Featured Events in Hong Kong in June, 2025 (May Updated)

譚盾深入湘西採風，將土家族打擊樂「打溜子」與茶文化相結合，融入吹葉、採青、擂茶等製茶手法，創作世界首演作品「茶溜子」，並在兩支女子打擊樂團間展開一場過去與未來、東打西擊的打擊對話。 節目長約1小時30分鐘，包括中場休息15分鐘。 觀眾務請準時入座，遲到及中途離座者須待中場休息或適當時候方可進場/返回座位。主辦機構有權拒絕遲到者進場或決定其進場的時間及方式。 本節目內容不反映康樂及文化事務署的意見。 主辦機構有權更改節目及更換表演者。

FAKE FAKE, a full-length play by Floy Quintos – one of Metro Manila’s most celebrated contemporary playwrights – intertwines Filipinos’ religious faith with their struggle for national identity. We follow Miguel, a cynic set on debunking an alleged spiritual phenomenon in the mountains of Luzon led by Sister Emily – who claims to heal the sick via apparitions of the Virgin Mary. While on this journey, Miguel confronts a ghost from his past: the memory of his mentor, Jose Marco – Philippine history’s greatest con man. Information Source: eventbrite

The African Literature Book Club is a safer space were Africans and non-Africans alike can meet and discuss African literatures. The book club explores both classic and contemporary literatures in sessions that are active and engaging for all those present. We meet every month (second Wednesday of the month). All are welcome to join! Free snacks will be provided. More details: http://www.africacenterhk.com/african-literature-book-club/ Upcoming Book Club: http://www.africacenterhk.com/events/list/?tribe-bar-search=book+club Join our book club Whatsapp group: https://chat.whatsapp.com/JX8FHgaENcY1RRdQUUP2ik Contact us for more info: 9260 6185 Information Source: Africa Center Hong Kong | eventbrite

And Thus Is This Land extends this collaborative process into the present. It asks participants to engage with each other, the artist, the original painters, and the poem that sparked this chain of creative work. They will navigate the tension between copying and adaptation, arriving at a work that both resembles the original yet is also wholly new.

Representing Hong Kong in a Collateral Event at the 60th International Art Exhibition – La Biennale di Venezia, Trevor Yeung returns to M+ with a new configuration of his commissioned solo exhibition, Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice. Yeung’s installations explore the relationships between human and aquatic ecosystems and comment on the emotional disconnections and power dynamics of contemporary society. Restaged in a museum setting, the exhibition shifts focus to discuss larger environmental and systemic issues. This response exhibition is part of the sixth collaboration between M+ and Hong Kong Arts Development Council on Hong Kong’s presentation during the Biennale.

And Thus Is This Land extends this collaborative process into the present. It asks participants to engage with each other, the artist, the original painters, and the poem that sparked this chain of creative work. They will navigate the tension between copying and adaptation, arriving at a work that both resembles the original yet is also wholly new.

Representing Hong Kong in a Collateral Event at the 60th International Art Exhibition – La Biennale di Venezia, Trevor Yeung returns to M+ with a new configuration of his commissioned solo exhibition, Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice. Yeung’s installations explore the relationships between human and aquatic ecosystems and comment on the emotional disconnections and power dynamics of contemporary society. Restaged in a museum setting, the exhibition shifts focus to discuss larger environmental and systemic issues. This response exhibition is part of the sixth collaboration between M+ and Hong Kong Arts Development Council on Hong Kong’s presentation during the Biennale.

Representing Hong Kong in a Collateral Event at the 60th International Art Exhibition – La Biennale di Venezia, Trevor Yeung returns to M+ with a new configuration of his commissioned solo exhibition, Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice. Yeung’s installations explore the relationships between human and aquatic ecosystems and comment on the emotional disconnections and power dynamics of contemporary society. Restaged in a museum setting, the exhibition shifts focus to discuss larger environmental and systemic issues. This response exhibition is part of the sixth collaboration between M+ and Hong Kong Arts Development Council on Hong Kong’s presentation during the Biennale.

And Thus Is This Land extends this collaborative process into the present. It asks participants to engage with each other, the artist, the original painters, and the poem that sparked this chain of creative work. They will navigate the tension between copying and adaptation, arriving at a work that both resembles the original yet is also wholly new.

**四葉‧合聚 Clover Collective ** 由香港特別行政區政府文化體育及旅遊局轄下的文創產業發展處CCIDA贊助，香港室內設計協會（HKIDA）宣佈將於2025年舉辦第三屆香港室內設計週，並將於香港及意大利兩地舉行，呈獻包括展覽及設計論壇等一系列多元化的活動，為彰顯香港室內設計行業的卓越成就，並提升其國際聲譽。 2025香港室內設計週的重點活動之一是Urban Reflection展覽，這是一項突破性的合作，匯集了十位香港知名的室內設計師和傢俱製造商。他們攜手創作了十件獨特的室內設計作品，涵蓋傢俱及燈飾。此概念探索了香港獨特城市景觀的深刻意義，在高密度生活和高聳摩天大樓中，光與影交織出多重面向的互動。這種動態不僅反映了城市的蓬勃活力，更突顯了都市生活與周遭環境之間錯綜複雜的關係。 在十件創作中，部分作品融合了中西文化元素，融入了竹子和傳統紙扇等獨特的東方和中國特色。這些作品體現了傳統工藝與現代設計的完美結合，展現了文化融合與創新。部份作品不僅在形式和功能上獨樹一幟，更體現了可持續發展的原則，採用了再生紗線和香港標誌性電車的再生玻璃等材料。這些設計傳達了對環境保護和資源價值的關注，展現了設計與生態之間的和諧。此系列設計展現了香港獨特的創意和製造專長，鞏固了其國際地位。 Urban Reflection展覽將於2025年4月7日至13日，於意大利米蘭的 LOFT @ Superstudio Più 首度展出（地址：Via Tortona, 27, 20144 Milano MI, Italy）。隨後，展覽將於2025年6月19-22日在香港西九文化區展出，為本地觀眾提供機會參與這場非凡的設計盛會。

After performing 7 shows at the Central Harbourfront last year, Jay Chou will return to Hong Kong in June to hold his "Carnival World Tour".

Canton Modernpresents twentieth-century Cantonese art and visual culture in its full complexity as an important chapter in global modernism. United in a shared linguistic and cultural identity, the southern port cities of Guangzhou (also known as Canton) and Hong Kong were historically marginal in China. The birthplace of revolution, the two cities gave rise to a distinctive visual and artistic modernism, one shaped by cross-cultural interactions and tensions between conservative and progressive artworlds. Cantonese artists broke away from the elegant poetics of classical ink painting to forge a socially oriented realism, depicting subjects ranging from leisure and labour to war and disaster. Working as journalists and publishers, they exploited the immediacy and circulation of print, photography, and cartoons to intervene in and even reform society.