barcelona Museum of Contemporary Art

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La Pedrera – Casa Milà

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