21st, 22nd, 28th, 29th of August 2025
10am – 4pm
Beginner to advanced level
In this four day workshop, we will take a deeper look at the tone and temperature in a still life set up. Working from a series of ‘neutral’ compositions, we will look at how tone can be used to create light, drama, contrast or subtlety, and how the addition of colour leads us to ask questions about ‘temperature’. Clare will introduce a series of exercises working with limited palettes and complementary colours to help you to tune into the tonal relationships within your compositions and experiment with how temperature can alter the light or atmosphere.
In week one, we will work with white/cream/blue/brown setups, using a limited palette of Raw Umber, Burnt Umber, Burnt Sienna and Ultramarine Blue. In week two we will expand our colour palette to include violets and yellows.
Points to note
The workshop will run from 10am to 4.00pm with a break for lunch
You will need a surface to paint on, brushes, palette knife solvent, linseed oil or medium rag/kitchen roll and space to put your objects out and space to paint. We will start with some colour mixing, so have a few spare surfaces to work on (gessoed or primed paper is fine).
Palette
We will start with a limited palette in week one and then move on to a split primary palette in week two:
Raw Umber
Burnt Umber
Ultramarine Blue
Burnt Sienna
Titanium White
Alizarin Crimson (or Rose Madder)
Cadmium Red (or Scarlet Lake)
Ultramarine BluePhtalo or Prussian Blue
Cadmium Yellow
Cadmium Lemon (optional)
Information Source: Dulwich Art Group and School | eventbrite

Adelaide

Australia

Dulwich

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