Space-time capsule and Taoshan memory | The Warring States era generation Yuxiong, Toyoson Sugiyoshi's residence, is in today's Osaka City. Looking at the city of Osaka, surrounded by Merlin and cherry blossom forests, it is difficult to imagine such a peaceful atmosphere that it is a place that has experienced reform, creation, war and destruction. However, if you look closely, you can find that the Tianshou Pavilion after the restoration has been silently telling the world a history that cannot be assessed. The main body of the Tianshou Pavilion is white paint style, which is a feature of the Tokugawa era. But at the top of it is a black paint-gold style of the Tokugawa era. Such a sharp contrast is like the relationship between Tokugawa and Tokugawa in 1614, with extreme sensitivity and a hair-trigger contradiction. Then there are the two famous battles in Japanese history, the Winter of Osaka and the Summer of Osaka, which completely reduced Osaka City to ashes and disappeared, along with the city's guard, the Toyoson family. In the Tianshou Pavilion, you can overlook the outside of Osaka City, understand the specific situation of the two campaigns, and understand the life of Toyoson Xiuji through holographic projection equipment. Another worth a visit is the time capsule in front of the main entrance of Tianshou Pavilion. On March 15, 1971, at the Japan Expo, 2,098 iconic works of 20th century civilization were selected, put into two secret containers of the same content produced by the Daily News Agency and Panasonic Electric, and buried it 15 meters underground. Japan sends this container to humans 5,000 years later. It is stipulated to open the container of cabin 2 at the beginning of each century and the container of cabin 1 in 6970. Six thousand years ago, six thousand years later, think about it, or go eat octopus roast.