The Shanxi Museum is notoriously difficult to book! It's crowded, but there's plenty to see and do!
The Shanxi Museum was the most difficult museum to book during our 18-day trip. You need to book three days in advance, and even then, you have to try again at 10 PM when it opens. If you can't book three days in advance, you can try again at 8 AM the next morning, but all the available slots for the day are snapped up within minutes! If you still can't get a slot, just wait; there might be more available after a while. Anyway, I tried repeatedly and finally managed to book twice in four days, making the trip worthwhile.
Booking was difficult! And there were so many people. Fortunately, the exhibits were equally amazing!
The Shanxi Museum houses over 650,000 pieces (sets) of cultural relics, including over 40,000 precious artifacts (sets) and 1,650 first-class cultural relics (sets), specializing in bronzes, tomb murals, and ancient books. The overall exhibition is themed "The Soul of Jin," with a large "Jin" character on a yellow earthen background wall that looks very cool and culturally rich. It's a great place for taking photos.
The museum has four floors, with the main treasures on the second floor. It is divided into seven historical and cultural themes: Cradle of Civilization, Traces of the Xia and Shang Dynasties, The Hegemony of the Jin State, Melting Pot of Ethnic Groups, Legacy of Buddhism, Hometown of Opera, and Shanxi Merchants of the Ming and Qing Dynasties.
There are also five art themes: Civil Engineering Splendor, Elite Mountains and Rivers (or Jade and Chinese Heritage), Calligraphy and Painting, The World Within a Square and Circle, and Porcelain Art.
The twelve most prized treasures are:
1. Western Zhou Bird-Shaped Zun (尊) The number one treasure! This Western Zhou bronze ritual vessel is shaped like a phoenix, with an elephant tail and two legs forming a tripod, making it particularly famous. It stands proudly on the first page of the exhibition catalog and is also the prototype for the Shanxi Provincial Museum's logo and emblem.
It dates back approximately three thousand years. The inscription on the lid and bottom reads "Made by the Marquis of Jin for the Imperial Ancestral Temple," indicating that it was a ritual vessel used in the ancestral temple of the Marquis of Jin, witnessing the founding history of the Jin State.
2. Western Zhou Jade Pendant Set Unearthed from the Tomb of the Marquis of Jin
This jade pendant set, when unfolded, is 2 meters long! Unearthed in 1993 from Tomb No. 63 of the Jin Marquis Cemetery in Quwo County, Shanxi Province, it is the largest jade ritual object set unearthed from the entire Jin Marquis Cemetery, consisting of 204 pieces including jade huang (crescent-shaped pendants), jade heng (wine pendants), jade tubes, glass beads, and agate tubes. Exquisitely crafted, it is the largest jade pendant set discovered in tombs of the same period in China, holding a pivotal position in the history of Chinese jade artifacts.
3. Lacquer Wood Panel Painting Unearthed from the Tomb of Sima Jinlong of the Northern Wei Dynasty
We just saw this at the Taiyuan Museum! Exquisitely beautiful. It turns out they are on display in two parts. (And what we saw on display were replicas; the originals are in our collection): Unearthed in 1965 from Shijiazhai, Datong, this artifact dates to the eighth year of the Taihe reign of the Northern Wei Dynasty. The front and back panels are painted with stories of virtuous scholars and women from various dynasties, filling a gap in the collection of early Northern Wei paintings. It has extremely high value in terms of craftsmanship, painting, and calligraphy.
4. Shang Dynasty Dragon-Shaped Wine Vessel: A bronze wine vessel from the Shang Dynasty, 19 cm high and 43 cm long, unearthed in Taohuazhe Village, Shilou County in 1959. The entire vessel is shaped like a dragon, with the front end forming a dragon's head, baring its teeth, raised arms, and glaring eyes with horns. The lid is decorated with dragon patterns, while the sides of the belly are set off by spiral and cloud patterns. The main decorations are alligator and kui dragon patterns, creating a dynamic effect. Crucially, alligator patterns are extremely rare in bronze artifacts; alligators are crocodiles.
5. Yangshao Culture Miaodigou Painted Pottery Jar: A red pottery jar from the Yangshao Culture, dating back approximately 5300-5800 years. The upper belly is painted with swirling petal patterns (hooked leaf and dotted patterns), abstractly representing flowers. It is a typical artifact of the Neolithic Yangshao Culture. It is also typical evidence of prehistoric "flower totem"; the upper part is painted, while the lower part is plain and polished. It was formed using the coil-building method and is known as the "prehistoric rose of Shanxi" 🌹🌹🌹 Beautiful, exceptionally beautiful!
