Jiexiu Museum Review

The Jiexiu Museum is located on Sanxian Avenue, next to Sanxian Square. The museum is quite large. Although there are not many exhibits, it is very distinctive. The glass exhibition on the first floor and the production process are very image. It is worth a visit.

Take the ID card to get the ticket inside, there are not many open at present, the basic exhibition is on the basement floor, the elevator is not open, the legs and feet are inconvenient for the elderly to pay attention to. The exhibition is better, although the content is not a lot

Chinese calligraphy is an ancient art, from Oracle, Jinwen evolved into Daxu, Xiaoxu, Lishu to the cursive, scribbled, and scribbled in the East Han Dynasty and Wei Jin Dynasty. Calligraphy has always exudes the charm of art, reflecting the spirit of the times with different styles. Overview of calligraphy in the past dynasties, Jin people Shangyun, Tang people Shangfa, Song people Shangyi, Yuanming Shang state, Fu Shan, Shanxi people in the early Qing Dynasty, began to "anti-post and advocate the monument", from the legendary monument and the newly unearthed Han monument book to draw nutrition, calligraphy art is becoming more and more sophisticated, the book is gradually full of vitality. Calligraphy art is a unique treasure in the world, the most typical embodies the beauty of Oriental art and the excellent of Oriental culture, is the splendid flower of Chinese culture. In the long-standing calligraphy tradition, the tools and materials used, the techniques and effects of expression, the artistic phenomena that are colorful, the use of materials or paper foil, or gold stones, or bamboo, the techniques of expression or the book or engraved or cast, the effects or tradition or innovation or moderation, Synthesis of a glorious and dazzling art world. The stone tablet is a special historical document that uses traditional craftsmanship to engrave the text and pictures on the stone, known as the "Book of Stone", commonly known as the "Black Tiger". In order to record important things and grand celebrations in the previous dynasty, the literary form and calligrapher's handwriting were carved by famous craftsmen and carved on cliffs and stone tablets, so the stone has multiple artistic content, and then it is reprinted into axes or pages, which forms the tablet. The tablet is the joint name of the tablet and the tablet. In fact, the tablet refers to the stone inscription of the topography, and the tablet refers to the ink of the ancients, carved on the board or stone. In the early stage of the development of printing, the topography of the tablet and the topography of the tablet are important means of spreading culture. Jiexiu has the reputation of "the city of glaze" since ancient times, the architectural glaze art has a long reputation, the glaze burning history has a long history, and the glaze craftsmanship has a long history. There are monuments as evidence, "Hongshan Temple Repair Buddha Temple", which "the paving, waqiu tile glass" records clearly show that in 970 AD, the building has been laid with glazed tiles, and the front section of the wooden raft of Hongshan Temple Buddha Temple used quality such as "pick" glazed animal face. Compared with the vast Chinese culture ocean, the museum is only a drop in the sea, but it can understand the long and deep history of China and appreciate the charm and style of the multicultural Chinese nation.

Very interesting and a place worth visiting.

这里环境卫生干净整洁，非常值得一去的地方。

水土火的碰撞，产生了绚丽多彩的陶瓷文化，陶瓷是全人类共同拥有的财富，而瓷器是中华民族对世界文明的重要贡献，中国因此而拥有了‘瓷之国度’的美誉。介休洪山陶瓷创烧于唐，历经宋金元明清，千年薪火未断，介休窑精瓷细作，白釉印花、珍珠地划花、白釉镂雕、白釉划花填黑彩、白釉刻花、白釉剔花、白釉黑花、白釉褐花、白釉红花划花等，精品瓷器种类繁多，异彩纷呈，白釉红花划花瓷，是介休窑的精美之作，色彩亮丽，仅见介休窑出品，一向被视为陶瓷艺术中的珍品。黑褐釉盏、碗、盘等器物也大量运用印花装饰，装饰纹样以孩童荡船于莲池较为多见，为介休窑独出，是其典型的代表作品。介休窑白瓷有粗细之分，细胎白瓷烧造量较大，介休窑的白瓷烧造在山西地区宋金时期具最高水平，在烧制素白釉瓷器的基础上，率先进入白釉印花器的烧制，器型工整，纹饰精美，极富艺术性，达到瓷器发展史上的高峰。《中国古陶瓷图典》一书在介绍介休窑时有这样的论述，‘’窑中发现缠枝花及婴戏纹模印，精美程度超过定窑、耀州窑水平‘’。

这里是介休的缩影，琉璃文化全国独一无二