France is a country with many immigrants, in the immigration museum here can learn about the history of immigration in France, distribution, etc., and you can understand that because of the changes brought by immigrants to France, it is worth visiting.
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France is a country with many immigrants, in the immigration museum here can learn about the history of immigration in France, distribution, etc., and you can understand that because of the changes brought by immigrants to France, it is worth visiting.
The French Museum of Migration History, an exhibition project personally designated by former President Jacques Chirac, is located in the east of Paris and transformed from the original African and Oceanian museums. The two-story exhibition hall introduces visitors to the changes and evolution of immigrants from different countries and regions over 200 years through physical, image, projection, pictures, large graphics, text descriptions, etc., with their views on France's economic and social development and its cultural diversity Contributions.
The French Museum of Migration History is located in the east of Paris, France, and was transformed from the original African and Oceanian museums. The two-story exhibition hall introduces visitors to the changes and evolution of immigrants from different countries and regions over 200 years, and tributes to France's economic and social development and its cultural diversity through physical objects, images, projections, pictures, large graphics, text descriptions and other forms Give.
The temporary exhibition "Foreigner Picasso" in the National Historical City of Migrants in Paris is on display at the National Museum of Migration History at the Golden Gate Palace from November 4, 2021 to February 13, 2022. After booking or purchasing tickets online, you can enter the exhibition hall by going upstairs from the stairs on the left side of the Golden Gate Hall. The long, narrow hall is very compact, with works or literature on Pablo Picasso. A considerable portion of it is exhibits from the Picasso Museum in Paris, and there are many Picasso handwritten letters. This exhibition mainly tells the difficult history of Picasso's migration, his more exciting adventures than the novel, undoubtedly fit the theme of the Museum of Migration History. Picasso is the national myth of France. Since the opening of the Picasso Museum in central Paris (1985), his work has been fully integrated into French heritage. However, the truth is not always what we think. Few knew he had never become French: on April 3, 1940, he applied for naturalization but was rejected, and he never continued. As early as 1901, Picasso was mistakenly labeled by the police as a “supervised anarchist”. For four decades he was suspected of being a foreigner, leftist, avant-garde artist. Until 1949, although his work sailed west, he settled forever in the south, choosing the south against the north, choosing the craftsmen against the fine arts, choosing the region against the capital. As a distinguished foreign artist worldwide, he became a powerful vehicle for the modernization of the country. Picasso therefore has a place in the National Museum of Migration History. Picasso, a young Spanish painter, arrived in Paris for the 1900 World’s Fair, where he exhibited one of his works. As his views of the cities of Malaga, La Coruña, Madrid and Barcelona reveal, he has a variety of Spanish cultures: Andalusia, Galicia, Castile, Catalonia. Paris presents before him an opaque maze of words and passwords, and with perseverance, after four consecutive trips in four years, he finds the metropolis that fascinates him, supported by Catalan artists. He gradually built a network of friends that was as marginalized as he was. In his work, he depicted the slums of Paris: blind lost, isolated and depressed women, lost absinthe drinkers, prostitutes wearing hats before becoming interested in the world of circus, and a group of sad people on the journey, tired, melancholy or pale. During World War II, in a period of xenophobic wave, his instability as a foreigner forced him to seek out other circles of relationships after losing friends, dealers and collectors in the disaster of World War I. Along with the Russian Ballet, the French aristocracy, the new surreal generation, the Republic of Spain, he made certain strategic shifts and began to engage with his new activity center. During the Second World War, from 2 September 1939 to 24 August 1940, Picasso retreated with Sabath. “I would be grateful if you could get to my office as soon as possible, sir,” the local police chief urged him in a letter dated 7 September 1939. This issued him with warnings, and to all foreigners, an imminent danger: he was closely monitored, and every trip required safe guidance and could not move. At the end of the war, Picasso established his mythology. In 1948, after he generously donated ten paintings to the French public collection, he received a letter from the Paris police chief granting him the status of a “privileged resident” that could be renewed every ten years. The French museum celebrated it at the beginning: the Lyon Museum of Fine Arts (1954), the Paris Museum of Decorative Arts (1955), the Grand Palace, the Little Palace and the National Library of France, which together organized a gorgeous tribute to Picasso (1966). Between Rojan and Paris he worked hard, though as a Spanish Republican, as a fallen artist in the conditions of the 1937 Munich exhibition, as a foreigner on the brink of Nazi occupation in a country. It was in this tension that Picasso submitted a French naturalization application on April 3, 1940. General Committee of the exhibition curator: Annie Cohen-Solal was born in Algiers, a doctor of literature, a university professor and a researcher at the Institute of Current and Contemporary History (PSL-ENS). She worked as a cultural consultant in the United States and led her teaching career from Berlin through New York and Paris to Jerusalem. His research focused on the artist's exile, immigration and expatriation. The curator and director of the exhibition Stranger Picasso, who has just published A Stranger named Picasso (Fayad, 2021). How do you understand Picasso’s aesthetic evolution during the two world wars? Plural, elusive, multifaceted, contradictory, it disturbs more than one critic, whose works have successively come in the form of neo-curbism, classicalism, surrealism, or figurative and political.
This is a museum dedicated to the history of French immigrants. Documents in this museum show us in detail the history of French immigrants and immigrants in France over the past several hundred years. African brothers are the main force of French immigrants. No wonder many African brothers can be seen on the streets of Paris.