It is 45 cm high, with a mouth diameter of 35 cm, a maximum belly diameter of 43 cm, and a base diameter of 15.6 cm. Unearthed in 1989 in Jinshengzhuang Village, Ruicheng County, it is made of red pottery with a polished surface. It is large in size and beautifully shaped. Remarkably, it is still intact! Truly rare.
6. Houma Covenant Texts from the Spring and Autumn and Warring States Periods. Unearthed in 1965 at the Jin State site in Houma City. The vast majority are gui-shaped, the longest being 32 cm, with some being circular and irregular in shape. The text is mostly written in red ink, with a few in black ink. 656 pieces have identifiable characters, ranging from over 200 characters to just over 10. Because the inscription on this jade piece contains the words of oaths and covenants made between various vassal states or high-ranking officials during the Spring and Autumn and Warring States periods, it is called a "covenant document." This script belongs to the official script of the Jin state during the Spring and Autumn period and is very important for studying the history of the Spring and Autumn and Warring States periods and the late Jin state.
7. Shang Dynasty Animal-Shaped Wine Vessel
This is a wine vessel from the Shang Dynasty, unearthed in 1976 at the Jingjie site in Lingshi County, Shanxi Province. The overall shape is oval, resembling a crouching animal. The front of the lid is shaped like a dragon's head, and the back is shaped like an animal face. The body of the vessel features a main animal face pattern formed by three vertical ridges as the central axis, employing three layers of patterns, displaying the mysterious and fierce style of Shang Dynasty bronzes.
8. Western Zhou Dynasty Bronze Chariot with a Amputated Figure Guarding the Game
Unearthed in 1989 in Wenxi County, Shanxi Province, this small chariot can be pulled by a ring and also turned by hand. It has 15 rotating parts, a unique design, exquisite craftsmanship, and is extremely rare. Even more astonishing are the four small, pointed-beaked birds on the carriage lid, which can be easily turned by a flick of the hand, and some can even be turned by a gentle breath. Although small, this carriage is one of the most representative artifacts of the Western Zhou Dynasty in terms of bronze casting technology and mechanical manufacturing. Was such an exquisitely complex bronze object truly intended as a small square box used by nobles to store miscellaneous items? Was the ingenious design merely to enhance the enjoyment of handling it? Its purpose is puzzling, but its ingenuity is truly remarkable.
9. Western Zhou Jin Marquis Su Bells Unearthed in 1992 from Tomb No. 8 of the Jin Marquis Cemetery in Beizhao Village, Quwo County, Shanxi Province, this set of 16 bells can be divided into two groups of eight, arranged in two rows with harmonious scales and tones. The inscription recounts the story of King Li of Zhou's personal expedition to the eastern and southern states in the thirty-third year of his reign, making it extremely important for the study of Western Zhou and Jin history.
10. Han Dynasty Painted Goose and Fish Bronze Lamp
This is an ingeniously designed lampstand. A goose stands upright, looking back and holding a fish in its beak. The goose's neck connects to the lamp body with a mortise and tenon joint. The fish's body, the goose's beak, the neck, and the hollow body are all connected. The circular lampstand has a handle, and the base can rotate freely. The ring foot under the base fits into the goose's back. Unearthed in 1986 in Wuxingzhuang, Xiangfen County, Shanxi Province, it is over 2000 years old. The tomb owner was a nobleman from the late Western Han Dynasty.
11. Han Dynasty Hu Fu Wine Vessel
A wine vessel is a container for holding wine, but this one is surprisingly large! It is 34.7 cm high, 65.5 cm in diameter, and weighs over 100 jin (approximately 50 kg). The entire vessel is gilded and painted, a very rare technique. The body is painted with animal patterns such as tigers, elephants, deer, and horses, vividly depicted. Unearthed in 1962 in Dachuan Village, Youyu County.
The inscription on the rim of the vessel serves as its identification: "Bronze wine vessel of Hu Fu from Yincheng, Juyang, weighing 120 jin, made in the third year of the Heping era (26 BC)." The inscription refers to the area north of present-day Yingxian County and southeast of Shuozhou.
12. Sui Dynasty Yu Hong Tomb White Marble Coffin
This is a colossal object! It is 217 cm high, 295 cm long, and 220 cm wide. Unearthed in 1999 from the tomb of Yu Hong, dated to the twelfth year of the Kaihuang era (592 AD), in Wangguo Village, Taiyuan City. The overall structure resembles a three-bay, intermittently perched wooden house with a gable roof. Made of white marble, it consists of a base, the body of the coffin, and the top, along with eight stone lions supporting the coffin.
