Join us on 2nd Thursday at Crane Arts in celebrating the group exhibition anamnesis. In anamnesis, we delve into the intricate tapestry of the human experience, exploring the profound themes of existence, memory, and the interplay of technology with our intimate lives. Featuring five artists: Doug Bucci, williamCromar, Zach Mellman-Carsey, John Singletary, and Chris Vecchio, this exhibition invites viewers to reflect on the cyclical nature of life, the inevitability of mortality, and the ways we navigate our connections with one another and the world around us. The term  anamnesis,  derived from ancient Greek, signifies the act of remembering and recalling past experiences. Each artist engages with the echoes of memory—personal and collective — with a unique connection to technology. John Singletary highlights our origins and the roles we play for each other and ourselves in Traces, while williamCromar and Doug Bucci interrogate how our recollections influence our interactions with the present and the past through the reimagining of historical art objects. In the other sense of  anamnesis,  referring to a patient's medical history, Bucci’s work dives into the endlessness of living with chronic illness. Zach Mellman-Carsey and Chris Vecchio draw from the physicality of anatomy and its integration with technology through interactive, and in some cases functional, sound objects that are only activated by the proximity to one's body. Depicting infinite cycles, repetition, life, and death, this intimate exhibition ultimately challenges us to confront our shared humanity and the myriad ways we remember and relate to our existence. The InLiquid Gallery is located within the Crane Arts Building, which is wheelchair accessible. There is limited accessible parking at the front of the building and a ramp leading to the main entrance. The main building door is not automated. Two all-gender bathrooms with multiple stalls are available for use — one with urinals, one without, and both with 1–2 wheelchair-accessible stall(s).

Information Source: INLIQUID | eventbrite

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Philadelphia

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This museum, founded and operated by the University of Pennsylvania, requires a ticket. Since it&#39;s not very popular, the ticket revenue likely only partially covers operating costs. It&#39;s easily accessible by subway or bus, with the subway about a ten-minute walk away. There&#39;s a small garden with a fountain at the entrance. Walk past the garden and into the museum lobby, where the front desk staff scans your ticket before you enter. The Egyptian section on the left is undergoing renovations, and some Egyptian artifacts have been moved to the second floor. The right-hand hall on the first floor begins with the Sumerian civilization of the Mesopotamian region, detailing various artifacts and kingdoms. The domed center hall on the second floor displays artifacts from Asia, particularly China, including two reliefs of the Six Horses from the Zhaoling Mausoleum in Xianyang. Seeing artifacts from my hometown from such a distance is truly moving. The left-hand hall on the second floor features ancient Greek and Roman artifacts. The collection is extensive and densely displayed. The museum itself is small, but its detailed presentation of various ancient civilizations is well worth a visit.

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I feel that the attractions in downtown Philadelphia are really excellent. The historic sites near the Liberty Bell are under the unified management of National Park. Opposite the Liberty Bell is a large visitor center where you can consult Philadelphia&#39;s travel guide. The staff and volunteers here are also very enthusiastic to help give travel advice and answer consultation questions. There is also a small souvenir shop here, where you can buy refrigerator magnets, notebooks, postcards and other related Philadelphia souvenirs.

There are also exhibition explanations in the visitor center. Although it is relatively miniature compared to the museum, it still does not affect the number of tourists here. If you come by car, there is a parking lot in the basement of the Independence Hall Visitor Center for everyone to park. Although parking in the city center of Philadelphia is not very convenient and parking spaces are not easy to find, it is recommended that everyone park in the underground parking lot of the visitor center. If you come during the peak season, you need to apply for the ticket to the Independence Hall at the visitor center first, but I don&rsquo;t know if it is because of the epidemic. You don&rsquo;t need to take a ticket when you come, you can go directly to visit.

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Philadelphia was once the capital of the United States, so there is plenty of history, museums, monuments, and sites around the city. The Philadelphia Museum of Art boasts a nice array of exhibits. I visited on a Friday evening after work because museum admission is free Friday evenings (pay what you wish). I did pay for parking at their garage, which was only $5.

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A great piece of US history. You can easily spend a very informative afternoon roaming its halls and learning more about the declaration of independence.

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Needless to say, the fame of the Liberty Bell is so great that it feels like it can be a must-visit place in Philadelphia, just like the Independence Palace. It seems that every time I come to Philadelphia, I will repeat the ritual of checking in. The two are very close, just walk across the road. The exhibition hall is open to the public for free, and there is no need to buy tickets. The Independence Palace needs to be booked in advance on the official website, with a ticket booking fee of 1 yuan. The Liberty Bell has an independent exhibition hall for visiting, and the entrance requires security check. You can visit it up close and walk to the Liberty Bell. It was previously possible to circle 360 ​​degrees, but this time it was only open 180 degrees, and the other half was blocked, but the advantage is that you can unlock a Liberty Bell with no one in the background.

The Liberty Bell was originally in the palace of the Independence Palace, and then it was displayed in the memorial hall on the lawn because the bell body cracked. This time, the display stand at the visitor center was also empty. Another knowledge point was that cracks first appeared when it was transported to Philadelphia in 1752, and then after several repairs, there were still cracks, so they gave up repairing it. And it was this bell that rang on July 4, 1776. The Liberty Bell has also been relocated several times. Although the locations of each relocation were not far away, people were still worried that there would be more serious cracks. They also installed a micro-variable displacement sensor on the bell that can test the movement of one millionth of a meter to test whether it is suitable for relocation. Every visit seems to unlock different little knowledge points, which is probably one of the pleasures of traveling.

Time:	Jan 9, 2025 (UTC-5) ENDED
Location:	InLiquid Gallery in the Crane Building

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