On the endless northwest desert
On the 5th day of self-driving, we, who have been heading west all the way, left Jiayuguan and began to enter the Gobi area.
Along the way, apart from the highway, there is endless yellow sand on the left and right, which is very trance and very comfortable. I even briefly understood those poets who call the city a 'steel cage', feeling that people should feel the vast world like this.
"Sculpture group on the Gobi Desert
After leaving Jiayuguan, the roads on both sides have become monotonous earthy yellow without even roadside trees, and the atmosphere of the desert is coming. I complained with Dapi, no wonder the self-driving guides on the Internet are all 'Gannan route', our Hexi Corridor route is too boring.
Dapi started chatting with me about Jiayuguan: In the Ming Dynasty, Jiayuguan was a border pass, and it was the only legal route for Western Region envoys to go to the Central Plains of the Ming Dynasty. So it's normal to be desolate after leaving Jiayuguan, which is equivalent to being outside the pass.
I didn't listen carefully, just looking out the window in a daze, the vast sand land is a large blank, as if it has outlined many stories, and finally covered by yellow sand. Not long after being pretentious, I arrived at Guazhou, where the very popular 'Gobi Desert Sculpture Group' is located. It is said to be a group, but the sculptures worth seeing are only three: Hanwu Xiongfeng, Son of the Earth, and Boundless.
The first thing I saw was Hanwu Xiongfeng. I could see the portrait of Emperor Hanwu standing there from a distance. Behind him and on both sides were rolling sand dunes, as if Emperor Hanwu was leading a million soldiers behind him, full of momentum.
Less than a kilometer away is the Son of the Earth. What you see with the naked eye is a child lying between the vast world, with a calm expression, which is very shocking.
Boundless is my favorite, a palace door rises from the desert, as if you can go to another illusory world through this door, very evasive.
Many people are taking pictures near the sculpture. In fact, these three sculptures are very suitable for viewing from a distance, blending with the desert, endless meaning and reverie. Looking closer, it demystifies, the traces of human carving are obvious, and the space for imagination is suddenly lost.
"Yumen Pass is endless loneliness
The sculpture group in Guazhou is only more than two hours drive from Yumen Pass. There is not much difference between taking the national highway and the expressway. The two roads are adjacent and parallel, like drawing two parallel lines between two points in the desert, connected by roads. After passing Dunhuang, there are fewer and fewer cars, and even road signs no longer appear. After the mobile phone signal is cut off, the music in the car stops abruptly, and we realize a long loneliness.
The overwhelming yellow sand gives people a sense of loss that is rarely seen by humans, leaving only a straight road that cannot see the end to prove its direction. Dapi couldn't stand this loneliness, drove the car off the highway, and started running on the sand. The road surface immediately became bumpy, the seat belt automatically tightened, and the sand rolled up by the wheels did not stop us from rolling down the car windows, because the extra money spent on renting off-road vehicles was somewhat worthwhile at this moment, and Dapi called this 'the joy of a child stepping on a puddle'.
On the way, we passed a place that looked very much like the 'Yumen Pass Toll Station'. We stopped the car and walked around and found that this gate building had been abandoned. Dapi suddenly mentioned, doesn't it look like the abandoned gate buildings everywhere in the end-of-the-world shooting game we played. After another ten minutes, we finally arrived at the Yumen Pass Scenic Area.
Before coming, all the infinite reveries about Yumen Pass were drowned by the yellow sand along the way, and only a few poems about Yumen Pass were left in my mind, such as Li Bai's 'Long wind for thousands of miles, blowing through Yumen Pass', and Wang Zhihuan's 'Why should the Qiang flute complain about willows, the spring breeze does not pass Yumen Pass'. I used to think that Wang Zhihuan's poem was just a mood, but when I arrived at the scene, I found out that it was actually realistic, and the spring breeze really couldn't blow to Yumen Pass.
Yumen Pass looks like a very, very small mound, and there may not be a hundred people standing inside. It is said that historians believe that this is not the real Yumen Pass, but inferred from geographical location and some archaeological discoveries. The real Yumen Pass may have been blown away by the wind.
We walked around Yumen Pass, three sides of the desert, and a view of water and grassland in the distance. Dapi pointed out that that piece was the 'outside the pass' often written in novels. My thoughts were still on the endless desert that I had just passed by. How did people pass by thousands of years ago.
Returning to Dunhuang from Yumen Pass is another hour of boring desert journey. We didn't drive for a long time this day, but we were exhausted and didn't even have the mood to be excited about arriving in the legendary city of Dunhuang.
I didn't know until I arrived. Dunhuang is not even a prefecture-level city, just a small county town. There is not much to visit except the night market. We are also tired enough, just sitting in line for dinner in front of a huge fire mutton shop, watching the sky slowly sink outside, and suddenly feeling down, there are still two days to return, but there are so many places I haven't been to.
Very creative, a little baby is quietly lying in the arms of the earth mother, quietly sleeping, you can come and see, but it is not recommended to come as a separate attraction. There are no other attractions around.
In Dunhuang Guazhou, a famous attraction was hidden in the Gobi desert, and a statue similar to a baby became a place for net red punching. The statue resembles a sleeping baby lying on the ground, and the human standing in front of the sculpture may not even be the size of her finger. The sculpture that crawls and sleeps is called “Son of the Earth.”
This Gobi desert hides a famous attraction. A statue similar to a baby has become a place for net red punching. It is like a baby sleeping on the ground. It was designed by the professor of the Tsinghua Academy of Fine Arts. It took a year to complete. And this lying sculpture has the name "son of the earth".
@Gansu Province Jiuquan City Guazhou County Dunhuang East Line can pass by and punch a card in the endless desert in the northwest suddenly there is a sculpture and desert companion. The greatness of life is manifested in loneliness. He lay on the ground, showing a quiet look, the desert like a mother's arms, can let the baby sleep peacefully, show the scene of the common existence of life and nature, and the reproduction of life.
Although it is a sculpture, it looks like a real baby: a cute expression, closed eyes, and lying quietly, sleeping peacefully like a child in the arms of his mother. We humans are like the children of the mother of the earth, through such a sculpture, awaken people to protect the environment, protect the earth concept, hope that mankind will create a more harmonious and beautiful living environment.
One stop of the northwest self-driving tour, you can check it out along the way.
Son of the earth ~~~! Like like like ~~~~