Both the interior and exterior of the coffin are carved and painted, composed of over 50 individual patterns depicting scenes of banquets, music and dance, hunting, domestic life, and travel. The figures depicted in the design have deep-set eyes, high noses, and black hair, belonging to the Mediterranean Caucasian race. Their clothing, utensils, musical instruments, dances, and even the depiction of flowers and trees all exhibit strong Central Asian and Persian styles. This showcases the diverse cultural backgrounds of the tomb's occupant and serves as important historical material for the study of cultural exchange between China and other countries.
The tomb's occupant, Yu Hong, was from the Central Asian kingdom of Yu. He entered China during the Northern Qi dynasty and served under the Northern Qi, Northern Zhou, and Sui dynasties. He was a wealthy, high-status, and successful foreigner.
These are all undisputed national treasures! The first four are national treasures permanently prohibited from being exhibited abroad.
Now, let me recommend another incredibly cute little item!
Its name is the Owl-shaped Wine Vessel. Look closely, and it's shaped like an adorable cartoon "Angry Bird."
This is a late Shang Dynasty bronze wine vessel, unearthed in 1956 in Erlangpo Village, Shilou County, Shanxi Province. Its unique owl design has earned it the title of "the cutest artifact of the Shang Dynasty."
Two small owls stand back to back, their lids adorned with sharp beaks and raised, patterned eyes. Their bellies are decorated with raised whorls representing the owl's wings, and their powerful, animal-shaped feet grip in four directions, emphasizing their proud and imposing presence.
Owl-shaped artifacts appeared in the prehistoric Hongshan and Yangshao cultures, and pottery owls have been unearthed at Neolithic sites. The *you* (卣) is an important part of ancient Chinese wine vessel culture. This adorable image has already been used by the Shanxi Provincial Museum to develop cultural and creative products! Cute little things.
The other three items are a camel figurine eating a cake, a beautifully crafted wine vessel, and a finely crafted Buddha statue.
Appendix: Visitor Information:
Opening Hours: 9:00-17:00 (last entry at 16:00), closed Mondays.
Admission: Free, advance reservation required (under 60 years old).
Don't be disappointed if you can't get a reservation, try again! Key times: 10 PM and 8 AM.
For museum lovers, bring some light food – you might as well spend a whole day there!
Museums
The Shanxi Museum was the hardest museum to book during our 18-day trip. You need to book three days in advance, and even then, you have to book at 10 PM sharp. If you can't book three days in advance, you can try again at 8 AM the next morning, but all the slots for that day are snapped up within minutes! If you still can't get a slot, just wait; there might be more available. I tried repeatedly and managed to book twice in four days – a truly worthwhile trip!
Booking is difficult! And there are so many people. Fortunately, the exhibits are equally amazing!
The Shanxi Museum houses over 650,000 artifacts (sets), including over 40,000 precious artifacts (sets) and 1,650 first-class cultural relics (sets), specializing in bronzes, tomb murals, and ancient books. The exhibition is themed "The Soul of Jin," featuring a large "Jin" character against a cool, culturally rich yellow-brown background. It's a great spot for photos.
The museum has four floors, with the main treasures on the second floor. It's divided into seven historical and cultural sections: Cradle of Civilization, Traces of the Xia and Shang Dynasties, The Hegemony of the Jin State, Melting Pot of Ethnic Groups, Buddhist Legacy, Hometown of Opera, and Shanxi Merchants of the Ming and Qing Dynasties.
There are also five art sections: Civil Engineering Splendor, Mountain and River Elites (or Jade and Chinese Heritage), Calligraphy and Painting, The World Within a Square and Circle, and Porcelain Art.
The twelve most prized treasures are:
1. Western Zhou Bird-Shaped Zun: The number one treasure! This Western Zhou bronze ritual vessel is shaped like a phoenix, with an elephant tail and two legs forming a tripod, making it particularly famous. It stands proudly on the first page of the exhibition catalog and is also the prototype for the Shanxi Provincial Museum's logo and emblem.
Dating back approximately 3,000 years, the vessel bears the inscription "Made by the Marquis of Jin for the Imperial Sacrificial Ceremony," indicating it was a ritual object used in the ancestral temple of the Marquis of Jin, witnessing the founding history of the Jin state.
