It seems that the purpose of this journey is to gain experience, which is rightly the most important stop of my independent journey. Of course, it was equally unexpected that I didn't finish reading it, so that at the end of the day I cried because I missed the treasure house. The agate cup of the head of beast is certainly not unfamiliar to the cultural museum enthusiasts, but it was never expected that the second largest museum of history in China would hide the national treasure in the charging area, so that I thought I was old-fashioned and regarded it as a pheasant house... Say so, basically besides Duo Youding, Lu Hou Yuxi and Wei Qing's gold, bronze and bamboo fumigation stove, I missed all the treasures of other town halls. Of course, I also know that this is not my last visit, so I'm not too concerned about it afterwards. But at least it shows the negligence of the old museum in guiding tours. Although I know that there are a few visitors who maintain a high sensitivity to cultural relics like me, I should also understand that the real value created by your museum lies in these few visitors. As a frequent visitor to the museum, I took seven pages of notes honestly this time, so that I did not pay close attention to the details of the cultural relics. Although the number of visitors has not decreased due to the weather, it is also unhindered. After all, tourists are willing to find explanations and encounter a lot of things, especially for the understanding of individual cultural relics. The main thing still depends on the basic display. Three exhibition halls were set up at the time of Qin and Han Dynasties and at the two nodes of the Northern and Southern Dynasties. Richness is clear in the context, which is one of the most important things I have ever been to before. Now, I think we can basically talk about the history of the land of the three Qin Dynasty, even though it has been sorted out clearly since the Lantian people's period. Specific cultural relics aside, talk about a few touches. The first is the bronze wares. Bronze itself is a national treasure, because its production skills and regulatory value will be slightly higher than other materials of cultural relics, especially in the Xia and Shang Dynasties, the most precious, but the most refined Zhou. In Henan, bronze in Shang Dynasty is more common, but wherever it is, it is far less than the number and the essence of skills seen in Li Bo. In terms of size, no less than ten pieces can match the stepmother Wuding. In terms of types, almost all the functional vessels recorded in the Pre-Qin Dynasty are covered, and even some of them are only found here. In terms of workmanship, each one is well preserved and exquisite and meticulous. During this period, there were many Shang bronzes, but after all, they only existed in the eastern part of Shaanxi Province and were far away from the center of commercial civilization, so they lacked fine products. The second is the change of Xi'an city. From the establishment of Zhou people to the prosperity of Chang'an City in Tang Dynasty, many infrastructures in the city have been largely used, and the wisdom of the ancients in urban planning has also been shared by the people after 3000 years. The third is the prosperous scene of multicultural integration, which is hard to see even in Luoyang, the ancient capital of the Northern Wei Dynasty. Most of Xi'an's history is open, and as a starting point, as early as the Western Han Dynasty, we can see the shadow of foreign culture. In addition to the integration of different nationalities and countries, in the flourishing Tang Dynasty, whether it is daily necessities or tombs, bright color depiction, smooth line sketch, no international metropolis leaps to paper.