A group exhibition that aims to reverse the dramaturgy of the museum by putting the artwork at the centre so we can address its will, its energy and its poetic intention.
What would happen if we separated the artwork from the museographic context that surrounds it? Would it be possible to think of museography as a kind of aphasia, a loss of language? Would it be possible to break up the dramaturgy of the museum that guides us in how to move through its spaces, how to register the artistic experiences they offer us, and how to apprehend the sensations that emanate from them? If we assumed that this shift were possible, what other meanings might arise, allowing us to interpret the work in a different way, and also to reinvent the museum as an institution? If that were within the realm of possibility, could we respond directly to the will of the work, to its energy and desire, to its ‘poetic intention’? Martinican poet and philosopher Édouard Glissant states that the poem must never deny the “way of the world”: can the museum put the work of art and the ways in which it reflects the world at the centre of everything?

Province of Barcelona

Spain

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The Museum of Contemporary Art in Barcelona is an art gallery in Barcelona, Spain. Barcelona Museum of Contemporary Art opened on November 28, 1995. The building was designed by Richard Meyer, an American architect. The Gallery mainly collects works of art in the late 20th century. The exhibits are replaced roughly every three to four months.

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挺值得一去，更加适合父母带小孩去走走。公园有好几个入口，最好用最大的入口进去。我们从一个住家小巷的入口进去，路超斜的幸好走到一半有电扶梯剃😆

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The black iron railing patterns and the top floor of the facade are the highlights. Compared with Casa Mil&agrave; and Sagrada Familia, Casa Mil&agrave; is a bit plain. It is best to visit Mil&agrave; first among the three treasures of Gaud&iacute;, then Casa Mil&agrave;, and Sagrada Familia. You will feel that the experience is getting more and more exciting and shocking.

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