2. Western Zhou Jade Pendant Set Unearthed from the Tomb of the Marquis of Jin
This jade pendant set, when unfolded, is 2 meters long! Unearthed in 1993 from Tomb No. 63 of the Marquis of Jin Cemetery in Quwo County, Shanxi Province, it is the largest jade ritual object set unearthed from the entire Jin Marquis Cemetery, consisting of 204 pieces including jade huang (crescent-shaped pendants), jade heng (wine pendants), jade tubes, glass beads, and agate tubes. Exquisitely crafted, it is currently the largest jade pendant set discovered in tombs of the same period in China, holding a pivotal position in the history of Chinese jade artifacts.
3. Lacquered Wooden Panel Painting Unearthed from the Tomb of Sima Jinlong of the Northern Wei Dynasty
We just saw this at the Taiyuan Museum! Exquisitely beautiful. It turns out they are on display in two parts. (Moreover, what is on display is a replica; the original is in the collection): Unearthed in Shijiazhai, Datong in 1965, this artifact dates to the eighth year of the Taihe reign of the Northern Wei Dynasty. The front and back are painted with stories of virtuous scholars and women preaching, filling a gap in the collection of early Northern Wei paintings. It possesses extremely high value in terms of craftsmanship, painting, and calligraphy.
4. Shang Dynasty Dragon-Shaped Wine Vessel: A Shang Dynasty bronze wine vessel, 19 cm high and 43 cm long, unearthed in Taohuazhe Village, Shilou County in 1959. The entire vessel is shaped like a dragon, with the front forming a dragon's head, bared teeth, raised, and glaring eyes. The lid is decorated with dragon patterns, while the sides of the belly are decorated with spiral and cloud patterns. The main decorations are alligator and kui dragon patterns, creating a dynamic effect. Crucially, alligator patterns are extremely rare in bronze artifacts; an alligator is a type of crocodile.
5. Yangshao Culture Miaodigou Painted Pottery Jar: A red pottery jar from the Yangshao Culture, dating back approximately 5300-5800 years. The upper part of the vessel is painted with swirling petal patterns (hooked leaf and dotted patterns), abstractly representing flowers, typical of the Yangshao culture of the Neolithic period. It is also typical evidence of prehistoric "flower totems." The upper part is painted, while the lower part is plain and polished. It was formed using the coil-building method and is known as the "prehistoric rose of Shanxi" 🌹🌹🌹 Beautiful, exceptionally beautiful!
It is 45 cm high, with a mouth diameter of 35 cm, a maximum belly diameter of 43 cm, and a base diameter of 15.6 cm. Unearthed in 1989 in Jinshengzhuang Village, Ruicheng County, it is made of red pottery with a polished surface. It is large in size and beautifully shaped, and remarkably, it is still intact! Truly rare.
6. Houma Covenant Texts from the Spring and Autumn and Warring States Periods. Unearthed in 1965 at the Jin State site in Houma City. The vast majority are gui-shaped, the longest being 32 cm, with some circular and irregular shapes. The text is mostly written in red ink, with a few in black ink. Of the 656 pieces with legible inscriptions, some containing over 200 characters and others just over 10, these jade pieces are called "Covenant Texts" because the inscriptions contain the words of oaths and agreements made between various vassal states or high-ranking officials during the Spring and Autumn and Warring States periods. The script belongs to the official script of the Jin state during the Spring and Autumn period and is very important for studying the history of the Spring and Autumn and Warring States periods and the late Jin state.
7. Shang Dynasty Animal-Shaped Wine Vessel
This is a wine vessel from the Shang Dynasty, unearthed in 1976 at the Jingjie site in Lingshi County, Shanxi Province. The vessel is oval in shape, resembling a crouching animal. The front of the lid is shaped like a dragon's head, and the back is shaped like an animal face. The body of the vessel features a main animal face pattern formed by three flanges as the central axis, employing three layers of patterns, displaying the mysterious and fierce style of Shang Dynasty bronzes.
8. Western Zhou Dynasty Bronze Chariot with a Figure of a Man with Amputated Feet Guarding a Game
Unearthed in 1989 in Wenxi County, Shanxi Province, this small chariot can be pulled by a ring and also turned by hand. The chariot has 15 rotating parts, a unique design and exquisite craftsmanship, making it extremely rare. Even more astonishing are the four small, pointed-beaked birds on the lid, which can be easily turned by a touch, some even by a gentle breath. Although small, this chariot is one of the most representative artifacts of the Western Zhou Dynasty in terms of bronze casting technology and mechanical manufacturing. Was such an exquisitely complex bronze object truly intended as a small square box for storing miscellaneous items by nobles? Was its ingenious design merely to enhance the enjoyment of handling it? Its purpose is puzzling, but its ingenuity is truly remarkable.
