On 1 July 1863, the Netherlands abolished slavery in Suriname on paper. In reality, the ‘freed’ in Suriname are obliged to continue working on the plantations for another ten years. In order to compensate for the shortage of labor after this period, the Netherlands starts recruiting so-called ‘contract workers’. These people are often recruited with false promises in China, India and Indonesia, among others. Sometimes they leave their country of their own accord, sometimes they are forced or abducted. They hardly get any wages and work under horrible conditions on the plantations. Very few people had the opportunity to return. Many stayed in Suriname and never saw their homeland again.
Artist and researcher Sarojini Lewis came across the person of Soerdie in the archives of the Royal Library in The Hague: the first female ‘contract worker’ who was shipped from India via Barbados to Suriname. Based on books, letters and travel reports from that time, Lewis imagines what the life of Surdie might have looked like. Sarojini Lewis hides in the skin of Surdie. Her self-portraits at historical locations respond to the energy present on the abandoned plantations in Suriname and archival material she has previously discovered. She uses Critical Fabulation: a creative reconstruction of Surdie’s life, based on the few transmitted data from archives. She connects the story of this woman with the history of her own Hindustani ancestors who worked in the same area in Commewijne. In the exhibition, Sarojini Lewis speaks.
In a series of Atlantic Windows, contemporary artists reflect on the exhibition Shadows on the Atlantic Ocean and the impact of the colonial past in this area. The windows were performed by Kevin Osepa and Sites of Memory: Decoding the Atlantic World.
Atlantic Window III: Sarojini Lewis - Silence of the Sea: A trail of Surdie can be seen from 31 March to 1 October. 

Amsterdam

Netherlands

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