A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island will represent the Luxembourg Pavilion at the 60th Venice Biennale.
The project of the Luxembourg pavilion challenges the entrenched notion of individual artistic authorship by presenting a collection of works where artists relinquish ego in favour of a profound exploration of collective creativity through the medium of sound.
A Comparative Dialogue Act uses sound as a tool to explore different perspectives on identity and artistic research. An unprecedented collaboration by four emerging artists from diverse backgrounds, it brings together Spanish musician and performer Bella Báguena, French transdisciplinary artist Célin Jiang, Ankara-born performance Artist Selin Davasse and Swedish artist Stina Fors to offer four intersecting approaches to the multiple ways identity, performance and sound can meet. Navigating the realms of gender identity, Báguena weaves sounds inspired by intuition, motivation and a tableau of influences from pop culture to personal experiences. Jiang adopts a decolonial cyberfeminist approach, intertwining arts, technologies and digital humanities to provoke contemplation of identity within the context of transcultural aesthetics. Repurposing literary and performative techniques, Davasse embodies various feminine beasts with distinct syntactical, vocal and gestural characteristics to intimately traverse a speculative ethics of hospitality. And finally, Fors uses choreography, performance, drumming and vocals to explore the depths of a ‘sounding body’, unleashing a powerful voice that alternates between lethal force and seductive allure and showcasing the complexities of the self. A Comparative Dialogue Act offers a rich composition of singular voices brought together in a blurred sound artwork that pushes the boundaries of contemporary art production.
This exhibition investigates the transformative potential of sound as a medium for cultivating connection and understanding. It aims to transcend the limits set by singular perspectives of what sound can lend to the acts of interpreting, distorting and appropriating.

Metropolitan City of Venice

Italy

Venice

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Time:	Apr 20–Nov 24, 2024 (UTC+1) ENDED
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