9. Western Zhou Jin Marquis Su Bells Unearthed in 1992 from Tomb No. 8 of the Jin Marquis Cemetery in Beizhao Village, Quwo County, Shanxi Province, this set of 16 bells can be divided into two groups of eight, arranged in two rows with harmonious scales and tones. The inscription recounts the story of King Li of Zhou's personal expedition to the eastern and southern states in the thirty-third year of his reign, making it extremely important for the study of Western Zhou and Jin history.
10. Han Dynasty Painted Goose and Fish Bronze Lamp
This is an ingeniously designed lampstand. A goose stands upright, looking back and holding a fish in its beak. The goose's neck connects to the lamp body with a mortise and tenon joint. The fish's body, the goose's beak, the neck, and the hollow body are all connected. The circular lampstand has a handle, and the base can rotate freely. The ring foot under the base fits into the goose's back. Unearthed in 1986 in Wuxingzhuang, Xiangfen County, Shanxi Province, it is over 2000 years old. The tomb owner was a nobleman from the late Western Han Dynasty.
11. Han Dynasty Hu Fu Wine Vessel
A wine vessel is a container for holding wine, but this one is surprisingly large! It is 34.7 cm high, 65.5 cm in diameter, and weighs over 100 jin (approximately 50 kg). The entire vessel is gilded and painted, a very rare technique. The body is painted with animal patterns such as tigers, elephants, deer, and horses, vividly depicted. Unearthed in 1962 in Dachuan Village, Youyu County.
The inscription on the rim of the vessel serves as its identification: "Bronze wine vessel of Hu Fu from Yincheng, Juyang, weighing 120 jin, made in the third year of the Heping era (26 BC)." The inscription refers to the area north of present-day Yingxian County and southeast of Shuozhou.
12. Sui Dynasty Yu Hong Tomb White Marble Coffin
This is a colossal object! It is 217 cm high, 295 cm long, and 220 cm wide. Unearthed in 1999 from the tomb of Yu Hong, dated to the twelfth year of the Kaihuang era (592 AD), in Wangguo Village, Taiyuan City. The overall structure resembles a three-bay, intermittently perched wooden house with a gable roof. Made of white marble, it consists of a base, the body of the coffin, and the top, along with eight stone lions supporting the coffin.
Both the interior and exterior of the coffin are carved and painted, composed of over 50 individual patterns depicting scenes of banquets, music and dance, hunting, domestic life, and travel. The figures depicted in the design have deep-set eyes, high noses, and black hair, belonging to the Mediterranean Caucasian race. Their clothing, utensils, musical instruments, dances, and even the depiction of flowers and trees all exhibit strong Central Asian and Persian styles. This showcases the diverse cultural backgrounds of the tomb's occupant and serves as important historical material for the study of cultural exchange between China and other countries.
The tomb's occupant, Yu Hong, was from the Central Asian kingdom of Yu. He entered China during the Northern Qi dynasty and served under the Northern Qi, Northern Zhou, and Sui dynasties. He was a wealthy, high-status, and successful foreigner.
These are all undisputed national treasures! The first four are national treasures permanently prohibited from being exhibited abroad.
Now, let me recommend another incredibly cute little item!
Its name is the Owl-shaped Wine Vessel. Look closely, and it's shaped like an adorable cartoon "Angry Bird."
This is a late Shang Dynasty bronze wine vessel, unearthed in 1956 in Erlangpo Village, Shilou County, Shanxi Province. Its unique owl design has earned it the title of "the cutest artifact of the Shang Dynasty."
Two small owls stand back to back, their lids adorned with sharp beaks and raised, patterned eyes. Their bellies are decorated with raised whorls representing the owl's wings, and their powerful, animal-shaped feet grip in four directions, emphasizing their proud and imposing presence.
Owl-shaped artifacts appeared in the prehistoric Hongshan and Yangshao cultures, and pottery owls have been unearthed at Neolithic sites. The *you* (卣) is an important part of ancient Chinese wine vessel culture. This adorable image has already been used by the Shanxi Provincial Museum to develop cultural and creative products! Cute little things.
The other three items are a camel figurine eating a cake, a beautifully crafted wine vessel, and a finely crafted Buddha statue.
Appendix: Visitor Information:
Opening Hours: 9:00-17:00 (last entry at 16:00), closed Mondays.
Admission: Free, advance reservation required (under 60 years old).
Don't be disappointed if you can't get a reservation, try again! Key times: 10 PM and 8 AM.
For museum lovers, bring some light snacks—you might as well spend a whole day there!
Museum