"Ghost" is a project started in Bangkok in 2019 by artist Korakrit Arunanondchai (born in Bangkok in 1986). It is held every three years at multiple venues in Bangkok, mainly focusing on video works (including installations and performances), with the final edition scheduled for 2025. This year's "MAM Screen" will welcome Arunanondchai (first edition "Ghost 2561" [2018]) and Christina Lee (second edition "Ghost 2565: Live without dead time" [2022]), who have served as curators, and will add new works to the works exhibited in the two editions, creating a program of video works that show how stories and memories are imprinted on the body, and various methodologies of expression through the body.
Haig Ayvazian (born in Beirut in 1980) uses artificial lighting as a motif to depict the various contradictions that technology has created. Real Rizaldi (b. 1990, Bandung, Indonesia) explores the spiritual experiences of two employees working on the fringes of a global tech company. In addition, Tosh Basco (b. 1988, California) explores the physical in the modern world, and Chantana Tiprachart (b. 1991, Kalasin, Thailand) explores a disappearing ritual associated with the Thai water goddess, Naga.
The program explores various methods of “physical resistance” in the context of technology and progress in Tokyo, an international Asian city that embraces both human and non-human entities. Held in an international city where global capital and the desire for progress are deeply intertwined with tradition, Ghost Intervention will reveal how tangible and intangible forces have shaped and will continue to shape the world we live in.

Tokyo

Japan

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iamwiing

I really liked the works that were here, very different, I even watched a film about a room and the flies that live there by Apichatpong Weerasethakul when in my life would I have imagined that, too bad it was a cloudy day and the windows that looked out were all covered by clouds

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We took the high-speed elevator up to the 350-meter-high observation deck and the 450-meter sky view corridor. The surrounding area is 360 degrees with large glass up to 5m. Standing there, looking at the distance from the bottom of the tower to 70 km, the clarity was amazing. The high-rise buildings in Tokyo City, the blocks, the ships in Putian River and the bridges in the river are clearly visible. In the corridors of the tubular glass structure, we taste the feeling of walking in the air. One of the floors was full glass, and I squatted there looking down at the ground without fear of heights at all.

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Anonymous user

There is an exhibition of Osamu Tezuka, Fire Bird. The place is not big, the scenery is OK, buy 100 yuan on site, only 70 yuan online, the cost performance is very high, not many people, it is worth a visit, friends who like quiet can go and have a look.

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The National Art Center Tokyo has stunning architecture and diverse exhibits&mdash;a must-visit for art lovers! Definitely would visit again.

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Apparently there won&#39;t be a dolphin show after the renovation, so I went to see it for my kids before then.The stage is small, so the distance is very close, and it&#39;s very impressive.The inside of the building is small and seems to be suitable for toddlers to elementary school students.

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迷样的蓟裔

A Tokyo landmark, while certainly a bit of a departure from the postmodern Skytree, it&#39;s still worth a visit.

Ctrip was very convenient; you could just show the QR code after purchasing your ticket, eliminating the need to wait in line. They also posted the business hours, making them a great reference.

Time:	Sep 25, 2024–Jan 19, 2025 (UTC+9) ENDED
Location:	Mori Art Museum

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