“Are you a creative person who is seeking to infuse your work with magic, divination, and ritual? Would you like to learn more about Shaker gift drawings and their connection to the rich legacy of channeled artworks? Are you curious about women mystics who changed the course of art history? Have you ever wondered what lies on the other side of the conscious veil when you get into a flow state?” –Hilma’s Ghost, a feminist artist collective, consisting of internationally recognized artists Dannielle Tegeder and Sharmistha Ray. Join Hilma’s Ghost for a magic circle inside the American Folk Art Museum, site of the current exhibition Anything But Simple: Spirit Drawings and the Shaker Vision. Participants will do drawing and divination exercises using automatism, tarot, and other magic techniques that take us across the threshold of the seen to the unseen realm. Drawing inspiration from the Shaker works and techniques on view as well as Spiritualists, Dadaists and Surrealists, we will learn about the rich artistic tradition of feminism and spirituality including our namesake, Hilma af Klint, as well as many artists like Emma Kunz, Leonara Carrington, Ithell Colquhoun, and Ana Mendieta. The workshop will end with an ancestral closing. The Dialogue + Studio Workshop series offers participants opportunities to gain insight into and engage with self-taught art, past and present, at a deep level. Focused discussions about select themes, techniques, and materials featured in current exhibitions are paired with related expert-led hands-on workshops. About the Artists Hilma's Ghost is a feminist artist collective co-founded by artists and educators Dannielle Tegeder and Sharmistha Ray that fuses contemporary art with modern spirituality through forms of divination and ritual. Named after the Swedish artist and mystic, Hilma af Klint, the collective's work is a critique of gendered power structures, providing a critical and revolutionary platform for rethinking gender in the arts while recovering feminist histories as its ballast for critique. The collective acts as a collaborative model for feminist research, artistic production, enchanted pedagogies, and community. Their work ranges from the traditional to the esoteric, including paintings and drawings, surrealist games, a tarot deck, ritual object-based installations, pedagogical workshops, curated exhibitions, community projects, and books. In the 4+years of their collective’s existence, they have completed more than 20 collaborative projects and participated in 50 public programs both nationally and internationally. In 2022, the duo began an itinerant art school with generative workshops fusing art and magic that have been attended by over 1K people. Their limited edition tarot deck, Abstract Futures Tarot, has a popular following in the art world. Hilma’s Ghost has been featured in solo and group exhibitions and projects internationally at Marlborough Gallery, New York, NY; The Aldrich Contemporary Art Museum, Ridgefield, CT; Galería RGR, Mexico City, Mexico; Hill-Stead Museum, Farmington, CT; Secrist | Beach, Chicago, IL; The Parallax Center, Portland, OR; The Armory Show, New York, NY; among many others. Reviews of their work have appeared in The New York Times, The Brooklyn Rail, Artnet, and Hyperallergic. Tickets and Location This program will take place at the American Folk Art Museum, located at 2 Lincoln Square, New York City. This program is open to artists and creatives at all levels of training and experience. It is limited to 18 individuals; advance registration is required. Tickets are $15 / $12 members, students, artists, seniors; Materials will be provided. For questions or to request accessibility accommodations, please email publicprograms@folkartmuseum.org. Images Left: Polly Jane Reed, A Present from Mother Lucy to Eliza Ann Taylor, New Lebanon, New York, 1849, Ink and watercolor on paper, 21 3/4 x 23 3/4 in. Miller Collection, Hancock Shaker Village, Massachusetts ; right: Hilma’s Ghost, Have you noticed that what you are looking for is already right in front of you? , 2022, Gouache, watercolor, ink, and colored pencil on Fabriano Murillo paper, 39 x 27 in. Courtesy of the artists Credits This program is organized in partnership with Shaker Museum. With more than 18,000 objects, Shaker Museum stewards the most comprehensive collection of Shaker material culture and archives. It is the leader nationwide among organizations devoted to Shaker history. Its permanent new facility in Chatham, NY, which is in development, was designed by Selldorf Architects. The museum also stewards the historic site in New Lebanon, NY, and will soon be moving its administrative offices, library, and archives to 29 Jones Ave. in Chatham. The museum’s collection can be viewed online at shakermuseum.us.

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The museum is located next to the Lincoln Center. It is dedicated to displaying folk art. Its collection includes more than 8,000 folk art exhibits from the 18th century to the present. It was founded in 1961 and opened to the public for free in 1963. The current museum mainly displays exhibitions and has a small museum shop, but the museum&#39;s archives, library and studio have been moved to LIC. When mentioning this museum, we have to talk about its exhibits. When reading the introduction online, I saw that among their more than 8,000 exhibits, more than 7,000 of the collections were given as gifts. Although the space in the museum is not large, and compared with other large museums in the surrounding area, it will appear quite small. However, the exquisiteness and visibility of the exhibits are still worthy of applause. Moreover, the museum&#39;s exhibits are not only some famous authors, but also some relatively &quot;unknown&quot; artists&#39; works. The museum also holds some thematic special exhibitions every year.

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Lincoln Center&#39;s Grand Square is Lincoln Square. If you come to Lincoln Square to see an art exhibition or a music performance, you will definitely pass Lincoln Square. The square is not very special, but it is named after the former President Lincoln.

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Walking through New York&#39;s Central Park, it seems to fall into the gentle cracks of the steel forest. Morning light penetrates the forest, spreads powder and white brocade on the cherry blossom avenue, the wind is outdated petals fall, and the corners of the skyscraper soften into a background sound in the flower shadow. The city code on the bench is the most moving. The cold chair was stroked by the fingertips, and the short text on the nameplate hid the New Yorker&#39;s temperature: &quot;Give my wife Carol, because she loves Central Park, and I love her&quot; - the separation of life, the young encounter, the mother and son bonding, all condensed into a dew in the wood grain. When high school students spread out books and laughed on the sheep lawn, and when the reciting of Shakespeare&rsquo;s poems drifted from Cherry Hill to the lake, the park became an emotional resonant box, full of human narratives that transcended language. In the afternoon, I closed my eyes in the Ramble Forest area. Bird song and stream sound woven into natural white noise, suddenly understand the deep meaning of Olmsted: this 3.4 million square meters of green lung, originally dedicated to &quot;the handicrafts of tired industrial workers&quot;, so that people who can not travel far can drink nature here. The boat house pier at dusk is the most magical, The wooden paddles smashed the red-stained lake, and the wild ducks swam through the reflection of Manhattan. The hustle and bustle of the city sank to the bottom, leaving only the breathing in the shadow of the oasis of the oars. &quot;When the whispers of the bench fell into the palms with the cherry blossom rain, I knew that the oasis in this concrete wasteland, It was New York&#39;s prose poem to the world. &quot;&nbsp;

Time:	Nov 16, 2024 (UTC-5) ENDED
Location:	American Folk Art Museum

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